'I' Hindi Audio Launch Stills
http://www.chiyaanvikramfans.in/2015...ch-stills.html
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'I' Hindi Audio Launch Stills
http://www.chiyaanvikramfans.in/2015...ch-stills.html
'Bigg Boss 8': Vikram Promotes 'I', Makes Salman Khan Speak in Tamil
Vikram promoted his forthcoming film "I" on reality TV show "Bigg Boss 8". While the Kollywood star preferred to speak in English, he made Salman Khan speak in Tamil.
http://data1.ibtimes.co.in/en/full/5...han-vikram.jpg
A photo from Vikram's special "I" promotional episode on "Bigg Boss 8".IB Times IndiaA photo from Vikram's special "I" promotional episode on "Bigg Boss 8".IB Times India
Chiyaan's special episode was aired on Monday, 29 December and Salman introduced the "Anniyan" star to the audience by heaping praises on the movie and its quality.
Salman wondered how Vikram manages to look different every time he meets him. It is a known fact that the Tamil star keeps changing his physique every now and then for his films.
Responding to Salman's comment, Vikram jovially said that his wife keeps telling him: "Look at Salman, why can't u become like him!" Chiyaan added that he loves Salman's confidence and attitude.
Vikram compared Salman to Rajinikanth and said that both the stars rise above their scripts. Adding to the fun, Chiyaan even made Salman mouth a few words in Tamil.
This eventually became a debating topic among Tamil cine-goers on social media and his fans praised the actor for the same. Later, Salman claimed that he has seen the promos of the film and he is highly impressed.
Upen Patel, one of the contestants of "Bigg Boss 8", also has a role in "I". The movie will release worldwide on 14 January in Tamil, Telugu and Hindi languages.
"I", which has Amy Jackson in the female lead role, is made with a huge budget and is produced by Aascar Ravichandran. The movie is directed by Shankar. The audio of the Hindi version of the movie has been released on 30 December.
No, the picture is still present, maybe the site is restricted for you. I have sent another link thru private message, check PM and let me know.
Thanks Maapi. I am unable to view it because it is restricted, as you guessed. Will see it after I get home and let you know.
Saw it. Thanks! Not sure whether they will get a U......
Its too early for me to talk much about anything related to the movie "I", keeping in mind not to judge a book by its cover. Everyone puts hardwork in one way or the other - so a hardwork alone is not the button pusher here. In whichever way you look at, the script is what thats going to win. How the script is adapted as a play for the screen is what really matters, be it about ugliness or beauty. To explain this, I take 3 exemples, strictly not on a comparitive note :
1/ The Paris Bell Ringer & the gypsy spy
The Quasimodo story became a hit in whichever format it was published. The gruesome attire of Quasimodo is what lifted the story. Plus, it was well coupled with interesting subplots, that by the end Quasimodo becomes the hero. You forget his appearence but go with his beauty at heart. Thats what was acheived by 'The Hunchback of Notre-Dame'. You also have Dracula & Frankestein (Orginal Version), where at a point of time the ugliness becomes just a screen and what you take back beyond is emotion.
2/ Animal Kingdom - Australian Movie
The film does not have any abnormal makeups, but its about ugly people. You follow a crime family, and somewhere inbetween you start feeling for the bad ones and detesting the worst ones. Purely is not about morals, its basically the experience you get that is induced in the script and transformed into a play.
3/ Alavandhan
The fierce Nandu has always been my exemple of an extraordinary character. He is the snake. And the final episodes, it was filmed in such a way that he can jump out from the screen - he is really scary. But the emotional quoitient is completely lost. The script failed to take into consideration to register anything, positive or negative, about Nandu and the general experience you get is just like coming out of a circus. Eventhough it had some base elements to justify certain aspects in the film, the script did not have enough space to accomodate the interaction between the audience and Nandu, thus the screenplay lacked to establish it.
So, you see, it all about how the character is potrayed and utilised. Sub plots are very important that can get the core of the character out. Shankar should have done something with this other Vikram character for us all to cheerish, but it can be other wise too. That's why I cannot say anything more about these pictures which are increasing my curiosity, but I have to see the film to see what beauty Shankar wants to speak about.