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App, bail out before your pressure shoots up. This thread has a motive - the conclusion of this thread has already been written - and that doesn't deal with the golden period but muck throwing at some one and concluding that his prev and post generation are humble buddhaperumans. People seriously discussing golden period are victims - whether it is you or rajeshkrv :)
App, bail out before your pressure shoots up. This thread has a motive - the conclusion of this thread has already been written - and that doesn't deal with the golden period but muck throwing at some one and concluding that his prev and post generation are humble buddhaperumans. People seriously discussing golden period here are victims - whether it is you or rajeshkrv :)
Thank you very much for your understanding! Can't press out any better.
Its Jocks Vs Nerds!
<the 2 decade younger kid have done lot of research which was not taught during the school of cinemas>
The thought itself a "height of stupidity" that anyone could write a conclusion in such a open forum.
60களில் ஸ்ரீதர் என்ற ஒரு இயக்குநர் இருந்தார். அவர் செய்த சாதனைகள் மகத்தானவை. அது திருவாளர் ஏ.பி.பி. எஞ்ஜினீருக்கு தெரியாது போலும். ஒருவேளை அவர் பள்ளிகூடத்தில் படிப்பவரோ ?
For your kind info, I'm 45.Quote:
Originally Posted by Irene Hastings
Please post about Sridhar and avoid personal attacks :-) In any case, I'm always a student :-)
avaru vayasu 45.. 45'nu vaaippu kidaikkumpodhellam sollittu irukkaru...Quote:
Originally Posted by Irene Hastings
For the attention of any who want to read about "golden periods" (of various Indian cinema fields)
http://en.wikipedia.org/wiki/Cinema_of_India
As expected, this clearly says about MF having its own "golden period" during 80's (typically acknowledged by most pundits). I'm so fond of the MF during 80's as well:-)
IMO, TF had films "similar those of 80's MF" during late 70's :-)
(The article also states that the "quality" of TF improved during 80's and the "new age cinema" of India happened during 70's while talking about 40's to 60's as golden period)
If one reads the wikipedia about bollywood at
http://en.wikipedia.org/wiki/Bollywood
and then compares the one about kollywood at
http://en.wikipedia.org/wiki/Tamil_cinema
, the contrast is quite interesting.
TF seems to be a tale of heroes :-(
நல்ல வேளை இந்த பாரதிராசாவும் மகேந்திரனும் வந்து "கண்ட-கண்ட" மூஞ்சியெல்லாம் வச்சு சினிமா எடுத்து வித்தியாசம் காட்டினாங்க :-)
I have already highlighted MM song and Rajni's heroism (now coming to UP (-) the flaw (biggest) which I want to wreak here is the song "pip pipp pee pee....kalyaanam paaru appavoda kalyaanam paaru" the girl singing to her nieces when Vijayan got married to his second wife. adikadi solluveenghale vaipillaamai adhu idhu thaan. Imagine if a song features in any of today's film Nerd & Bala would be rolling on the subways. Infact a movie like UP doesn't need songs. Yet UP & MM are classic film making (I need a better word) just thought of mentioning these flaws here.
Both Mahendran & BR made movies only with popular, atleast known artist. kanda kanda moonjinellaam eppadi solreengha app. If you are in good spirit and want to take this thread further I would place my bet on "En Raasavin Manasile (1991)" astoundingly new cast with Rajkiran :notworthy:, Meena & Vadivelu. Poor Mahendran doesnt know that Rajkiran will make such a movie later. The plot deftly handles Muradan character, soothattam, kudi, thaai paasam, ponjaathi paasam and wife's death. Outstanding Music & Lyrics. If Mahendran is alive today what I think is he would have written a sequel to Raj kiran's character with her baby on his arms about second marriage. And ofcourse with IR!
Yeah, I am a Buddhan!