http://tamil.techsatish.net/file/mano-23/
Rajesh Vaidhya @ Manathodu Mano
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http://tamil.techsatish.net/file/mano-23/
Rajesh Vaidhya @ Manathodu Mano
Thanks for the link k....
What a lovely love song and a very nice write up by Raj.
http://bit.ly/e7vjJh
This is a great BGM clip...
Watch out for the orchestration that smoothly starts at 1.56 & gradually merging with a perfect fusion of Cellos, Saaranghi, tabla, flute, Double Bass with violin background..giving a hindustani flavour to western classical.. i really enjoyed the way the emotion is brought in the music..in a typical Rajaish style..
Hope u too will enjoy.
http://www.youtube.com/watch?v=enHUR...eature=related
That was an awesome BGM..TFS Krish..
Can someone translate this: http://solvanam.com/?p=13585
difficult. but lemme try
give me a day or two - coz this is not an article which you want to read only gist.
Every word in this article is worth its weight in gold and if you are an IR fan it is like floating in clouds..
http://www.youtube.com/watch?v=G3q11...eature=related
Awesome Pazhassi Raajaa end credits BGM - look at how "Aadhi ushas" makes an entry as a symphonic piece - Simply Awesome.
my heart swells in sadness, pride and ecstasy. The way music should be done...
wow! pullaripps of India!Quote:
Originally Posted by jaiganes
http://www.youtube.com/watch?v=IDQCj...eature=related
some lucky son of a lucky gun getting to chat with puru...
and listen to the songs. we are lucky even to be listening to these songs..
Particularly "En Raagangal" what a sway of notes and what singing by that raakshasi - SJ..?
I also admired the way 'Chandrasekar' nodded his head. He is so involved in the music from 'God'!. We can easily tell he is very dedicated to his work.
Still looking for 'Chinna thaayaval' temple version from Thalapathi..! :-(
where was this held in kerala.anything special about this prograame.can sombody shed more details on this.rgds.Quote:
Originally Posted by aruvi
Can someone post Mathiya Chennai Title song BGM ,
that piece is just mindblowing , searching for it all over the net
Just stumbled upon it. Sorry if it's mytakku
Swamigal Live In Italy (2004)
http://www.youtube.com/watch?v=bznLrcCiXG0&feature=related
~ ~EXCLUSIVE~~ #Ilayaraja Music Concert on Shri Ramana (09.01.2012) http://youtu.be/WVS9nKn5cCg We IRTF-Team humbly sharing with all RAJA DEVOTEES
Kamesh & IRTF.. can't thank you enough for the rare video. great!
http://www.youtube.com/watch?v=HErLf...eature=related
A program called Legend in Studio N TV on 31/12... this is in Telugu
Some of the 80's hits which i have never seen the picturization...
1. Anbulla Malare - http://www.youtube.com/watch?v=MptIwIR_nCY
2. Anbulla Malare - http://www.youtube.com/watch?v=8MwSElAW0m4
3. Aagaya Gangai - http://www.youtube.com/watch?v=lrCmn2WdRSE - picturization of this song not bad though
4. Kokarako - http://www.youtube.com/watch?v=VPplwC-XVTg
5. Kovil Pura - http://www.youtube.com/watch?v=he_pzUu9rXE - saritha does justice to SJ voice
I can't resist posting these two BGM clips which I loved the most in Sneha Veedu.
I am mesmerized by the precise timing in the score for dramatic changes in the mood and the events.
http://www.youtube.com/watch?v=z5pA7O75kUM
This one is a poetry in visuals and music. Want to hear Aavani Thumbi in instrumentals. I have never seen anyone use flute like Maestro does. Definitely credit goes to Arunmozhi. Enna sugam! Combined with visual this one is a great visual/aural treat. I love Appukutty's acting and the people in the village.
http://www.youtube.com/watch?v=cLjfJOCcP30
நன்றிகள் பல வி.எஸ்!
ஒரு வேண்டுகோள்! அழகி படத்தில் சண்முகமும் தனலட்சுமியும் ஒரு முறை கோயிலில் சந்தித்துக் கொள்வார்கள்! அதற்காகவே பிரத்யேகமாக ஒரு துண்டுப் பாட்டை ராஜா அமைத்திருப்பார். பொறுமையிருந்தால் அதையும் இங்கு நேரம் கிடைக்கும்போது பதிவு செய்யவும்.
