Printable View
À¡Î ÀΧš÷째 - þó¾ô
À¡Ã¢¼õ ¦º¡ó¾¨Á¡,
¸¡Î ¾¢Õò¾¢¿øÄ - ¿¡Î
¸¡ñÀ ¾ÅÃøħš?
ÁÉõ ¾¢Ã¢Â¡Áø - ¸¡¨Ä
Á¡¨Ä ±ô¦À¡ØÐõ,
ÌÉ¢óÐ §Å¨Ä¦ºö§Å¡÷ - (¾õ(?))#
ÌõÀ¢ ¦¸¡¾¢ì¸Ä¡§Á¡?
§¸¡Ê §¸¡Ê¡¸ - ¿£í¸û
ÌÅ¢ò¾¢Îõ Ä¡Àõ,
Å¡Îì ±õÁì¸û - ¯ñ½¡
Å¢üÚî §º¡È(ø)ħš?
Å¡Æ §ÅñΦÁÉ¢ø - ¦¾¡Æ¢ø¸û
ÅÇà §ÅñΨÁ¡!
²¨Æ ±ý¦È¡ÕÅý - ¯Ä¸¢ø
þÕì¸ Ä¡¸¡¨¾Â¡!!
#±ÉìÌì ¸¢¨¼ò¾ áøÀÊ¢ø þíÌ ´Õ ¦º¡ø ¸¡½Å¢ø¨Ä.
bis_mala, please find my explanation below.
ÓÕí¸ì ¸£Ã º¡Á¡îº¡Ãõ ¦Àâ ºÁ¡îº¡Ãõ. ÀÄ ¸Ä¢Â¡½í¸ÙìÌì ¸¡Ã½Á¡É º¡ÁÃõ.
¸¨¾ìÌ ÅÕÅõ. À¡Ã¢Ôõ À¡Ã¢ Á¸û¸Ùõ ¶¨ÅÂ¡Õ §ÁÄ ±õÒðÎ À¡ºÁ¡ þÕ󾡸ýÛ ¦¾Ã¢ÔÓøÄ. ¶¨ÅÂ¡Õ °åá §¸¡Â¢Ö §¸¡Â¢Ä¡ ÍòÐÈ ¦¸ÆÅ¢. «ôÀÊ Íò¾¢¸¢ðÎ þÕ쨸Ä, À¡Ã¢ ±ÈóÐ §À¡É¡ý. þó¾ô À¢û¨Ç¸ ¿Îò¦¾Õ×ìÌ Åó¾¢Õ. À¡Åõ. °ÕÄ þÕì¸ ÓÊ¡Á ¸¡ðÎìÌ ÅóÐ𼡸. «í¸ þÕó¾ ´Õ À¨Æ ÌʨºÄ ´ñÊ츢ðÎ ¦¸¼îº¾ ¦À¡í¸¢ðÎõ ¾¢ýÛ¸¢ðÎõ þÕ󾡸. þÕó¾Ð ãÏ º£Ä. ¸ðÎÈÐ ¦ÃñÎ §ÀÕ. ±ôÀʧ¡ ºÁ¡Ç¢îº¢ì¸¢ð¼¡í¸.
þó¾ ¦ÅÅÃõ ¦¾Ã¢Â¡¾ ¶¨ÅÂ¡Õ «ó¾ì ¸¡ðÎô Àì¸Á¡ Åó¾¡Õ. ÁÆ §ÅÈ Åó¾¢Õ. þó¾õÁ¡ ±ýÉ §¾ÕÄ¡ °Õ ÍòÐÐ. ¿¼óо¡É §À¡¸Ûõ. Á¨ÆìÌ ´Ðí¸¢ì¸¢È ±¼Á¢øÄ¡Á ¾Å¢îºÐ. «ôÀò¾¡í ¸ñÏÄ Àð¼Ð Ìʺ. ¯ûÇ À¡ò¾¡ þó¾ô À¢û¨Ç¸. ¶¨Å¡Ãô À¡ò¾Ðõ ¦ÃñÎ À¢û¨Ç¸éìÌõ ¸ñÏÄ ¾ñ½¢Â¡ °òÐÐ. ¿¼ó¾¦¾øÄ¡í §¸ðÎ þó¾ì ¦¸ÆÅ¢ ¦Ã¡õÀ×õ ¾Åí¸¢ô §À¡îº¢. «ôÒÈÁ¡ ¶¨Å¡ÕìÌ þÕó¾ ´Õ Á¡òÐî º£ÄÂì ÌÎò¾¡¸. «¾¢ÂÁ¡Û ¦¸¡Îò¾ ¦¿øĢ측¢ þýÉÓ Â¡Ã¡§Ã¡ ¦¸¡Îò¾ ±ý¦ÉýɧÁ¡ º¡ÁɦÁøÄ¡õ þó¾ô À¢û¨Ç¸ ÌÎò¾ ÀÆ º£¨ÄìÌ ®¼¡¸¡ÐýÛ ´Õ À¡ðÎ À¡Ê. «ôÒȧÁðÎ Àº¢îºÐ. «Ã¢º¢Â¢øÄ. ¸õÀ¢øÄ. §¸ôÀ¢øÄ. ÌÕ§¾Ä¢Â¢øÄ. ¸¡ðÎÄ «ó¾Á¡É¢ìÌ ÓÕí¸ÁÃí¸ ¦¿È¡ þÕó¾¢îº¢. §À¡Â¢ ±Ä À¢Êí¸¢ðÎ ÅóÐ ¿øÄ¡ ¬ïº¢ ¦ÅïºÉÁ¡ ¦Åì ÌÎò¾¡¸. ¶¨Å¡Õõ ¿øÄ¡ º¡ôÀ¢ðÎðÎ ´Õ À¡ðÎ ¦º¡øÖõ.
¦Åö¾¡ö ¿ÚÅ¢¾¡ö §Åñ¼Ç×õ ¾¢ýÀ¾¡ö
¦¿ö¾¡ý «Ç¡Å¢ ¿¢ÈõÀºó¾ - ¦À¡ö¡
«¼¦¸ýÚ ¦º¡øÄ¢ «Ó¾ò¨¾ þð¼¡÷
¸¼¸õ ¦º¡Ã¢ó¾ ¨¸Â¡÷
¦Åö¾¡ö - ¿øÄ¡ ¦¸¡¾¢ì¸ì ¦¸¡¾¢ì¸×Á¢øÄ¡Á ¬È¢ô§À¡Â¢Á¢øÄ¡Á ¦ÅЦÅÐýÛ
¿ÚÅ¢¾¡ö - ¿øÄ¡ì ¸Á¸ÁýÛ þÕóÐõ
§Åñ¼Ç×ó ¾¢ýÀ¾¡ö - §ÅÏí¸ÈõÒðÎ ¾¢í¸Ä¡ÓÄ. þýÉÓõ §ÅÏÓýÉ ÁÃòÐÄ ÀȢ츢ÈÐ
¦¿ö¾¡ý «Ç¡Å¢ - ¿øÄ ¿ø¦Äñ¦½Â Å¢ðÎ
¿¢Èõ Àºó¾ - Àîºô À§ºÖýÛ þÕìÌÈ ¸£ÃÂ
¦À¡ö¡ «¼¦¸ýÚ ¦º¡øÄ¢ «Ó¾ò¨¾ þð¼¡÷ - ¾¢ýÉ¡ Å¢ò¾ì ¦¸Î측¾ ¿øÄ¡ ºòÐûÇ º¡ôÀ¡ÎýÛ ¦º¡øÄ¢ «Ó¾ò¾ ¦¸¡Îò¾¡¸§Ç
¸¼¸õ ¦º¡Ã¢ó¾ ¨¸Â¡÷ - ¨¸Â¢Ä ÅÇÅ¢ Á¡ðËÕìÌÈ þó¾ À¢û¨Ç¸.
«ôÒÈÁ¡ ¾¢ýÉ ¸£¨ÃìÌ ¿ýÈ¢ ¦ºöÔȾ¡î ¦º¡øÄ¢ «ó¾ô À¢û¨Ç¸ÙìÌì ¦¸¡øÄ¢ ÁÄ «Ãºí ܼ ¸Ä¢Â¡½õ ÓÊ ¦Å ¶¨ÅÂ¡Õ ¦¸ÆÅ¢.
