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Originally Posted by jaiganes
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Originally Posted by irir123
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Originally Posted by Bala (Karthik)
:ty: Irir for introducing this song. What a miss :oops:
Fantastic composition indeed :notworthy:
It is my assumption that Kamal must have shelved the picturisation of this song keeping in mind the length of the film, or, perhaps the commercial appeal for the same, given that the album already had a whopping number 'valai osai' the like of which had not been composed earlier and has not been bettered by the master himself!
if this is the case with someone like Kamal who despite his daring to venture into unchartered areas still had to shelve such an unorthodox composition, it is mind-boggling when I think of how many countless such musical ideas/themes IR must have sacrificed for lesser more stereotyped directors insisting on formulaic songs/compositions from IR, when IR must have had better ideas!
The lead guitar bit - portions of it was used (or imporvised upon) in Nothing But Wind.
the waltz in the first interlude was again improvised and used in 'Vetri vizha' Vaanamenna keezhirukku - whose rhythms were also a composite pattern incidentally. The symphonic(with due apologies to Madhan) twirls in the ludes - I hope would have been used in a movie and as usual we all would have missed it.
A very nice reason to revisit Satya and find out what is the relevant situation.
"satya" and "agni natchatiram" were both released Tamil new years day, 1988! between the two, AN was a chartbuster, while in the BGM dept, 'satya' was heads and shoulders over AN - the use of the percussion based on the sound of the (chennai suburuban) rail running on tracks had an amazing impact!
when kamal tries to persuade amala who is inside her house and kamal outside, a brilliant violin piece and then again, when they both reconcile on the beach, a romantic smooth jazz piece!
all this from memory, its been more than a decade since I last saw 'sathya' !