@V_S
One of my most fav. song :D thanks :)
BTW unga posta 'quote' panna mudiyala ennennamO error solluthu vBullettin
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@V_S
One of my most fav. song :D thanks :)
BTW unga posta 'quote' panna mudiyala ennennamO error solluthu vBullettin
Thanks San_K. This song is very close to my heart.
PS: I tried quoting mine and previewed, it appeared fine to me, not sure, if it is due to tamizh fonts.
V_S, I got it, it was because 5 images restriction of Hub policy
ஒரு கூட்டில் சின்ன கோகிலம் இரண்டு
ஒன்று கூடும் இரு வாலிபம் பிரண்டு
நான் எதிர்பார்த்த ராஜாவின் முத்திரைகள் இதன் இரண்டாவது இடை இசையில் கிடைத்தன . அப்படி ஒரு இசையை அந்த இடத்தில் வழங்கியிருப்பார் அனாயாசமாக. அசாத்தியமான கற்பனை வளம். வேகமான ஓட்டம் குறைந்து பாடலுக்கான தாளக்கட்டோடு சேரும் இடம் சொர்க்கம் . இது போன்ற பாடல்கள் எல்லாம் கண்ணை மூடிக்கொண்டு பாலுக்கு கொடுக்கப் படவேண்டியவை . மனோவிற்கு கிடைத்தது அவரது ஜென்ம பலன் .
சரணத்தில் வரும் "குக்கூ குக்கூ குக்குக்குக்கூ" என்ற இடம் ரொம்பப் பிடிக்கும்.
http://www.youtube.com/watch?v=9cb0Gfdoqgw&NR=1
very, very, very, 'Ennio Morricone' ish!
can anyone identify the film ? thx in advance
sounds like moodupani.. let me check...
EVK ? :rolling eyes:
Angey Yaaru Paaru. We need more youthful compositions like this from Raaja.
Kelviyum Naane and Bathilum Naane is again a well UNknown film (starring Karthik, Aruna). The film may be deserved to be unknown but not their songs. Amazing guitar centric songs!
Endrum Vaana VeLiyil, Aadai Kondu Aadum (similar to Aayiram thaamarai mottukkale) or Ninaithu Ninaithu (P Susheela and that second interlude with Veena, makes a beautiful number) or Raja-BSS's excellent Sollikodu, the songs are dearest to me. Since I like them a lot, I mentioned about this in another forum as well.
Endrum Vaana VeLiyil (my favorite and pick) - Starts with super confident guitar (with piano), "bestest" after Ilaya Nila. When Unni Menon starts humming, again that bass guitar chords, unbelievable!! Pallavi again is backed up by guitar riffs. But the first interlude starts surprisingly with a brisk piano and guitar followed by heavy violins. I don't know why Maestro always saves the best for second interlude. The piano run in second interlude is not we hear very often. Beautiful tune and song, but again it has become a rare gem, rather than popular. :(
In Aadai Kondu Aadum, Maestro has done a beautiful jugalbandi between Mridhangam and Guitar (what a combination!) in second interlude. After this juggle bandi is over, observe the sound of guitar, a very new sound. How he accents flute with guitar at the end of interlude, astonishing!!
The surprise bonus package (in all songs) of orchestration are mridhangam, piano and veena supporting the mighty guitar, not to forget the life line, violins.
http://www.thiraipaadal.com/album.ph...R00296&lang=en
Must be for "sustaining interest" till the end.Quote:
Originally Posted by V_S
By the time the thrill of a new pallavi melody & saraNam melody are wearing out (middle pallavi & saraNam 2 are essentially "repeattu" and may turn off some impatient youths) he throws in extra magic to "numb" the listener in bOthai :-)