þôÀô Òâﺾ¡ ÓÕí¨¸ì ¸£Ã ºÁ¡îº¡Ãõ.
«ýÒ¼ý,
§¸¡.þá¸Åý
«í¸¨Å ºí¸¨Å ¸¨¾Â á¸Åý ¦º¡ýÉ «Ç§¸ «ÇÌ! «¼¡¼¡¼¡!
¿ýÈ¢ ÀÅÆÁ½¢ À¢Ã¸¡ºõ. ¬É¡ø §¾¡Æ¢ Á¡Ä¡Å¢ý À½¢ Á¢¸ô ¦ÀâÂÐ. À¨Æ ¾Á¢úô À¡¼ø¸¨Ç ±ÎòÐì ¦¸¡ñÎ «ÅüÈ¢üÌ «Õ¨ÁÂ¡É Å¢Çì¸í¸¨Çî ¦º¡øÄ¢ì ¦¸¡ñÊÕ츢ýÈ¡÷.
¾¢Õ á¸Åý! §ÀîÍò¾Á¢Æ¢ø ¯í¸û ¸¨¾ þ¨Æó§¾¡Ê þɢ츢ýÈÐ. «ÐÁðÎÁ¡? You have actually "staged" a mini-cine show in your post. ´Õ º¢Èó¾ ¾¢¨ÃôÀ¼ò¾¢ý ¯îî측𺢸¨Ç ¸ñÎ «¾¢ø ´ýȢŢ𼠯½÷×¾¡ý ¯ñ¼¡¸¢ÈÐ. ¶¨ÅôÀ¡ðÊ¢ý ÀͨÁ Á¡È¡¾ À¡ðÎìÌ ¿£í¸û ¾ó¾¢ÕìÌõ ¦À¡ÕÙõ º¢ÈôÒ¸Ùì̧Áø ´Õ º¢¸Ãõ ¨Åò¾¡ü§À¡ýÚûÇÐ. ¾í¸û ¦¾¡ñÎìÌ ¿ýÈ¢Ôõ À¡Ã¡ðθÙõ.
§ÁÖõ ±ý À½¢¨Âô À¡Ã¡Ê¾üÌõ ±ÉÐ À½¢Å¡É ¿ýÈ¢¨Âî ¦º¡øÄì ¸¼¨ÁôÀðÎû§Çý.
It has been admitted that there are only one or two poets in Tamil language who have composed like the English poet Shelly or Wordworth, devoting the entire submission to the praise of Nature. Many of our Tamil poets used nature to demonstrate some truth or to draw a comparison, like "niiraLavee aakumaam niiraampal".
Barathithaasan devooted quite a good segment of his poetic submissions to the praise of nature, without subordinating it to other wordly matters. Here is one of his stanzas.
kaalai iLam parithiyilee avaLaik kaNdeen
kadaRparappil oLippulnalil kNdeen anthach
choolaiyile malarkaLilee thaLirkaL thammil
thodda idam elaamkaNNil thaddup paddaaL
malaiyilee meeRRichaiyil ilanghu kinRa
maaNikkach chudarilavaL irunthaaL aalanj
chaalaiyilee kiLaithooRum kiLiyin kuuddam
thanil antha "aza"kenpaaL kavithai thnthaaL.
baarathithaasan.
¸¡¨ÄþÇõ À⾢¢§Ä «Å¨Çì ¸ñ§¼ý
¸¼üÀÃôÀ¢ø ´Ç¢ôÒÉÄ¢ø ¸ñ§¼ý «ó¾î
§º¡¨Ä¢§Ä ÁÄ÷¸Ç¢§Ä ¾Ç¢÷¸û ¾õÁ¢ø
¦¾¡ð¼ þ¼õ ±øÄ¡õ ¸ñ½¢ø ¾ðÎô Àð¼¡û
Á¡¨Ä¢§Ä §ÁüÈ¢¨ºÂ¢ø þÄíÌ ¸¢ýÈ
Á¡½¢ì¸î ͼâÄÅû þÕó¾¡û ¬Äï
º¡¨Ä¢§Ä ¸¢¨Ç§¾¡Úõ ¸¢Ç¢Â¢ý Üð¼õ
¾É¢Äó¾ "«Æ"¦¸ýÀ¡û ¸Å¢¨¾ ¾ó¾¡û!!
"±í¦¸íÌ ¸¡½¢Ûõ ºì¾¢ ¼¡ - ¾õÀ¢
²Ø¸¼ø «Åû Åñ½Á¼¡"
±ýÚ ºì¾¢Â¢ý §Áø ¯ÕÅõ þÂü¨¸ ±ýÚ ÀÃŢ À¡Ã¾¢¾¡ºý «ó¾î ºì¾¢¨Â þíÌ «Æ¸¢Â¡¸ì ¸ñÎ «ÅÇ¢¼Á¢ÕóÐ ¸Å¢¨¾ ¦ÀüȾ¡¸ì À¡ÊÁ¸¢ú¸¢È¡÷.
theLLu thamiz nadai
chinnanj chiRiya iraNdadikaL
aLLu thoRum chuvai
uLLunth thoRum uNarvaakum vaNNam
koLLum aRam poruL
inpam anaiththum
koduththa thiru
vaLLuvanaip peRRa
thaal peRRa theepukaz vaiyakamee!!
- Bhaarathithaasan.
¦¾ûÙ ¾Á¢ú ¿¨¼
º¢ýÉï º¢È¢Â þÃñ¼Ê¸û,
«ûÙ ¦¾¡Úõ ͨÅ
¯ûÙ󦾡Úõ ¯½÷Å¡Ìõ Åñ½õ
¦¸¡ûÙõ «Èõ ¦À¡Õû
þýÀõ «¨ÉòÐõ ¦¸¡Îò¾¾¢Õ
ÅûÙŨÉô ¦ÀüÈ
-¾¡ø¦ÀüÈ -§¾Ò¸ú ¨Å¸§Á!!
thenRisaiyaip paarkkinReen
encholveen enRan
chinthaiyelaam thooLkaLelaam
puurikku thadadaa!
anRiruntha ilangkaiyinai
aaNda maRaththamizan
aiyiraNdu thisaimukaththum
thampukazai vaiththoon!
¦¾ýÈ¢¨º¨Âô À¡÷츢ý§Èý
±ý¦º¡ø§Åý ±ýÈý
º¢ó¨¾¦ÂøÄ¡õ §¾¡û¸¦ÇøÄ¡õ
ââìÌ ¾¼¼¡!!
«ýÈ¢Õó¾ þÄí¨¸Â¢¨É
¬ñ¼ ÁÈò¾Á¢Æý
³Â¢ÃñÎ ¾¢¨ºÓ¸òÐõ
¾õÒ¸¨Æ ¨Åò§¾¡ý!!
raagam: desh.
ÐýÀõ §¿÷¨¸Â¢ø ¡¦ÆÎòÐ ¿£
þýÀõ §º÷ì¸ Á¡ð¼¡Â¡? - ±ÁìÌ
þýÀõ §º÷ì¸ Á¡ð¼¡Â¡?
«ÈÁ¢¦¾ýÚõ ¡õ ÁÈÁ¢¦¾ýÚ§Á
«È¢¸¢Ä¡¾ §À¡Ð - ¾Á¢ú
þ¨ÈÅɡâý ¾¢ÕìÌÈÇ¢§Ä ´Õ¦º¡ø
þÂõÀ¢ì ¸¡ð¼ Á¡ð¼¡Â¡?
«ý¨È ¿üÈÁ¢úì Üò¾¢ý ӨȢɡø
¬Ê측ð¼ Á¡ð¼¡Â¡? - ¿£
«ý¨È ¿üÈÁ¢úì Üò¾¢ý ӨȢɡø
¬Ê측ð¼ Á¡ð¼¡Â¡? (ÐýÀõ §¿÷¨¸Â¢ø)
-- bharathithaasan.
