Yes, the portions with Bharath and Bhavana were fantastic. Bharath's characterization and vocation were genuine flashes of brilliance.
Nerd:
I do agree that its horrendous to return the same state you went out with. But, my bone of contention is the 20 years in between. He watched a movie during school 'cos he loves films. Gets caught, insulted, runs away. Then he luckily gets into a theater and spends the next 20 years totally enjoying himself working there. The Thangam portion is towards the fag end of those 20 years.
The point I'm making is that the director never shows that he's not happy in the theater. He doesn't voluntarily go out for an alternate job...stays put there. Reason: He may be enjoying it there!
And this is the longest part of Murugesan's life according to the movie timeline. This was his most successful part too where he loves what he's doing. So, if this major chunk is not a failure, do you take 2 events, pre and post this to judge that he was a loser?
Again, I'm saying that Veyil may be a comparatively decent film - compared to other duds we're getting...but it certainly doesn't deserve the kind of amazed adulation its getting. And the makers cannot be more wrong about the 'loser' theory 'cos they're not saying anything new here - their vision of a loser is extremely conventional - someone who has not made money for himself. Thats the normal societal view of success, whats new there? Every other medium of art is already hammering that view.
Karthik