AR || Sakkarakatti | Kalaprabhu | Shanthanu ||

I think Sakkarakatti will be an average grosser.

http://www.youtube.com/watch?v=76mFsg3rsuc

Down-to-earth A. R. Rahman
It's hard to pin down what exactly it is about A.R. Rahman that makes him so appealing in person. Maybe it's the absence of airs of any kind. Maybe it's the refreshing lack of ennui or cynicism. Or, maybe it's just plain old n iceness, of a simple, down-to-earth variety that's hard to come by these days.
Whatever it is, it works just as effortlessly on the six winners of a Sony music-organised 'Sakkarakatti contest' who get to meet the maestro in his front office late one evening as it does on yours truly. They all go from hushed reverence to easy, happy smiles within minutes. And although he's in the middle of recording for Mani Ratnam's "Ravan", he makes sure everyone's got the pictures they want with him before they leave (see what I mean about nice?).
When we finally sit down for our chat, we start off by discussing the music of "Sakkarakatti", which has now spent over 20 weeks at the top of the charts. "It's interesting to work with this new generation of directors," says Rahman, referring to first-time director of "Sakkarakatti", Kalaprabhu S Dhanu. "They don't carry the same sort of baggage other directors do — they're willing to let go of things that could make a product old and go in a new direction, with new influences."
Possibly no one understands this generational shift in movies and music better than Rahman, who's been part of the industry since he was a child. "In a sense, I've crossed three generations," he says. "I started playing when I was 11 for the older generation of music directors such as M.S. Viswanathan and Ilayaraaja, then came my generation, and I'm embarking on the next one now."
And the key to surviving these shifts is constant reinvention. "I think it's very important to drop certain things and attain a newer mindset," he says. "That's why I'm thrilled to see that "Sakkarakatti" is doing well — because most of the songs are next generational."
How so? He expands on his theme: "For instance, 'Muqabala' was a popular song of the nineties, while 'Taxi Taxi' is what's popular now. For melodious songs, the essence of melody remains, but the shell changes, as with 'Marudaani'. And 'I miss you da' has futuristic touches within a traditional structure."
Of course, it isn't all about the new and futuristic. One of the most talked about projects that Rahman is currently working on is period film "Marmayogi", which sees a reunion of sorts between him and Kamal Haasan. "Well, this is first time I'm working with him when he's directing — earlier, he was a spectator to the process, whereas now, his own taste and essence is emerging," he says. And how is that working out? Rahman says with a chuckle, "I think it took us a while to tune up, but now we're vibing!"
He describes it as a "period movie that's contemporary in every sense, with a '300'-ish quality about it." Then there's Gautam Menon's "Chennaiyil Oru Mazhaikalam", Shankar's "Enthiran", "Ravan", Subhash Ghai's "Yuvraj", not to mention Danny Boyle's "Slumdog Millionaire" that just won the People's Choice Award at the Toronto International Film Festival. . Whew! And that's not even the entire list.
"Fortunately or unfortunately, I work on three different planes now with Tamil, Hindi, and international projects," he says, adding ruefully, "So it's like I'm trying to keep everyone happy. My kids are growing up as well and I need to spend more time with them. It's hard, sometimes exhausting, but all the love I receive keeps me going."
Indeed, he does look tired, but he poses obligingly next to a pair of keyboards, a mixer and a recorder mounted on the wall of his office as we wrap up the interview. That set of equipment has a special place in his heart, it turns out — it's what he used for his breakthrough hit "Roja". "I used it all the way up to 'Vande Mataram'," he says, as I get a few goosebumps at the thought that I'm looking at a little piece of cinematic history.
Then, although it's nearly 9 p.m., it's back to the studio for him — "Ravan" awaits — and I take my leave.

Quote:

---

Originally Posted by baba88

Down-to-earth A. R. Rahman
It's hard to pin down what exactly it is about A.R. Rahman that makes him so appealing in person. Maybe it's the absence of airs of any kind. Maybe it's the refreshing lack of ennui or cynicism. Or, maybe it's just plain old n iceness, of a simple, down-to-earth variety that's hard to come by these days.
Whatever it is, it works just as effortlessly on the six winners of a Sony music-organised 'Sakkarakatti contest' who get to meet the maestro in his front office late one evening as it does on yours truly. They all go from hushed reverence to easy, happy smiles within minutes. And although he's in the middle of recording for Mani Ratnam's "Ravan", he makes sure everyone's got the pictures they want with him before they leave (see what I mean about nice?).
When we finally sit down for our chat, we start off by discussing the music of "Sakkarakatti", which has now spent over 20 weeks at the top of the charts. "It's interesting to work with this new generation of directors," says Rahman, referring to first-time director of "Sakkarakatti", Kalaprabhu S Dhanu. "They don't carry the same sort of baggage other directors do — they're willing to let go of things that could make a product old and go in a new direction, with new influences."
Possibly no one understands this generational shift in movies and music better than Rahman, who's been part of the industry since he was a child. "In a sense, I've crossed three generations," he says. "I started playing when I was 11 for the older generation of music directors such as M.S. Viswanathan and Ilayaraaja, then came my generation, and I'm embarking on the next one now."
And the key to surviving these shifts is constant reinvention. "I think it's very important to drop certain things and attain a newer mindset," he says. "That's why I'm thrilled to see that "Sakkarakatti" is doing well — because most of the songs are next generational."
How so? He expands on his theme: "For instance, 'Muqabala' was a popular song of the nineties, while 'Taxi Taxi' is what's popular now. For melodious songs, the essence of melody remains, but the shell changes, as with 'Marudaani'. And 'I miss you da' has futuristic touches within a traditional structure."
Of course, it isn't all about the new and futuristic. One of the most talked about projects that Rahman is currently working on is period film "Marmayogi", which sees a reunion of sorts between him and Kamal Haasan. "Well, this is first time I'm working with him when he's directing — earlier, he was a spectator to the process, whereas now, his own taste and essence is emerging," he says. And how is that working out? Rahman says with a chuckle, "I think it took us a while to tune up, but now we're vibing!"
He describes it as a "period movie that's contemporary in every sense, with a '300'-ish quality about it." Then there's Gautam Menon's "Chennaiyil Oru Mazhaikalam", Shankar's "Enthiran", "Ravan", Subhash Ghai's "Yuvraj", not to mention Danny Boyle's "Slumdog Millionaire" that just won the People's Choice Award at the Toronto International Film Festival. . Whew! And that's not even the entire list.
"Fortunately or unfortunately, I work on three different planes now with Tamil, Hindi, and international projects," he says, adding ruefully, "So it's like I'm trying to keep everyone happy. My kids are growing up as well and I need to spend more time with them. It's hard, sometimes exhausting, but all the love I receive keeps me going."
Indeed, he does look tired, but he poses obligingly next to a pair of keyboards, a mixer and a recorder mounted on the wall of his office as we wrap up the interview. That set of equipment has a special place in his heart, it turns out — it's what he used for his breakthrough hit "Roja". "I used it all the way up to 'Vande Mataram'," he says, as I get a few goosebumps at the thought that I'm looking at a little piece of cinematic history.
Then, although it's nearly 9 p.m., it's back to the studio for him — "Ravan" awaits — and I take my leave.