[tscii]::deleted:::
There was a poet in Seramban in Malaysia circa 1939 who wrote many poems and published them on his own. One of his books was given a “ChaaRRu kavi” as a foreword The poet was “Kaarunyam” and the “ChaaRRu kavi” was given by Panditha Segaram Pillai, editor of Puthiya Ulagam monthly. The chaaRRu kavi goes as follows:
uyarraama naathapuram thanileethaan
Ongkupukaz thaangkiizaich chiivalpaddi
thayavun-iRai makkaLuRai maangkompaam
thangkapuri mangkaLamcheer chingkamaana
puyavaliyan karuppaiyaa thanthaputhran
puuthalaththuch chamuukach chiirthiruththavallan
n-ayamaakath tharuchamathva kiithamiin-tha
naattavarkaL kEtpathaRkOr nallan-uulee.
¯Â÷áÁ ¿¡¾ÒÃõ ¾É¢§Ä¾¡ý
µíÌÒ¸ú ¾¡í¸£¨Æî º£ÅøÀðÊ
¾Â׿¢¨È Áì¸Ù¨È Á¡í¦¸¡õÀ¡õ
¾í¸Òâ Áí¸Ç狀÷ º¢í¸Á¡É
ÒÂÅÄ¢Âý ¸Õô¨À¡ ¾ó¾ÒòÃý
â¾ÄòÐî ºã¸îº£÷ ¾¢Õò¾ÅøÄý
¿ÂÁ¡¸ò ¾ÕºÁòÅ ¸£¾Á£ó¾
¿¡ð¼Å÷¸û §¸ðÀ¾ü§¸¡÷ ¿øÄá§Ä.
¸£¾Á£ó¾ = ¸£¾õ ®ó¾ (þó¾).
Edmund Spencer lived from 1552? To 1599. We shall enjoy his poem “One Day I Wrote Her Name Upon the Strand” and then try rendering it in Tamiz:
One day I wrote her name upon the strand,
But came the waves and washed it away;
Again I wrote it with a second hand,
But came the tide and made my pains his prey;
Vain man said she, that dost in vain assay
A mortal thing so to immortalize,
For I myself shall like to this decay,
And eek my name be wiped out likewise,
Not so, quod I, let baser things devise,
To die in dust, but you shall life by fame;
My verse your virtues rare shall eternise,
And in the heavens write your glorious name,
Where whereas death shall all the world subdue,
Our love shall live and later life renew.
I will translate the poem as below:
avLpeer varainththeen maNalii - athu
azinthathu moothum alaiyil,
theruLpeRak kiiRineen miiNdum - athaith
thiraipperukku eeRiyee thaaNdum!
varunthi varainthathu viiNee - athu
azinthidath thakkathu kaaNee,
aNainthathu avaLpeRu vaazvu - angku
azinthathu udalodu un peerum!
avLpeer varainththeen maNalili - athu
azinthathu moothum alaiyil,
theruLpeRak kiiRineen miiNdum - athaith
thiraipperukku eeRiyee thaaNdum!
varunthi varainthathu viiNee - athu
azinthidath thakkathu kaaNee,
aNanthathu avaLpeRu vaazvu - angku
azinthathu udalodu un peerum!
chaavathaich chaakaatha thenRu - aRivu
chaaynththathil eNNiya thuNdu!
povathu uRuthiyee enpaaL - avaL
peechchaip pizaiththonRu cholveen!
thaaznthidum yaavum azika -un
thakka pukazppeyar ezuka,
ooynthidaa enkavi thannaal - naan
unthiRam naadduveen munnaal!
unpeer pukumee thuRakkam - intha
ulakalaam chaavoodu iRakkam,
enperumaaddi nam kaathal - ini
intha ulakilee miiLum!
[Unicode]
அவ்ள்பேர் வரைந்தேன் மணலில் - அது
அழிந்தது மோதும் அலையில்,
தெருள்பெறக் கீறினேன் மீண்டும் - அதைத்
திரைப்பெருக்கு ஏறியே தாண்டும்!
வருந்தி வரைந்தது வீணே - அது
அழிந்திடத் தக்கது காணே,
அணந்தது அவள்பெறு வாழ்வு - அங்கு
அழிந்தது உடலொடு உன் பேரும்!
சாவதைச் சாகாத தென்று - அறிவு
சாய்ந்ததில் எண்ணிய துண்டு!
பொவது உறுதியே என்பாள் - அவள்
பேச்சைப் பிழைத்தொன்று சொல்வேன்!
தாழ்ந்திடும் யாவும் அழிக -உன்
தக்க புகழ்ப்பெயர் எழுக,
ஓய்ந்திடா என்கவி தன்னால் - நான்
உந்திறம் நாட்டுவேன் முன்னால்!
உன்பேர் புகுமே துறக்கம் - இந்த
உலகலாம் சாவோடு இறக்கம்,
என்பெருமாட்டி நம் காதல் - இனி
இந்த உலகிலே மீளும்![/Unicode]
bis_mala ÐýÀõ §¿÷¨¸Â¢ø À¡¼ø ÓØÅÐõ ¾ÃÓÊÔÁ¡? ±ÉìÌ Á¢¸×õ À¢Êò¾ «Õ¨ÁÂ¡É ¸Å¢¨¾¸Ç¢ø «Ð×õ ´ýÚ.
thiru Ragavan, This appears to be the full poem. If I come across any more in any of Bharathithaasan's collections, I will convey it.
ÐýÀõ §¿÷¨¸Â¢ø ¡¦ÆÎòÐ ¿£
þýÀõ §º÷ì¸ Á¡ð¼¡Â¡ -±ÁìÌ
þýÀõ §º÷ì¸ Á¡ð¼¡Â¡
«ýÀ¢Ä¡ ¦¿ïº¢ø ¾Á¢Æ¢øÀ¡Ê - ¿££
«øÄø ¿£ì¸ Á¡ð¼¡Â¡ - ¸ñ§½ («øÄø)
ÅýÒõ ±Ç¢¨ÁÔõ ÝØõ ¿¡ðʧÄ
Å¡úÅ¢ø ¯½÷× §º÷ì¸ -±õ
Å¡úÅ¢ø ¯½÷× §º÷ì¸- ¿£
«ý¨È ¿üÈÁ¢úì Üò¾¢ý ӨȢɡø
¬Êì ¸¡ð¼ Á¡ð¼¡Â¡- ¸ñ§½
¬Êì ¸¡ð¼ Á¡ð¼¡Â¡
«ÈÁ¢¦¾ýÚõ ¡õ ÁÈÁ¢¦¾ýÚ§Á
«È¢¸¢Ä¡¾§À¡Ð-¡õ
«È¢¸¢Ä¡¾§À¡Ð-¾Á¢ú
þ¨ÈÅɡâý ¾¢ÕìÌÈÇ¢§Ä ´Õ ¦º¡ø
þÂõÀ¢ì ¸¡ð¼ Á¡ð¼¡Â¡...¿£ (þÂõÀ¢ )
¿£ «ý¨È ¿üÈÁ¢úì Üò¾¢ý ӨȢɡø
¬Êì ¸¡ð¼ Á¡ð¼¡Â¡-¸ñ§½
¬Êì ¸¡ð¼ Á¡ð¼¡Â¡
Hear "Thunbam Nergayil" by Sudha
http://www.musicindiaonline.com/p/x/...O39.As1NMvHdW/
And by Dhandapani Desikar....
http://www.dhool.com/sotd2/402.html
Uthappam,
Thanks a lot for the link! What a beautiful alapana by Dandapani Desikar.
Mala...
Nalla work... :)
Hub'oda Poems Sectionukku ..
valu seakkaringa...
Continue pannunga...
:)
- baraniidharaa
¿ýÈ¢ Á¡Ä¡. À¡¼ø Å⸨Çò ¾ó¾¨ÁìÌ.
viggop and uthappam, À¡¼Öì¸¡É þ¨½ô¨Àì ¦¸¡Îò¾¨ÁìÌõ Á¢ì¸ ¿ýÈ¢. À¡¼¨Ä ¯½÷óÐ À¡¼ §ÅñÎõ ±ýÀÐ §¾º¢¸÷ ¦º¡øÅÐõ.