Sure venkki. I think I have Azhagi DVD, need to check again. Will definitely post it. Thanks for letting me know.:smile:
மிக்க மகிழ்ச்சி! அப்போ அழகி படத்திலிருந்து நிறைய பின்னணி இசை பொக்கிஷங்களை எதிர்பார்த்து காத்திருக்கிறேன்.Quote:
Originally Posted by V_S
Snehaveedu HQ BGM here. Finally managed to finish it. I think I have covered 90% of the music in the film (apart from the songs). For 2 hours and 20 minutes film, the background score is almost 1 hour, which leaves us another 1 hour and 20 minutes. Out of that, 20 minutes goes in 4 songs, so remaining 1 hour has no music, as Maestro does not unnecessarily forces the score and intrudes the dialogues. One hour of background score is something extra-ordinary. Even in an hour of background score, we can hear silence at many places. And in many places when the dialogues are on, how he subtly underlines the emotions with feebly audible scores, again not to interrupt the emotions, only to enhance it. Best way to listen to the score is to cut all the mp3s into a CD and listen, especially on a travel. It will be a pure 'Olichithram' of the whole film. One of the best score by Maestro. Enjoy!
Alert: If you want to see the film, please don't listen to this, as from the dialogues, you will sure get the whole story, so there are spoilers.
PS: Sorry, venkki. I searched for Azhagi DVD. I don't have it here, I will have to purchase.
Music band from the Indian Institute of Science, Bangalore, performing IR's HOW TO NAME IT ?:
http://www.youtube.com/watch?v=d-J_PGheM2M
பரவாயில்ல சார். யூடியுபில் தேடிக் கண்டுபிடிச்சிட்டேன்.. இரு முத்துக்கள் அழகி படத்திலிருந்து..Quote:
Originally Posted by V_S
கல்யாணமான பிறகும் தனலட்சுமியின் நினைவாகவே இருக்கும் சண்முகம் .. கோயிலில் தனத்தை, அவளது கணவன்-குழந்தை சகிதம் பார்க்க நேரிடுகிறது..
ஏழுஜென்மம் தொடர்ந்து வரும் எங்கள் அம்மா தாயே (எங்கள் அம்மாள் தாயே)
எங்குமெங்கும் உடனிருப்பா ஈசுவரியே நீயே (ஈசுவரி நீயே ஈசுவரி நீயே )
உள்ளமெல்லாம் உருகுதம்மா ஒன்ன பார்த்ததாலே (ஒன்ன பார்த்ததாலே)
ஏங்குமெங்க ஏக்கமெல்லாம் தீர்த்து வைப்பாய் நீயே (தீர்த்து வைப்பாய் நீயே)
(0:48-1:53)
http://www.youtube.com/watch?v=rM-lr...eature=related
காப்பகத்தில் பாலு சக சிறுவர்களுடன் உணவுக்கு முன் இறைவனை வேண்டுகையில்..
உலகம் யார் சொந்தமோ - எங்களின் தெய்வமே!
நாங்கள் யார் சொந்தமோ - எமக்கு யார் தெய்வமே!
தாய்க்கு வேண்டாத பிள்ளை - பிறப்பதே மண்ணில் தொல்லை
யாரும் விரும்பாத எம்மைக் காக்கின்ற கருணை வடிவே
8:23 - 9:15
http://www.youtube.com/watch?v=hE28u...eature=related
Thanks V_S for Aavani Thumbi instrumental on flute , it was just so lovely .
I think i will enjoy the film , but require eng subtitles :)
iniya naNbar Plum avargaLin mElaana gavanaththiRku. http://www.twitlonger.com/show/gegjgk
IR 1985 Kalki interview
courtesy: ex-hubber equanimusQuote:
"ஒரு உயர்ந்த படத்தை இசையமைப்பாளரால் கெடுக்க முடியாது. அவனுக்குக் கெட்ட பெயர் வந்து சேருவதோடு சரி. ஆனால் ஒரு சராசரி படத்தை இசையமைப்பாளன் உயர்த்தவும் முடியும்; கெடுக்கவும் முடியும்."
