Golden Period of Tamil Cinema

From this truth unrevealed MSV > IR certainly.

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Originally Posted by Scale

From this truth unrevealed MSV > IR certainly.

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nalla irukkunga unga neutral biasu

Stomp be biased, no problem. I am moving to the next. No further responses on this topic.

Scale, a kind request before you move on - irukkara vaarthaigala use pannunga, please

Reg BGM: Oh, Scale, 80s ku munnadi BGM irundhucha? Sathiyama enga yaarukkume theriyaadhunga. Thanks for unearthing this ariya unmai

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Originally Posted by Sanjeevi

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Originally Posted by Scale

From this truth unrevealed MSV > IR certainly.

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nalla irukkunga unga neutral biasu

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Sanjeevi,
:notthatway: idhellam avar "lift" nu solra eraalamaana post-gal range la eduthukkanum (vitranum)

Though, personally, I'm so not into the question of bias (I come from the school of thought that asks, "why bother?"), let me put the central question that comes up in my mind in this sort of a scenario. The notion of bias means one expects some sort of objectivity from the opiner, not to be confused with the notion that there's one universal truth about the topic that's being discussed. (To be more precise, not that there's a single way to access art, but that the opiner has to be sincere in accessing it the way he or she chooses to.)

So here's the question: What's the scope for anyone to express their opinion (say, that Raaja is the best!) without it being identified as a biased one? Falsifiability, that's the key.

I'd argue that it is precisely this fear (of being called biased) that makes many people strongly insist that MSV, Raaja and Rahman are all, indeed, equally great. Which is merely another opinion, but never identified thus.

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Originally Posted by equanimus

I'd argue that it is precisely this fear (of being called biased) that makes many people strongly insist that MSV, Raaja and Rahman are all, indeed, equally great. Which is merely another opinion, but never identified thus.

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Very well said, equa. But inge MSV=IR=ARR nu solradhu is the SCALE for objectivity pOla.

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Originally Posted by AudazJay

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Originally Posted by P_R

Sanjeevi, when the lyricist absorbs the narrative and weaves it into the lines he takes the ordinary emotion of prose and elevates the aesthetic appeal. We yield to the pull of poetry more easily.

pAsamalar's melodrama will now be passé for most of us now. OTOH malarndhu malaraadha continues to strike a chord.

BGM - if you think about it, it is perhaps the most 'unnatural' aspects of a film :lol2:

Imagine in real life how we'd react to: appraisal time-la sOgamA oru saarangi ?! sila nutpamaana tharuNangaL-la thideernu saxophone oodhina mersal aayira maattOm?

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Just thought about it :lol:

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Ninaikkumbodhae sirippai adakka mudiyala :lol: :lol:

enga ponaalum indha meesic sandaiya viduratha illai. Cycle gap kidaichcha lorrya vittuduraangappa.