«¨ÉòÐ «ýÒ ¦¿ïºí¸ÙìÌõ ±ÉÐ ¿ýÈ¢Ôõ À¡Ã¡ðÎõ ¯Ã¢ÂÉš̸!!
þ¾ýãÄõ Ò¾¢Â ÀÄ ¾¸Åø¸¨Çô ÀâÁ¡È¢ì¦¸¡ûžüÌì ¸¢¨¼ò¾ Å¡öôÀ¢¨É ±ñ½¢ Á¸¢ú¸¢§Èý.
¾¢Õ þá¸Åý «Å÷¸ÙìÌõ ¿ýÈ¢.
§¾‰ ¯ñ¨Á¢ø ´Õ ¦ÅÌ þɢ þḧÁ.
anaiththu anpu n-enjsangkaLukkum enathu n-anRiyum pArAddum uriyanavAkuka!!
ithanmUlam puthiya pala thakavalkaLaip parimARikkoLvathaRkuk kidaiththa vAyppinai
eNNi makizkiREn.
thiru irAkavan avarkaLukkum n-anRi.
thEsh uNmaiyil oru veku iniya irAkamE.
þó¾ò §¾‰ þá¸ò¾¢ø Å¢ŠÅ¿¡¾ý þ¨ºÂ¢ø º£÷¸¡Æ¢ À¡Ê «Õ¨ÁÂ¡É À¡¼ø ¸÷½ý À¼ò¾¢ø ÅÕõ "¯ûÇò¾¢ø ¿øÄ ¯ûÇõ" À¡¼ø ±ýÚ §¸ûÅ¢ô ÀðÊÕ츢ý§Èý.
It is also a beautiful song! thanks thiru raagavan.
þô§À¡Ð ¸Ä¢í¸òÐôÀý¢Â¢Ä¢ÕóÐ ¿¡ýÌ Å⸨Çô ÀÊòÐî ͨÅô§À¡õ.
ÅÕõ À¡¼Ä¢ø ¯ûÇ º¢ÈôÒ «¨ÁôÒ Â¡¦¾ýÈ¡ø. ¸¡ïº¢, ¸Ä¢í¸õ ±ýÈ ¦º¡ü¸û Á¼ì¸¢ ÅÕÅо¡ý. ´ÕÓ¨È ÅÕõ§À¡Ð ´Õ ¦À¡ÕÇ¢Öõ ÁÚÓ¨È ÅÕõ§À¡Ð À¢È¢¦¾¡Õ ¦À¡ÕÇ¢Öõ þ¡ü¸û ÅÕ¸¢ýÈÉ.
¸¡ïº¢ þÕì¸ì ¸Ä¢í¸õ ̨Äó¾
¸ÄÅ¢ Á¼Å£÷ ¸Æü ¦ºýÉ¢
¸¡ïº¢ þÕì¸ì ¸Ä¢í¸õ ̨Äó¾
¸Çô §À¡÷ À¡¼ì ¸¨¼ ¾¢ÈÁ¢ý.
À¡¼Ä¢ø À¡Ä¢Âø Åý¨É þÕôÀ¢Ûõ ¦À¡¾¢óÐûÇ ¾Á¢úî ͨÅ¢ø «¾ý ¾¡ì¸õ ¾Âì¸ò¨¾ ²üÀÎò¾Å¢ø¨Ä ±ýÚ¾¡ý ¦º¡øħÅñÎõ. ´ýÈ¡õ ̧ġòÐí¸ §º¡Æý (º¡Ù츢 ÌÄò¾¢Éý) «¨ÅôÒÄÅḢ ¦ºÂí¦¸¡ñ¼¡÷(11c ACE), áøÓØÅÐõ ¦À¡ýÛõ Á½¢Ôõ §À¡ø À¡¼ø¸¨¨Çô ¦À¡Æ¢óÐ, §¸ð§À¡¨Ã «ºòи¢È¡÷. ¿õ ¸Å¢ "Àý¢ì§¸¡÷ ¦ºÂí¦¸¡ñ¼¡ý" ±ýÈ ¦Å̺¢Èô¨Àô ¦ÀüÚ þÄ츢 šɢø Á¢ýÛõ ´Õ ¿ðºò¾¢Ãõ ¬Å¡÷. ´ð¼ìÜò¾Õõ ¾ÁÐ ¾ì¸Â¡¸ô Àý¢Â¢ø "¦¾ý ¾Á¢úò ¦¾öÅô Àý¢" ±ýÚ Ò¸ú¸¢È¡÷.
ÀÃò¾ø ±ýÀ¾üÌô Ò¸ú¾ø ±ýÈ ¦À¡ÕÙñÎ. §À¡Ã¢ø ¦ÅýÈ ¦ÅüÈ¢ Å£Ã¨É Ò¸úóÐ À¡¼ô ¦ÀÚõ áø "Àý¢" ±ÉôÀÎõ. ÅÂÄ¢ø §À¡¼ôÀÎõ ¯ÂÃÁ¡É §ÁÄ¢Õ쨸ô ÀĨ¸ìÌô ÀÃñ ±ýÈ ¦ÀÂ÷ þÕôÀÐ ¦¾Ã¢ó¾§¾.
Å¢Çì¸õ ²Ðõ §Åñ¼¡¾ ¦¾Ç¢Å¡É ¸Ä¢ò¾¡Æ¢¨ºô À¡¼ø þÐ.
ippOthu kalingkaththupparaNiyilirun-thu n-Anku varikaLaip padiththus suvaippOm.
varum pAdalil uLLa siRappu amaippu yAthenRAl. kAnjsi, kalingkam enRa soRkaL madakki varuvathuthAn. orumuRai varumpOthu oru poruLilum maRumuRai varumpOthu piRithoru poruLilum issoRkaL varukinRana.
kAnjsi irukkak kalingkam kulain-tha
kalavi madavIr kazaR senni
kAnjsi irukkak kalingkam kulain-tha
kaLap pOr pAdak kadai thiRamin.
pAdalil pAliyal varaNanai iruppinum pothin-thuLLa thamizs suvaiyil athan thAkkam thayakkaththai ERpaduththavillai enRuthAn sollavENdum. onRAm kulOththungka sOzan (sALukkiya kulaththinan) avaippulavarAkiya seyangkoNdAr(11c ACE), n-Ulmuzuvathum ponnum maNiyum pOl pAdalka¨Laip pozin-thu, kEdpOrai asaththukiRAr. n-am kavi "paraNikkOr seyangkoNdAn" enRa vekusiRappaip peRRu ilakkiya vAnil minnum oru n-adsaththiram AvAr. oddakkUththarum thamathu thakkayAkap paraNiyil "then thamizth theyvap paraNi" enRu pukazkiRAr.
paraththal enpathaRkup pukazthal enRa poruLuNdu. pOril venRa veRRi vIranai pukazn-thu pAdap peRum n-Ul "paraNi" enappadum. vayalil pOdappadum uyaramAna mElirukkaip palakaikkup paraN enRa peyar iruppathu therin-thathE.
viLakkam Ethum vENdAtha theLivAna kaliththAzisaip pAdal ithu.
[tscii:: deleted::
pazipadu naRavanth thannaik kadaisiyar parukich
chevvaay mozi thadumaaRa
veervai mukaththu eza
muRuval thoonRa
vizi sivanththu uzalak
kuunthal menRukil choora
uLLak kaziperung kaLippu nalkik
kalanthavar oththa thanRE. (thiruviLai. mathrai. 52).
pAdalai urainadai pOl ezuthiyuLLEn. (poruL thLiviRkaaka).
ithan pathavurai chiRithu tharap pattuLLathu.
pazipadu naRavam = pazikkappadum kaL. kadaichiyar = uzavar peNkaL.
muRuval - nakaippu. menRukil = melliya aadai.
kalanthavar - aaNudan cheernthavar.
In this stanza, the sage-poet Paranjchothi Munivar (Author of ThiruviLayaadal Puraanam) describes the state of women of the agricultural tract who indulge in the drinking of toddy, a well known alcoholic drink used for a long time in the past in Tamil Nadu. The location under description in the stanza is Madurai - Tirunelveli area of the Pandian Kingdom. These women are described by the terms "uzaththiyar" and "nuLaichchiyar". The operation carried out by the agriculturalists to remove weeds from their rice fields is under focus by the sage-poet.It was during such operations that the "uzaththiyar" drank toddy, losing their feminine inhibitions and anxieties, becoming carefree and happy, and in this state, the sage-poet compares them to women who have had just indulgence with males. This post-activity conduct of the drunken women and those subjected to other indulgence are cited to be similar. The difficulty to co-ordinate one's movements and the ability to react quickly are pointedly referred through the presence of particular "symptomatic" acts or conduct. These acts are: slurred speech from their pinkish lips, perspiration in their faces, their rolling red eyes and the disorderly state of their hair and dress exposing some parts of their person. Otherwise than in such state of intoxication, these symptoms do not occur.
In such an intoxicated state, how did they remove the weeds? That issue is sung in the verses after this verse and this verse above is important for the coming verses in the puranam.
ÀÆ¢ÀÎ ¿ÈÅó ¾ý¨Éì
¸¨¼º¢Â÷ ÀÕ¸¢î ¦ºùÅ¡ö
¦Á¡Æ¢¾Î Á¡È §Å÷¨Å
Ó¸ò¦¾Æ ÓÚÅø §¾¡ýÈ
ŢƢº¢Åó ÐÆÄì Üó¾ø
¦ÁýÚ¸¢ø §º¡È ¯ûÇì
¸Æ¢¦ÀÕí ¸Ç¢ôÒ ¿ø¸¢ì
¸Äó¾Å÷ ´ò¾ ¾ý§È. (¾¢ÕÅ¢¨Ç¡¼øÒá½õ)
Á¡Ä¡, ¦ºÂí¦¸¡ñ¼¡÷ ±Ø¾¢Â ¬¾¢¿¡¾ý ÅÇÁ¼ø ÀÊòÐûÇ£÷¸Ç¡? ¸¼×¨Ç ÁÚòÐ Å¡úÅ¢ý þýÀò¨¾ ¯Â÷ò¾¢ô Ò¨ÉÂôÀ𼠯ĸ¡Â¾ò ¾òÐÅ áø. «¾¢Öõ ¦ºÂí¦¸¡ñ¼¡Ã¢ý ¾Á¢Æ¡¼¨Ä Å¢ÂóÐ §À¡§Éý.
¾¢Õ þá¸Åý, Àý¢ ¾Å¢Ã þýÛõ þÃñÎ ãýÚ áø¸¨Ç «Å÷ þÂüÈ¢ÔûǾ¡¸ «È¢¸¢§Èý, ¬É¡Öõ «¨Å þíÌ ¸¢ð¼Å¢ø¨Ä.¬º¢Ã¢Â÷ Å¡öì §¸ð¸×Á¢ø¨Ä. ¬¾Ä¡ø, Àý¢¨Â ÁðΧÁ ÀÊòÐ ÁÉ¿¢¨È× ¦¸¡ûǧÅñʾ¡Â¢üÚ. þó¾ ¿øÄ Å¡öôÀ¢¨É ¿ØŠŢ¼¡Áø, ¾¡í¸Ç¢¼Á¢ÕóÐ ´Õ º¢Ä À¡¼ø¸¨Çì §¸ðʼ ¬ÅÄ¡ö ¯û§Çý.
þý¨È ¯ÄÌìÌò §¾¨Å¡É. Á¾ ¿øÄ¢½ì¸ò¾¢üÌ °ð¼Á¡¸ Å¢Çí¸ì ÜÊÂ
þÃñÎ À¡¼ø¸û À¡Îí¸û ±ýÚ §¸ðÎ즸¡ñ¼¡ø, þý¨È ¸Å¢¸û ±¨¾ ±¨¾¦ÂøÄ¡§Á¡ ¦º¡øÄ¢ þýÉø ÀÎÅ÷.
¿õ À¡Ã¾¢ «¨¾ Á¢¸ ±Ç¢¾¡¸§Å À¡ÊŢθ¢È¡÷:
¾£Â¢¨Éì ÌõÀ¢Îõ À¡÷ôÀ¡÷ - ¿¢ò¾õ
¾¢ì¨¸ ŽíÌõ ÐÕì¸÷,
§¸¡Â¢ø º¢Ö¨Å¢ý Óý§É - ¿¢ýÚ
ÌõÀ¢Îõ ²Í Á¾ò¾¡÷.
¡Õõ À½¢ó¾¢Îõ ¦¾öÅõ - ¦À¡Õû
¡ŢÛõ ¿¢ýÈ¢Îõ ¦¾öÅõ,
À¡ÕìÌû§Ç ¦¾öÅõ ´ýÚ - þ¾¢ø
ÀüÀÄ ºñ¨¼¸û §Åñ¼¡õ!!
±òШ½ «Æ¸¢Â «Ó¾ì ¸Å¢ þÐ!!
inRaiya ulakukkuth thEvaiyAna. matha n-alliNakkaththiRku UddamAka viLangkak kUdiya
iraNdu pAdalkaL pAdungkaL enRu kEddukkoNdAl, inRaiya kavikaL ethai ethaiyellAmO solli innal paduvar.
n-am pArathi athai mika eLithAkavE pAdividukiRAr:
thIyinaik kumpidum pArppAr - n-iththam
thikkai vaNangkum thurukkar,
kOyil siluvaiyin munnE - n-inRu
kumpidum Esu mathaththAr.
yArum paNin-thidum theyvam - poruL
yAvinum n-inRidum theyvam,
pArukkuLLE theyvam onRu - ithil
paRpala saNdaikaL vENdAm!!
eththuNai azakiya amuthak kavi ithu!!
§¸¡Ã¢ì¨¸ (¸Å¢ þÄðÍÁ½¾¡Š)
À¡Ã¢É¢§Ä ±ý §¸¡Ã¢ì¨¸§Â
ÀÄ¢ò¾Ð ¬†¡ þ󿡧Ç
ÀÄ¢ò¾¾¡†¡ þó¿¡§Ç (À¡Ã¢É¢§Ä)
¦À¡ýÉ¡É ¿¢¨É׸û Š¾¢ÃÁ¡î§º
§ÀáÉó¾¡Á¡ö Å¡ú§Å¡§Á.
ÌÄÅ¢ Á¸¢úó§¾ ¬Ê¼Ä¡õ - À¡Ê¼Ä¡õ
¸¡¾ø ¸£¾í¸û ¦À¡ýëïºÄ¡ö
±¨Éì ¸ñ¼¡Îõ Á¡È¨Éì
¦¸¡ñ¼¡Î§Åý ..µ (À¡Ã¢É¢§Ä)
Ìà¸ÄÓ¼§É ¿£ ÌÖí¸¢
¦¸¡ïº¢¼ Å¡ Å¡ Åñ½ôÒÈ¡§Å
ÌÄÅ¢ Á¸¢úó§¾ ¬Ê¼Ä¡õ
À¡Ê¼Ä¡õ,
¸¡¾ø ¸£¾í¸û ¦À¡ýëïºÄ¡ö
±¨Éì ¸ñ¼¡Îõ Á¡È¨Éì
¦¸¡ñ¼¡Î§Åý ..µ (À¡Ã¢É¢§Ä)
pArinilE en kOrikkaiyE
paliththathu AhA in-n-ALE
paliththathAhA in-n-ALE (pArinilE)
ponnAna n-inaivukaL SthiramAssE
pErAnan-thAmAy vAzvOmE.
kulavi makizn-thE AdidalAm - pAdidalAm
kAthal kIthangkaL ponnUnjsalAy
enaik kaNdAdum mARanaik
koNdAduvEn ..O (pArinilE)
kuthUkalamudanE n-I kulungki
konjsida vA vA vaNNappuRAvE
kulavi makizn-thE AdidalAm
pAdidalAm,
kAthal kIthangkaL ponnUnjsalAy
enaik kaNdAdum mARanaik
koNdAduvEn ..O (pArinilE)
ÀÃ狀¡¾¢ ÓÉ¢Åâý ¯Å¨Á ¿Âõ:
ÀÃ狀¡¾¢ ÓÉ¢Å÷ ¾ÁÐ ¾¢ÕÅ¢¨Ç¡¼ø Òá½ò¨¾ ¬ì¸¢Â §À¡Ð Á¢ì¸ ¯Å¨Á ¿Âòмý
¡òÐûÇ¡÷ ±ýÀÐ «Å÷ À¡¼ø¸Ç¢Ä¢ÕóÐ ¦ÅÇ¢ôÀθ¢ýÈÐ. þ¾ü§¸¡÷ ±ÎòÐ측ðÎ:
«Å÷ ¦À¡Õ¨¿ ¬ü¨È §¿¡ì¸¢ «Ð ¦¾¡¼ì¸ò¾¢ø ¸Äí¸Ä¡¸×õ À¢ý ¦¾Ç¢Å¡¸×õ µÎŨ¾ì ¸ñΦ¸¡û¸¢È¡÷. þó¾ þÂü¨¸ì ¸¡ðº¢¨Â ±¾üÌ ´ôÀ¢Î¸¢È¡÷ ¦¾Ã¢ÔÁ¡?
