to be fair to KH, much of our audience(s) is not literate enough to understand several of his screenplay nuances despite the fact that screenplay experts such as Nihalini, Bhagyaraj et al have already groomed our collective 'nuance' appreciative skills.
I have a friend in Bangalore who once tried to lull me into a debate about how the screenplay of 'Deewar' is the best ever in indian cinema - EKSI and ROTFL!
for KH to cater to a wide spectrum of ppl ranging from 'deewar is the greatest story ever told' to makkals who look only for flaws in his films - its a merciless task! and he has managed to do that quite well so far
