:exactly:Quote:
Originally Posted by Plum in tweeterese
Printable View
:exactly:Quote:
Originally Posted by Plum in tweeterese
:cool2:Quote:
Originally Posted by NOV
But this can be used for 90% of the negative criticism wherever it come :wink:
aaththirakkaaranukku..... :lol2:Quote:
Originally Posted by Plum
dont mind me pazhani, I am just pulling your leg. ;)
why pazhani ??
Quote:
Originally Posted by Thirumaran
Unagallukkave neraya M.G.R's scenes vachiruken. :D
Et tu, PR? :PQuote:
Originally Posted by NOV
:yes:Quote:
Originally Posted by groucho070
paarthen... naan oththupaen :wink: .. in fact ennaalayae solla mudiyum from MGR movies :PQuote:
Originally Posted by Srimannarayanan
in kizhake pogum rail, in climax , after radhika was selected by a child , a fellow who finds it is radhika from the piece of paper and his expression that time and he tells "aatha paanchaali pera kuduthurakka" to cowndamani
and cowndamani's sad expression for that is too good .
thuppuneengLA :lol2:Quote:
Originally Posted by groucho070
As I have said a tonne of times earliers I have a very restricted range of liking.
I classify MC performance as one where everyone who was making it was applauding Sivaji for whatever he did and he suffered from having no check.
To stop things from getting abstract a la the notorious 'western sensibilities' , or having to buy in the context specific to the performance etc. I am making a very simple comparison
Sivaji in MC vs. Baliah in TM.
Idhai sonnA, NOV kai maNNai ellam edukkurAr.