ÀÄ §Å¾ Ó¾ÄÉ ¸¨Ä¸¨ÇÔõ «È¢ó¾ ´ÕÅý ¦¾¡¼ì¸ò¾¢ø ¦¾Ç¢Å¢øÄ¡Áø ¾¢Ã¢Å¨¾Ôõ À¢ý «Åý ¨ºÅ¦¿È¢¨Â «È¢óÐ ¦¾Ç¢Å¨¼Å¨¾Ôõ §À¡ýȧ¾ «ô¦À¡Õ¨¿ì ¸¡ðº¢ ±ý¸¢È¡÷. ͨÅì¸ þɢ «ôÀ¡¼ø þ§¾¡:
Á¨ÈÓ¾ü ¸¨Ä¸ ¦ÇøÄ¡õ
Á½¢Á¢¼ü ÈÅ§É ±íÌõ
¿¢¨È ÀæÁýÚõ â¾¢
º¡¾É ¦¿È¢ Å£ ¦¼ýÚõ
«¨ÈÌÅ ¾È¢óÐõ §¾È¡÷
«È¢¦ÅÉì ¸Äí¸¢ (þ)Âí¸¢
ӨȢýÅ£ £Î½÷󧾡÷ §À¡Ä
¦¾Ç¢ó¾Ð ãâ ¦ÅûÇõ.
paranjchoothiyaarin uvamai nayam:
paranjchoothi munivar thaam thiruviLaiyaadal puraaNaththai aakkiya poothu mikka uvamai nayaththudan yaaththuLLaar enpathu avar paadalkaLivirunthu nanku veLippadukinRathu. eduththuk kaaddaaka:
avar porun-ai aaRRai nookki athu thodakkaththil kalangkalaakavum pin theLivaakavum ooduvathaik kaNdukoLkiRaar. intha iyaRkaik kaadchiyai ethaRku oppidukiRaar theriyumaa?
pala veetha muthalaana kalaikaLaiyum aRinththa oruvan thodakkaththil theLivillaamal thirivathaiyum pin avan saiva neRiyai aRinthu theLivadaivathaiyum poonRathee ap porun-aik kaadchi enkiRaar. avar paadal chuvaikka iniyathu, ithoo athu:
maRaimuthaR kalaika Lellaam
maNimidaR Ravanee engkum
n-iRai paramenRum puuthi
chaathana n-eRi vii denRum
aRaikuvathu aRinthum theeRaar
aRivenak kalangki (i)yangki
muRaiyin viiduNarnthoor poolath
theLinthathu muuri veLLam!!
iyaRkai aaRRozukkai ingnganam uvamaiyaakkiya thiRan, kavi nayam vizaivoor kaRRukkoLLaveeNdiyathonRaakum
Meaning: Follow Saivam and "God <>You" relationship will be clear.
"´Õ ¿¡Â¸ý ¯¾ÂÁ¡¸¢É¡ý, ¯Ã¡÷¸Ç¢ý þ¾ÂÁ¡¸¢É¡ý " ±ýÀÐ À¨Æ ¾¢¨ÃôÀ¡¼ø.
¬É¡ø þó¾ò ¦¾¡¼÷¦Á¡Æ¢ ´ýÚõ Ò¾¢Â¾ýÚ. ¾Á¢ú þÄ츢Âí¸Ç¢ø ¯ûÇо¡ý.
À½¢ô À½òÐ ¯¨È À¡÷ìÌ ´Õ ¿¡Â¸ý!
Àø ¸¨Äò Ð¨È ¿¡Å¢ø ¯¨Èó¾Åý!
Á½¢ô À½¢ô ÒÂò§¾ º¢í¸ Å¡¸É¢,
ÅóÐ ¦ºó¾¢Õ Á¡¦¾¡Î þÕ츧Å
-- ±ýÚ ¦ÀÕõÒÄÅ÷ ¦ºÂí¦¸¡ñ¼¡÷ ̧ġòÐí¸¨Éô Ò¸ú¸¢ýÈ¡÷ , ¸Ä¢í¸òÐô Àý¢Â¢§Ä! À¡¼ø 320.
À¡Õ즸øÄ¡õ ´Õ ¿¡Â¸ý ̧ġòÐí¸ý! þôÀÊ §À¡¸¢ÈÐ À¡¼ø.
ÁüÈ º¢ó¾¨É¸¨Ç ¿£í¸û ¾ÃÄ¡§Á...........À¢ÈÌ ±Øи¢§Èý, ¿¡ý ¿¢¨ÉôÀ¦¾øÄ¡õ ¿£í¸û ¦º¡øÖí¸û.
"oru n-Ayakan uthayamAkinAn, urArkaLin ithayamAkinAn " enpathu pazaiya thiraippAdal.
AnAl in-thath thodarmozi onRum puthiyathanRu. thamiz ilakkiyangkaLil uLLathuthAn.
paNip paNaththu uRai pArkku oru n-Ayakan!
pal kalaith thuRai n-Avil uRain-thavan!
maNip paNip puyaththE singka vAkani,
van-thu sen-thiru mAthodu irukkavE
-- enRu perumpulavar seyangkoNdAr kulOththungkanaip pukazkinRAr , kalingkaththup paraNiyilE! pAdal 320.
pArukkellAm oru n-Ayakan kulOththungkan! ippadi pOkiRathu pAdal.
maRRa sin-thanaikaLai n-IngkaL tharalAmE...........piRaku ezuthukiREn, n-An n-inaippathellAm n-IngkaL sollungkaL.
UDUMALAI NARAYANAK KAVI
He was born before cinema and was an excellent poet who was known simply as kaviraayar to his close friends and admirers. He was equal to Papanaasam Sivan in the eyes of many, in composing poems and songs for the cinema.
He was born in a village "Puulavaadi" but the appellation "Udumalai" got stuck to his name.
He wrote for many years in cinema and some songs that still reaches your ears from radio stations are:
chinna chinna viidu katti am raja and jikki.
ellaam inba mayam: ml vasanthakumaari and p leela
innamum paaraa mukam Enammaa, in vElaikkaari.
pazuththa pazam inikkumadi inthap paazum kaayellaam puLikkumadi. siirkaazi govindarajan.
Well, paapanaasam sivan held kaviraayar in high esteem. Respect from equals is rare. Though Annadurai liked him and often engaged him to write songs for his dramas and cinemas, kaviraayar was not an atheist.
Let's now look at a KaNNan song written by Udumalai Naaraayanak Kavi.
