Rajini's reaction
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:rotfl3::rotfl3::rotfl3:
Bala
unga fan agitten :bow:
Bala - :rotfl: :rotfl3:
:rotfl: ayyo mudiyalada saami
Heh heh :PQuote:
Originally Posted by Plum
yOv. oru dikkinified gendilman-ai paththi enna pEchchu pEsureenga :lol2: Anupankheer is shown as 'vivacious' but AlokNath is reserved.Quote:
Originally Posted by Plum
His first vaNakkam at the Ramji(!) mandhir cum guest house and Reemaji's expression when doing badhil vaNakkam, is understated. Backstory and all is told to us later.
And btw Kakaji no marriage sir. It is left to your inference why. Serious - not flirtatious 'ngREn.
What I like about the movie how some (definitely not all) character portrayals go the extra mile than the regular films: Eg. Lallu being 'bEta jaisA' is a paNakkaara kudumba cliche. But the way they show it, is not at all regular.The Renuka Shahane-Laxmikant Berde relationship apart, there are so many things that come naturally.
When the letter comes and he has to leave for town, Salman says: chal Lallu, mein teri jaanE ka intezaam karta hoon. Not even attracting attention to it.
And then when Salman-Renuka leave for Anupam Kher's house, Alok Nath says: "yesterday Lallu left, and today you folks...". The emotional moment of the previous scene has been forgotten and the mood is bright and sunny in this next scene. There is no need to mention Lallu. In fact there is a need NOT to. But it is like Alok Nath truly feels the progressive vacuum!
Of course, even when things are in focus I like them. Like when Renuka says: "thu kabsE chOttA ho gaya rE?", my eyes well up. Every time.
But the ones that are incidental and throwaway are impressive- when the Mamaji comes home to propose the alliance and first shows the photo, Chameli enters the room to serve tea. Salman - shows her the photo and she smiles and nods approvingly.
Of course. adhula edhuvum sandhEgamE illai.Quote:
Originally Posted by Plum
Madurai Jaihindapuram Amirtham A/C theatre- where it ran for 365 days - is not Royapetta Melody type sEttu theatre. It was very much a local audience driven hit.
And the Hindi awareness of the clientele is such that I am Hindi pandit range there :lol2: purinja varaikkumE munnootharuvathanju naaL-nA...
The shot of 'hukum aap ka thaa, jo mainE na maanA' in 'Didi Tera Dewar' song with Salman in knightly kneel used to get thunderous applause (by which I have admitted I have watched the film more than once in the theatre!). Inflation adjustment, business model change ellAm vachu, there may be 'more successful' films after that. But in terms of 'will of the people' I think HAHK is possibly the film watched by most people in India.
DDLJ ellAm louu subject saar. adhukku eppadi kaNNula thaNNi varumngrEn ?Quote:
Originally Posted by Plum
M.A. M.A. plAsaby plAsaby!
With this, and your confession on sibling issues welling up your eyes earlier, oru pattern form Agudhu illai?
padikkAdha mEdhai - tears
vasandha mALigai - pOyum pOyum vANisreekkaaga
Q: kAdhalukku mariyAdhai
A: yuvar unselected
Q: andha urukkamaana climoks BGM kEttiyA?
A: indha urukkam, kirukkam ellAm neengaLE vachchukkunga
ungaLai thaanE nambaNUm..vEra yaar irukkA namburadhukku
*dhukkam thoNdaiya adaikkidhu*
DDLJ: jaaO simran
appO mudinchA?
chachi bani to tEri mamta mE kami hOgi kyA?
*sniff*
oru dhabA edhukkum udhiri pookkaL pArthuttu vAnga. appAla pEsalAm
:rotfl: - adhE adhE! shaktiprabha ingE illaingaRadhAla dhairaymA thittalAm. andha koNdaiyum, maNdaiyum...Quote:
vasandha mALigai - pOyum pOyum vANisreekkaaga
http://www.youtube.com/watch?v=z0KPQstwMQw
Sanju looks mean :shaking: