http://www.youtube.com/watch?v=eDkwaTHxwIE
அப்புறம் தலைவரே!
Printable View
http://www.youtube.com/watch?v=eDkwaTHxwIE
அப்புறம் தலைவரே!
தலைவா நீ பிரிந்தாலும் உன்மீது உள்ள அன்பும் பாசமும் என்றும் தொண்டர்கள் இதயத்தில் வாழ்ந்துகொண்டு இருகின்றாய்......
தலைவா உனது பாதையில்
http://i1170.photobucket.com/albums/...psbc98e91b.jpg
மக்கள் திலகம் எம்ஜிஆர் நினைவு நாளையொட்டி சென்னை - மதுரை - நெல்லை -கோவை நகரங்களில் மக்கள் திலகத்தின் படங்கள் நடை பெறுவது அறிந்து மிக்க மகிழ்ச்சி .
Courtesy Lakshmansruthi - Artist's Profile Directory
http://profiles.lakshmansruthi.com/index1.php?uid=187
http://i60.tinypic.com/3323ts7.jpg
General Profile of M G R - Cine Artist
Maruthur Gopalan Ramachandran (17 January 1917 – 24 December 1987), popularly known by his initials MGR, was an Indian film actor, director, producer, and politician who also served as the Chief Minister of Tamil Nadu successively for three terms. He could not pursue his studies beyond the primary stage due to poverty and hence joined a drama troupe named Boys company. Gaining considerable experience on stage, he entered the world of cinema
In his youth, MGR and his elder brother, M. G. Chakrapani became members of a drama troupe to support their family. Influenced by Gandhian ideals, MGR joined the Indian National Congress. After a few years of acting in plays, he made his film debut in the 1936 film Sathi Leelavathi in a supporting role. In the late 1940s he graduated to leading roles and for the next three decades dominated the Tamil film industry.
MGR was a Hindu and a devotee of Murugan, as is the common practice for Hindus in Sri Lanka. This was during his early days. Later, when he joined the DMK,a pro-rationalist party,he followed the rationalist ideology, though not appearing very aggressively atheistic.However,in later days after he founded his own party following his expulsion from the DMK, he seems to have shown some leaning towards religious faith. He had asked his followers to pray for the success of his AIADMK party.
In Tamil Nadu, he has a reputation for philanthropism and is considered to be one of the greatest political leaders and actors of the state. He is idolized by his followers as Puratchi Thalaivar (lit.Revolutionary leader).
He sang a few lines in the film and tried his hands in playback singing. He acted with his third wife V.N.Janaki in films Marutha Naattu Ilavarasi, Mohini, and Naam. After strenuous hard work he tasted success and portrayed his first lead role in the film Rajakumari.
He portrayed an excellent anti hero role in Panakkaari. In 1954, he acted along with his on screen rival Shivaji Ganesan in Koondukkili. It was the film the two had acted jointly. It was during the shooting the film Kavalkaran, he was shot in his throat by his fellow actor M.R.Radha. After his recovery, he came to continue with the popular song “Ninaithaen Vanthai Nooru Vayathu”. His star power did not diminish even after he was shot, affecting his ability to speak clearly, but rather he became more famous after this incident.
He acted in the first color film in Asia, Alibabavum Narpathu Thirudarkallum with actress Bhanumathi. He produced and directed his first film Nadodi Mannan, a film which was partly made in Black and white and color.
On the 12th of January 1967, he was shot in the neck by fellow actor M.R. Radha.Both had worked together in 25 films together.When MGR was acting in the film Kaavalkaran in 1967 opposite J. Jayalalithaa this incident happened. Petralthaan Pillaya was the last movie of MGR-MR Radha together, shooting which ended just few days before MGR was shot at.The bullet was permanently lodged in his neck and his voice damaged. Within hours of the shooting, some 50,000-odd fans had gathered at the hospital where MGR had been taken. People cried in the streets.
For six weeks, he lay in the hospital as fans awaited each report of his health. He was visited by a steady stream of commoners and luminaries of film industry, polity and bureaucracy.From his hospital bed; he conducted his campaign for Madras Legislative Assembly. He won twice the number of votes polled by his Congress rival and the largest vote polled by any candidate for the Assembly.
In October 1984, MGR was diagnosed with kidney failure and rushed to the Downstate Medical Center, Brooklyn, United States for treatment, undergoing a kidney transplant. MGR died on December 24, 1987 after his prolonged illness. He was 70. His death sparked off a frenzy of looting and rioting all over the state of Tamil Nadu. Shops, movie theatres, buses and other public and private property became the target of violence let loose all over the state.
The police had to resort issuing shoot-at-sight orders. Tamilians from Bangalore rushed to Madras in trains to see the mortal remains of MGR. Govt had announced free train facility for this visit. The violence during the funeral alone left 29 people dead and 47 police personnel badly wounded. This state of affairs continued for almost a month all over the state of Tamil Nadu.
As an Actor
1936 Sati Leelavati
1936 Iru Sahodarargal
1938 Dakshayagnam
1938 Veera Jagathis
1939 Maya Machindra
1939 Prahalatha
1941 Ashok Kumar
1941 Vedavathi or Seethajananam
1942 Thasippen or Jyothi Malar
1942 Tamizhariyum Perumal
1943 Harichandra
1945 Meera
1945 Salivahanan
1946 Sri Murugan
1947 Paithiakaran
1947 Rajakumari
1948 Abhimanyu
1948 Mohini
1948 Raja Mukthi
1949 Rathnakumar
1950 Maruthanattu Ilavarasi
1950 Mandiri Kumari
1951 Ektha Raja (Hindi)
1951 Sarvathikari (Telugu)
1951 Marmayogi
1951 Sarvathikari
1952 Andaman Kaithi
1952 Kumari
1953 Yen Thangai
1953 Jenova
1953 Naam
1953 Jenova (Malayalam)
1954 Panakkari
1954 Malaikkallan
1954 Koondukkili
1955 Gul-E-Bakaavali
1956 Alibabavum Narpathu Thirudargalum
1956 Madurai Veeran
1956 Thaikupin Tharam
1957 Chakravarthy Thirumagal
1957 Mahadevi
1957 Pudumaipithan
1957 Rajarajan
1958 Nadodi Mannan
1959 Thai Magalukku Kattiya Thaki
1960 Bhagdad Thirudan
1960 Mannathi Mannan
1960 Raja Desingu
1961 Arasilamkumari
1961 Nallavan Vazhvan
1961 Sabash Mapillai
1961 Thai Sollai Thattathe
1961 Thirudathe
1962 Kudumpa Thalaivan
1962 Madapura
1962 Paasam
1962 Rani Samyuktha
1962 Thayai Kaatha Thanayan
1962 Vikramathithan
1963 Ananda Jyothi
1963 Dharmam Thalai Kakkum
1963 Kalai Arasi
1963 Kanchi Thalaivan
1963 Koduthu Vaithaval
1963 Neethikkuppin Pasam
1963 Panathottam
1963 Parisu
1963 Periya Idathu Penn
1964 Theiva Thai
1964 Yen Kadamai
1964 Padakotti
1964 Panakkara Kudumbam
1964 Thayin Madiyil
1964 Thozhilali
1964 Vettaikaran
1965 Asai Mugam
1965 Ayirathil Oruvam
1965 Yenga Veetu Pillai
1965 Kalankarai Vilakkam
1965 Kanni Thai
1965 Panam Padaithavan
1965 Tazhampoo
1966 Anbe Vaa
1966 Naan Anaiyittal
1966 Mugarasi
1966 Nadodi
1966 Chandrodayam
1966 Parakkum Pavai
1966 Petralthan Pillaiya
1966 Thali Bhagyam
1966 Thanipiravi
1967 Arasakattalai
1967 Kavalkaran
1967 Thaiku Thalaimagan
1967 Vivasayee
1968 Rahasiya Police 115
1968 Thaer Thiruvizha
1968 Kudiyiruntha Koil
1968 Kannan Yen Kadalan
1968 Pudiya Boomi
1968 Kanavan
1968 Oli Vilakku
1968 Kathal Vaganam
1969 Adimai Penn
1969 Namnadu
1970 Mattukara Velan
1970 Yen Annan
1970 Thalaivan
1970 Thedi Vantha Mappillai
1970 Yengal Thangam
1971 Kumarikottam
1971 Rickshawkaran
1971 Neerum Neruppum
1971 Oru Thai Makkal
1972 Sange Muzhangu
1972 Nalla Neram
1972 Raman Thedia Seethai
1972 Annamitta Kai
1972 Naan Yaen Piranthaen
1972 Idaya Veenai
1973 Ulagam Sutrum Valiban
1973 Pattikattu Ponnaiya
1974 Netru Intru Nalai
1974 Urimaikkural
1974 Sirithu Vazhavendum
1975 Ninaithathai Mudipavan
1975 Naalai Namathe
1975 Idaya Kani
1975 Pallandu Vazhga
1976 Neethikku Thalaivanangu
1976 Uzhaikkum Karangal
1976 Oorukku Uzhaippavan
1977 Navaratnam
1977 Indru Pol Endrum Vazhga
1977 Meenava Nanban
1978 Maduraiyai Meeta Sundrapandian
As a Producer and Director
1958 Nadodi Mannan - Producer and Director
1969 Adimai Penn - Producer
1973 Ulagam Sutrum Valiban - Producer and Director
1978 Madhuraiyai Meeta Sundharapandian - Director
Family Background
Born on 17th January 1917 at Kandy, Sri Lanka, to Maradhur Gopala Menon and Satyabhama who were of the Nair caste from the state of Kerala in Southern India. After his father's death, M.G.R along with his mother Sathyabama and brother Saranga Bani settled with his family at Kumbakonam in Tamil Nadu. His wives are Thangamani (deceased), Sathanandavathi (deceased) and V. N. Janaki (died in 1996). He died on 24 December 1987 (aged 70) Chennai, India. He was famously known as Puratchi Thalaivar.
Awards & Titles
Ø 1988 Posthumously awarded “Bharat Ratna” by the President of India.
Ø 1983 The University of Madras conferred on him, Honoris Causa, the degree of Doctor of Laws
Ø 1978 Tamilnadu Govt’s best film award – “Maduraiyai Meetta Sundarapandian”
Ø 1972 National Award for the Best Actor - “Rickshakaran”
Ø 1969 Tamilnadu Govt’s best film and Filmfare award – “Adimai penn”
Ø 1968 Tamil nadu Govt’s best film - “Kudiyurindha kovil”
Ø 1967 Tamilnadu govt’s best film - “Kavalkaran”
Ø 1960 he refused to accept the ‘Padmashree’ award from the Govt of India.
Ø 1956 Film fans association award – “Ali baba and forty thieves”
Ø 1954 Govt of India award - “Malai kallan”.
Ø A doctorate from the Arizona University, US.
எம்.ஜி.ஆரின் பொன் மொழிகள் ....
1. அறிவியல் துறையில் போட்டி வேண்டும். ஆற்றலுக்கு முதலிடம் தரப்பட வேண்டும். ஆற்றல் இல்லாதவர்களுக்கு அது கிடைக்க வழி செய்யப்பட வேண்டும்.
2. சமுதாய உணர்வோடு நாம் பிரச்சனைகளை அணுக வேண்டும். நாம் தனி மனிதர்கள் என்பது எவ்வளவு முக்கியமோ, அதை விட முக்கியமானது நாம் ஒரு சமுதாயத்தின் அங்கங்கள் என்பது !
3. வயிற்றுப் பசியைத் தீர்த்துக் கொண்டால் மட்டும் போதாது ! விலங்கினங்கள் கூடத்தான் வயிற்றுப் பசியைத் தீர்த்துக் கொள்கின்றன. அவற்றினின்றும் மேம்பட்ட நிலையை மனிதன் அடைவதற்குத் தன்னுடைய ஒவ்வொரு செயலிலும் ஓர் ஒழுங்கினை வரையறுத்துக் கொள்ள வேண்டும்.
4. வன்முறை தான் போராட்டமுறை என்றால் தோல்வி தான் அதற்குப் பரிசாகக் கிடைக்கும் என்பது நிச்சயம்.
5. எழுத்தாளர்களின் திறமை என்பது காலப்போக்கில் மாறுவது என்றாலும் அந்த எழுத்தாளர்களின் எழுத்துக்கள் எதிர்காலச் சந்ததிகளின் தலையெழுத்தை நிர்ணயிக்கின்றவைகள்.
எழுத்துக்கள் என்பதில் பல்வேறு வகை இருக்கின்றன. பிறரைச் சிந்திக்க வைக்கிற மாதிரி எழுதுவது ஒரு வகை, பிறரைப் புண்படுத்தாமல் எழுதுவது ஒரு வகை, பிறரை வைத்துச் சிந்திக்க வைப்பது ஒரு வகை. அப்படிச் சிந்திக்க மறுப்பவர்களைச் சந்திக்கு இழுப்பது என்பது ஒரு வகை.
6. நமத சமுதாயத்தின் அனைத்துப் பகுதி மக்களும் நல்லிணக்கமான முறையில் சீராக முன்னேற்றம் பெற உத்தரவாதம் தரப்பட வேண்டும். சமநிலைக்குப் பங்கம் ஏற்படாத வகையில் வளர்ச்சிகள் அமைய வேண்டும்.
7. சமூக முன்னேற்றமும், பொருளாதார வளர்ச்சியும் ஒரு நாட்டின் இன்றியமையாத தேவை என்றாலும், அதன் பலன்கள் ஏழை, எளிய மக்களுக்குக் கிடைப்பது அவசியம்.