---

nicely written. and the first time i listened to sakarakatti, i knew it was a trendsetter. loving miss u da. very futuristic and random, yet so musically powerful and heart-touching.

He describes it as a "period movie that's contemporary in every sense, with a '300'-ish quality about it." Then there's Gautam Menon's "Chennaiyil Oru Mazhaikalam", Shankar's "Enthiran", "Ravan", Subhash Ghai's "Yuvraj", not to mention Danny Boyle's "Slumdog Millionaire" that just won the People's Choice Award at the Toronto International Film Festival. . Whew! And that's not even the entire list. :2thumbsup:

:omg:! i cant wait!!!!

hehe
:D

'Sakkarakatti' sweeps a clean U certificate
IndiaGlitz [Wednesday, September 24, 2008]

'Sakkarakatti' with its post production work complete, made it to the censor board for certification. The movie starring Shanthanu opposite Vedhika and Ishita is set to hit the silver screen on Friday, 26th September.

The movie acclaimed laurels for its brilliant musical composition done by AR Rahman. Being directed by producer Kalaipuli S Dhanu's son, Kala Prabhu the movie has generated expectation because of its producer, whose earlier records holds a series of blockbusters.

The flick holds some awesome theme music composed by the songster which will be a treat for die hard Rahman fans as preened by the director.

Nearing the date of release, the movie was screened for the committee members of the censor board recently. A clean 'U' certificate was issued to the movie without any deletion of footage. The cast & crew are elated by this and are eagerly awaiting the release of the movie shortly.

http://www.indiaglitz.com/channels/t...cle/41781.html

Good news, I can see the movie with my younger cousins. :)

No news from Ayngaran yet about release in UK tho....I don't think were gonna get it on 26th September. :(

Nakku Mukka.. takes on Taxi Taxi..!

Moviebuzz | Wednesday, 24 September , 2008, 11:17


It is a classic confrontation this week at the box- office.

Two films with debutants and having chartbusting songs- Kathalil Virunthe and Sakkarakatti are going for each others throat, as they try to woo youth audiences.

The producers of both the films are good friends on the same side of the political divide and have tried desperately not to clash. But both want their films to have at least a four-week run before Diwali, so are forced to release on Sep 26.

On Tuesday (Sep 23), Sakkarakatti got cleared by the censors, with a clean 'U' certificate. The producer of the film, Kalaipuli S Thanu, says he is planning the biggest ever release for his film this Friday.

booked tickets for first day evening show in Santham......keeping fingers crossed :) .....hope movie will be sittable atleast :lol:

'sittable'-la illama iruntha kuda parava illai!but kathir movie mathiri illama irutha pothum! 'setthum'

heroin intruducing agum bothu,kavithai paadi,malar thoovi....[vaitha kalakuthu nenechale...] :shaking: :shaking:

Sakkarakkatti gets U certificate
Prasanna Singh [September 24, 2008, 5:04:56 PM]

The Censor Board has cleared Sakkarakkatti (starring Shantnoo Bhagyaraj, Ishitha and Vedhika) with a U certificate and without even a single cut.

Sakkarakkatti is the debut vehicle for hero Shantnoo (Bhagyaraj’s son) and director Kala Prabhu (Kalaipuli Dhanu’s son).

Sakkarakkatti became famous for its song ‘Taxi Taxi? which was an instant hit. Its sheen and popularity even compelled the filmmakers to reshoot the original video. A.R. Rahman, before starting to compose for this film, promised that his work in this film will make everyone undergo the same pleasant feeling they had when they listened to him for the first time in Roja. Well, the maestro has fulfilled his promise.

Sakkarakkatti will be a wholesome youthful entertainer with its peppy music by A.R. Rahman, incredibly beautiful narration by Kala Prabhu, fresh and young faces and excellent cinematography by Andrew.

http://tamil.galatta.com/entertainme...ate_18866.html

'Sakkarakatti' release tomorrow
- 25.09.2008
http://www.cinesouth.com/masala/hotn...092008-3.shtml