¬¼ ÅÕš¡ ¸ñ½¡ - ±ý§É¡Î
Å¢¨Ç¡¼ ÅÕš¡ ¸ñ½¡
µ¨¼Â¢§Ä ¿£ ¾¡ý ÓýÉ¡û - ÁÄ÷
µ¨¼Â¢§Ä ¿£ ¾¡ý ÓýÉ¡û
Á¼Å¡§Ã¡Î Å¢¨Ç¡ÊÉÐ §À¡§Ä þó¿¡û (±ý§É¡Î)
ÀͦÅñ¦½ö À¡Ä¡¨¼
ÀÆŨ¸ ¾Õ§Å§É,
À½¢Â¡ø ¯¨¼Â¡ø
«½¢Òâ§Å§É,
þ¨º¦Â¡Î À¡ÊÔõ
þýÀõ ¦ºö§Å§É,
±Æ¢ø§º÷ó¾ À¡Ä¡, §¸¡À¡Ä¡ (±ý§É¡Î)
(from a book of songs collection )
¬¾¢¿¡¾ý ÅÇÁ¼ø á¨Ä ±Ø¾¢ÂÅ÷ ¦ºÂí¦¸¡ñ¼¡÷. þŧþ¡ý ¸Ä¢í¸òÐô Àý¢ À¡ÊÂÅ÷. Ó¾ü ̧ġòÐí¸î §º¡ÆÉÐ «¨ÅôÒÄÅ÷. þó¾ á¨Ä ¬¾¢¿¡¾ý Å¢ØôÀ¨ÃÂý ±ýÀÅ÷ §Áø ±Ø¾¢Â¢Õ츢ȡ÷. þó¾ ¬¾¢¿¡¾ý ±ýÀÅ÷ §º¡ÆÉÐ ¾ÇÀ¾¢Â¡¸ þÕó¾¢Õ츢ȡ÷. ¦¾ýÉ¡÷측ΠÁ¡Åð¼ò¾¢ÖûÇ ¸¡Ã¡¨½ ±ýÈ °÷측Ã÷ þÅ÷. þÅÃÐ ÌÊ Å¢ØôÀ¨ÃÂ÷ ±ýÚ «¨Æì¸ôÀð¼Ð. þó¾ô ¦ÀÂâý ÅƢ¡¸ «¨Á󾧾 þý¨È ŢØôÒÃõ.Quote:
Originally Posted by bis_mala
"¸ñ¼§¾ ¸¡ðº¢; ¦¸¡ñ¼§¾ §¸¡Äõ" ±ýÚ ´Õ ÅÆìÌ ¯ñÎ. «ó¾ ÅÆ츢üÌ ÓØÓ¾ü ¸¡Ã½õ ¾Á¢Æ÷¸Ç¢¼õ þÕó¾ ¯Ä¸¡Â¾ò ¾òÐÅõ. þÐ ºüÚ Å¢Å¸¡ÃÁ¡ÉÐ ±ýÚ þýÚ ÀÄ÷ ¦º¡øÅ¡÷¸û. ¸¡Ã½õ þÐ þ¨ÈÅ¨É Å½í̾¨Ä ÁÚòÐ ±Øó¾ ¾òÐÅõ. ¸¢ð¼ò¾ð¼ ¿¡ò¾¢¸õ ±ý§È ¦º¡øÄÄ¡õ.
¦¸¡ý¨È ÓÊò¾¡÷ìÌõ §¸¡À¡Ä÷ ¬É¡÷ìÌõ
«ýÚ À¨¼ò¾¡÷ìÌõ ¬Çø§Äõ - þýÚ
Á¼ôÀ¡¨Å ¡÷ ¿õ źÁ¡¸ò àÐ
¿¼ôÀ¡§Ã ¦¾öÅõ ¿ÁìÌ
þó¾ô À¡¼ø¾¡ý áÄ¢ý ¸¼×û Å¡úòÐ. þ¾üÌô ¦À¡ÕÙõ ¦º¡øÄ §ÅñΧÁ¡?
¦¸¡ý¨È ÓÊò¾¡÷ìÌõ §¸¡À¡Ä÷ ¬É¡÷ìÌõ
«ýÚ À¨¼ò¾¡÷ìÌõ ¬Çø§Äõ - þýÚ
Á¼ôÀ¡¨Å ¡÷ ¿õ źÁ¡¸ò àÐ
¿¼ôÀ¡§Ã ¦¾öÅõ ¿ÁìÌ
¦À¡Õû ¦ÅÇ¢ôÀ¨¼Â¡¸ þøÄ¡Áø ¦¸¡ñΧÀ¡ö Á¨ÈòÐ, ͨŠ§ÁÄ¢¼ ´Õ Ţθ¨¾ô À¡½¢Â¢ø ±ØО¢ø ¦ºÂí¦¸¡ñ¼¡ÕìÌ «Å§Ã ¿¢¸÷!!
¦¸¡ý¨È ÓÊó¾Å÷ º¢Åý! §¸¡À¡ÄÉ¡ö Åó¾Å÷ Å¢ðÏ. «ýÚ À¨¼ò¾¾¡¸ ¦º¡øÄôÀÎÀÅ÷ À¢ÃõÁý. þÅ÷¸¦ÇøÄ¡õ þÅÕìÌ ÅÆ¢ÀΦ¾ÂÅÁøÄ÷.
þÅ÷ ŽíÌÅÐ Á¼ôÀ¡¨Å¸ìÌò àÐ ¦ºýÈŨÃ!!
«ò¦¾öÅò¾¢ý «Õ¨Ç §Åñθ¢§Èý ±ýÀ¨¾ ¦¸¡ñÎÜðÊô ¦À¡Õû ÓÊ츧ÅñÎõ.
ÐõÀ¢ì¨¸Â¡÷ Ш½Â¡ø Á½õ¦ÀÚÅ¡÷ «Å÷¾õÀ¢ ÓÕ¸ô¦ÀÕÁ¡ý. ¾õÀ¢ìÌò àÐ ¦ºýÈÅ÷ ÐõÀ¢ì¨¸Â¡÷¾¡ý. «Å¨Ã§Â ºÂí¦¸¡ñ¼¡÷ À½¢¸¢ýÈ¡÷ ±ýÚ ¦À¡ÕûÜȢɡø «Ð ºÃ¢Â¡?
§ÅÚ ¦À¡Õû ²§¾Ûõ ´Ç¢óЦ¸¡ñÊÕ츢Ⱦ¡? ¾¢Õ þá¸Åý ¦º¡øÖí¸û.
Á¡Ä¡, ¦ºÂí¦¸¡ñ¼÷ ¨ºÅ÷¾¡ý. ¬É¡Öõ ¿£í¸û ¦À¡Õû ¦¸¡ñ¼ Å¢¾õ ¾ÅÚ. þ¾üÌ þÃñΠŢ¾Á¡¸ô ¦À¡Õû ¦¸¡ûÇÄ¡õ.
1. ¦À¡ÐÅ¡¸ ¯Ä¸¡Âò ¾òÐÅí¸Ç¢ø ¸¼×¨Ç ÁÚòÐ ¯Ä¸ þýÀí¸¨Ç ¿¢Úò¾¢ Å¡ú쨸¨Â «¨ÁôÀ§¾ ¿¼ìÌõ. ¸¢ð¼ò¾ð¼ þý¨È µ§„¡ ¾òÐÅí¸û¾¡ý. ¬¨¸Â¡ø ¸¼×¨Ç þø¨Ä. ¦Àñ¸§Ç¡Î ¸¡¾ø ¦¸¡ûÇ ¿Á측¸ ¡÷ àÐ §À¡¸¢ýÈ¡÷¸§Ç¡ «Å÷¸§Ç ¿ÁìÌ ¿øÄÐ ¿¢¨ÉìÌõ ¦¾öÅõ §À¡ýÈÅ÷¸û ±ýÚ ¦¸¡ûÅÐ ´ÕŨ¸.
2. Íó¾Õ측¸ ÀèÅ¡â¼õ àÐ ¦ºýÈÅ÷ º¢Å¦ÀÕÁ¡ý. «Å¨Ãì ÌÈ¢ôÀ¾¡¸×õ ¦¸¡ûÇÄ¡õ.
thiru raagavan,
þÃñ¼¡ÅÐ ¦À¡Õû ÀüÈ¢:
Á¼ôÀ¡¨Å ±ýÀÐ µ¨ÄîÍÅʸǢø " Á¼ôÀ芡÷¾õ" ±ýÈ¢Õó¾¢Õì̧Á¡ ±ýÈ ³Âõ ±Ø¸¢ÈÐ.