Look at meQuote:
Originally Posted by P_R
kuRippatta sila topic pEsunA dhaan 'yA thalaiyai kaamikkiRaar.Quote:
Originally Posted by Bala (Karthik)
Englis englis roman script roman script
Ilayaraja in 1985 interview to Kalki :Quote:
Originally Posted by Plum
"oru uyarndha padaththai isai amaippALArAl kedukka mudiyAthu. avanukkukketta peyar vandhu sEruvadhOdu sari. AnAl, oru sarAsari padaththai isai amaippALAn uyarththavum mudiyum; kedukkavum mudiyum"
The beautiful End title score of Sri Rama Rajyam:
http://www.4shared.com/mp3/1ODwVPrg/SRR_end_titles.html
digression yet somehow relevant to IR's style of music/BGM making - http://collider.com/brooklyn-decker-...erview/153633/
Peter Berg, the director of the recent summer scifi action flick - BATTLESHIP - abt music composer Steve Jablonsky’s score for the film
Berg: "He’s a genius. Steve Jablonsky is the sh*t! I think that guy is the best composer working today, hands down. Working with composers often is a really frustrating experience because you speak a different language and, oftentimes, they take two or three jobs, at the same time. They’re difficult and pretentious and they’re tormented artists. I’m not going to name names, but most of them are. One guy who isn’t is Hans Zimmer, who taught Steve Jablonsky. We had a couple of meetings and I came up with this idea. The day I met with him, I had had an MRI for my neck, and they make that really scary sound. I was like, “I just had this MRI, and when I was in there, I was thinking about the aliens, and it was really scary.” And he was like, “Oh, that’s awesome!” He went and recorded MRIs and made music out of MRIs, and that’s the theme of the aliens in our film. He is no drama, and just goes and gets it done. The score is big and awesome and scary and driving. At times, it’s very simple and acoustic and touching and emotional. He’s the best I’ve ever worked with. "
isn't that how IR composes too ?? inspiring himself from a sound idea to come up with a motif and building on it ??
here is that theme he is referring to: http://www.youtube.com/watch?v=Wz4Dk7RxrvU
Tere Naam Vs Sethu. What if?
http://www.backgroundscore.com/2012/...-vs-sethu.html
Suresh,
I am totally unable to understand your motivation for this post. Are you trying to say we appreciate Raja's BGM because it is by Raja and not because it is appropriate? Raja felt there was a need for BGM there so he kept it. If he had not felt the need for BGM, he would have been silent. You can only talk about what is present. Honestly, as I said in the beginning, I don't see any point in your post.
I don't know but going by your earlier Raja vs Rahman post and this post it almost looks like you are on a mission to convince people that we appreciate Raja because he is close to us and that almost all BGM by everyone is good !!! I may be wrong but that is the feeling I get. It would be probably nice if you stick to analysing BGM and not come up with some vague comparison.
Thanks for the understanding.
Cool. I was just thinking loud. I wanted to know if anyone else would have thought same way? I just write what I honestly feel about certain things and it is not to propagate any theory.
I am just wondering how even a very pedestrian, functional score is enough for ordinary film-goers to like a film. Like how Salman's performance was enough for them. But does that doesn't mean Salman is perfect for the role. It is just that he was good enough for those who liked that film as much as we liked Sethu. That doesn't mean Salman = Vikram.
I am not saying we like it only because it is Raaja, I am just saying Raaja's isn't the only way, there is always the other right way, though it may not be the best way. But, with background score, as people don't care about it much, just being right is enough, I guess.
Hope I clarified. Need to work on my writing skills. My posts seem to suggest what I didn't intend to.
"we appreciate Raja because he is close to us" - I don't know about "We", but I am like that. I have that prejudice. I just wanted to know if anyone else is like that. That is why I tailed it with a question "What would you have thought?"
suresh,
I think you are caught in some confusion regarding to accept Raja's scores. We are perfectly fine with this. You wanted to convince yourself as well as others that just the functional score is good enough for any film. What is this big drama Raja is doing? Since you always have ARR at the back of your mind and not willing to put him down (which I really appreciate), you want convince again and again that functional score is good enough (citing ordinary film-goers, as an excuse). If for the same reason, you don't want to bring your idol down, you have already pulled indirectly Raja down here by nullifying his work as nothing, citing people don't care much about it. Good job, keep it up!
It's like saying, why to compose good songs, if people nowadays are not interested much. Just if it is pleasing to ears or if it makes people dance , it is enough, nothing else is needed. Don't do different genres, one is enough for these people. Can you accept it? I know we cannot compare songs with background score, it is always the belief system that we ride on. One day or other, the background scores will be talking more than the songs themselves, who knows. Someone has to light the candle and it is one and only Ilaiyaraaja.
I would like to quote Director Mahendran's/Balu Mahendra (not sure exactly) words here. People will not know much about films, just that they want to pass their 2 hours in the theatre. Because of that, we should not take them as granted and produce ordinary (in your case functional) movies. You are already saying others may not do the best way, but they are right and it is just enough. Now, think about about the above statement if the directors/music directors are doing justice, if they think like you.
Do they need to enhance the movie/music experience of the audience to a different level, or just stay stagnant and don't bother people to elevate them. Even if few people are attending and understanding these minute details, it is beneficial and that's the success of the directors/music directors and the film. That's how the film industry and music industry and the audience watching these films have evolved. Please think about it. That's where Maestro stands tall and tallest in this department with no competitors ever. I am even wondering if we would be talking about background score, if we were born 50 years ago. That's the difference we are talking about. As Suresh ji said, it is not good to compare the films' background scores, it will never give you the correct picture.