þÐ "Á¼ôÀ¡¨Å ¡÷¿õ źÁ¡¸" ±ýÈ¢Õó¾¡ø, "¿õ źÁ¡¸" ±ýÈ ¦¾¡¼Ã¢ý¸¡Ã½Á¡¸ ¿£í¸û Ó¾üÜȢ ¦À¡Õ§Ç ¦À¡ÕóÐõ ±ÉÄ¡õ. ¬É¡Öõ þôÀÊô ¦Àñ þýÀò¾¢üÌò àÐ ¦ºøÀÅý ¸¼×û ±ýÀÐ º£Ã½¢ì¸î ºüÚ ¸ÊÉÁ¡É¾¡¸§Å ¯ûÇÐ.
ºÂí¦¸¡ñ¼¡÷ ºüÚô À¡Ä¢Âø º¡ö×¼§É¾¡ý Àý¢¨ÂÔõ À¡ÊÔûÇ¡÷. þ¨¾¿¡ý §Á§Ä ´Õ À¡¼¨Äì ÜÈ¢î ÍðÊ측ðÊÔû§Çý. ±É¢Ûõ «Å÷ ´Õ
¿øÄ¢¨ºôÒÄÅ÷ ±ýÀ¾¢ø ³ÂÁ¢ø¨Ä. þôÀÊô À¡ÎÅÐ «ó¾ì¸¡Äò¾¢ø ̧ġòÐí¸ÛìÌõ «¨ÅôÒħšÕìÌõ ͨÅìÌ⾡ö þÕó¾¢Õì¸Ä¡õ!
º¢ÃÁõ ²Ðõ þø¨Ä¦ÂýÈ¡ø þýÛõ ´ýÈ¢ÃñÎ À¡¼ø¸û ±ÎòÐî ¦º¡øÖí¸û!! ¯í¸Ç¢ý þÄ츢 §¿¡ð¼õ (literary criticism) Á¢ì¸ þÉ¢¨Á¡¸§Å þÕ츢ÈÐ.
þóá¨ÄôÀüÈ¢ ¿õ þ¨½Â ¿ñÀ÷¸û ºüÚ Å¢Ã¢Å¡¸ò ¦¾Ã¢óЦ¸¡ûÇðΧÁ, ¾¡í¸û ãÄÁ¡¸...
Á¡Ä¡.....Á¡ðÊ Å¢ÎÈ£í¸§Ç........þôÀ þøÄ. ¸ó¾÷ «Ñâ¾¢§Â þýÛõ µÊ츢ðÎ þÕìÌ. «Ð ÓÊÂðÎõ. «ôÒÈÁ¡ ´ù¦Å¡ýÉ¡ ¦ºöÂÄ¡õ. «ÐŨÃìÌõ þôÀ¢Ê ¿Î×Ä ÅóÐ ±ÎòÐì ÌÎòÐ츢ðÎ þÕ째ý.
¬¨º§Â¡ ¾½¢ÂÅ¢ø¨Ä,
¸¡Äõ ¸É¢ÂÅ¢ø¨Ä
¸Å¢¨¾¸û ÅÕõŨÃ
¦¿ïÍ ¦ÀÚõ ¦À¡¨È!!
¾¢ÕìÌÈûÀüÈ¢ ±ØО¡É¡ø, «¾üÌâ þΨ¸Â¢ø ±Ø¾§ÅñÎõ ±ýÚ ¿£í¸û ±ñ½Ä¡õ. ¬É¡ø þíÌ ´Õ ÌÈû ¦º¡øÄô§À¡¸¢§Èý. «¾üÌ «¨Á¾¢ ¡¦¾ýÈ¡ø, þÐ ÀÄͨÅì¸Å¢¨¾¸û ±ýÛõ ¦ÀÂâ þΨ¸. §ÁÖõ þíÌ ÓÃñÀ¡Î¸û ÀüȢ Ţš¾ò¾¢üÌ ÅÆ¢§¸¡ÄôÀ¼Å¢ø¨Ä.«ó¾ þΨ¸Â¢§Ä ÀÄÅ¢¾ Ţš¾í¸Ùõ þ¼ô¦ÀüÚûÇÉ. «¾ý¸¡Ã½Á¡¸×õ þíÌ ±ØÐŧ¾ ¦À¡Õò¾Á¡ÉÐ ±ýÀÐ ±ÉÐ ¸ÕЧ¸¡Ç¡Ìõ.
þô§À¡Ð ÌȨÇì ¸ÅÉ¢ô§À¡õ.
¸ü¸ ¸º¼È(ì) ¸üÀ¨Å ¸üÈÀ¢ý
¿¢ü¸ «¾üÌ(ò) ¾¸.
¸üÀ¦¾ýÀÐ ºü§È ¸ÊÉÁ¡É §Å¨Ä. (¸Î+þÉõ, ¸Î+þý+«õ= ¸ÊÉõ, ¦º¡øÄ¡ì¸ò¾¢ø ÅÄ¢Á¢¸¡Ðõ ÅÕõ ±ýÀÐ þÄ츽ò§¾¡Î ¦Á¡Æ¢ôÀñÀ¢¨ÉÔõ ¬öó¾¡÷ «È¢Å÷). ¬¸§Å, ÅûÙÅ÷ Åø¦ÄØò¾¡¸¢Â "ü" ¦ÀöÐ þìÌ鬂 þÂüÈ¢ÔûÇ¡÷. Åø¦ÄØò¦¾ýÀÐ ÅøÄ¢Éõ.
þ¾¢ø 5 "ü" ¯ûÇÉ. «¾¡ÅÐ 5 ž¢§Ä§Â ¸øÅ¢ ¦¾¡¼í¸¢Å¢¼§ÅñΦÁýÀÐ ÌÈ¢ôÒ. þ¨¾ ¿ý¸È¢óÐ ÜÈ¢ÂÅ÷ ¦ºö̾õÀ¢ô À¡ÅÄ÷ ±ýÛõ ¦ÀÕó¾Á¢úôÒÄÅ÷. ÌÆó¨¾ 2 ž¢§Ä µÃÇ× §ÀîÍò¾¢È¨É «¼óÐŢθ¢ÈÐ. «¾üÌ «¨¼Â¡ÇÁ¡¸ þÃñ¼¡ÅÐ ÅøÄ¢É ±ØòÐ "¸ü¸" ±ýÛõ ¦º¡øÄ¢ø «¨ÁóÐ ¸¢¼ì¸¢ýÈÐ. ´ýÀ¾¢üÌõ À¾¢ýãýÚìÌõ þ¨¼ôÀð¼ ¸¡Äò¾¢§Ä ÌÆó¨¾ ¬öó¾È¢ ¾¢Èý ¦ÀüÚŢθ¢ÈÐ. þÐ age of reason (usually 12 which is between 9 and 13) ¬Ìõ. 18 ž¢ø «Åý ¦À¡Ðì¸øÅ¢ ÓʧÅñÎõ. ¬¸§Å À¾¢¦Éð¼¡õ þ¼ò¾¢ø "ü" ¯ûÇÐ. 22 ÅÂÐìÌû «Åý ¾ý ÌÕÅ¢¼õ ¦ÀÚõ º¢ÈôÒì¸øÅ¢ ÓÊ×ȧÅñÎõ. ¬¸§Å 22õ þ¼ò¾¢ø "ü" ¯ûÇÐ. «¾ýÀ¢ý «Åý «È¢×ĸ¢ø ¿¢Á¢÷óÐ ¿¢ÈÀÅý ¬Å¡ý. «ôÒÈõ «È¢»Ã¢¨¼ "¦ºíÌò¾¡¸" ¿¢ÈÌõ ¾¢Èõ¦ÀÚÅÐ ÌÈ¢ôÀ¡ø ¯½÷ò¾ô ¦ÀÚ¸¢ÈÐ.
(Ìò(Ð) + ¾¸). þ¨Å¦ÂøÄ¡õ Á¨ÈÌÈ¢ôÒ¸û. (In the above kuRaL: If you include letters in brackets which arose in sandhi or puNarchchi, 9 will be 10 and 13 will be 14 and you will have to modify accordingly )
Just not the letter but the spirit of the song hidden in between letters.
[ The system of education during vaLLuvar's time was different but there should have been clearly discernable stages that a learner would have undergone. So apply this to the historical situation with necessary modification .]