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He will wait till film's release. We dont know how the film would be accepted, despite what its quality might be. Some of the best films too are rejected by audiences. Suppose if this film bombs, his plans to release OST will be scrapped.Quote:
Originally Posted by MrJudge
It happened once, in the case of Hey! Ram.
Yeah, but I think we will get the score this time. :DQuote:
Originally Posted by raagas
Mysskin's skills are proven already at the BO and I guess this time also he would've made it like-able for the audience.
in the case of Hey Ram, cryptic Kamal for reasons that only he knows, did not release the soundtracks (naamellaam yenna thappu senjom ? (:huh: )- perhaps if the film had been a major success, he might have released the same! this says something - oru velai, padam sariyaaga pogavillai, aanaal, isai thoguppu mattum paaraattum, pugazhum petru vittaal, avai irandumey isai amaippaalarukku sonthamaagividumey, engira bayathhalo yennavo! :huh:Quote:
Originally Posted by raagas
News Date: 12th Jan, 09
Mysskin’s Nandalala is about to showcase a fresh story that had never been filmed in Tamil cinema. Specialty of Nandalala is that it will not be the regular run-of-the-mill tale. It has not even filmed on basis of bankable instinct. All that Nandalala depends upon is the music of Ilayaraja. Director Mysskin is very keen about the music in all his movies especially background score. Illayaraja has composed the audio track as well as the background music of Nandalala. Imagine Illayaraja’s music combined with Yesudas vocal is sure going to be the best melody score after a very long time. There is also a gypsy song performed by the native itself.
Get ready to be hypnotized by Nandalala music on Pongal.
Only RS has listened to this KJY song of Nandalala till date..
paattu mattum nallaa illaama pochchu..RS, ungalukku irukku.. :)
:lol: ippadi avara bayamuruthareengaLE?Quote:
Originally Posted by raja_fan
Nandalala Audio track from tomorrow
News Date: 13th Jan, 09
Mysskin is ready to release his third movie Nandalala. Music album of the movie is composed by maestro Ilayaraja, and has six tracks to the credit. Gipsy song sung by an old gipsy lady will be the highlight of the movie. Director Mysskin and Master Ashwath Ram plays the lead role whilst Snighdha Akolkar donning the prominent female role in the movie. The director is certain that Nandalala will be critically acclaimed by all age group audiences including the film critics.
Nandalala music CD’s and cassettes released by Ayngaran International. Be the first one to bag the music score by Ilayaraja
:bluejump:
iriri,Quote:
Originally Posted by irir123
:banghead: Clear case of sour grapes, vayitherichal, gaandu etc eh :huh:
FYI, you are casting such doubts on a man who, in an interview just before the release of Virumaandi said "The movie might have failed, i might have failed but there is a third bull which never fails. That is Ilaiyaraaja" (not verbatim)
BGM's rights solely rests with Raaja unlike the songs - I dont think Raaja was ever interested to release any of his BGMs for unknown reasons !
please give me one good reason for Kamal not releasing Hey RAM BGM tracks ? then we will decide whose sour grapes it is - if IR has the copyrights for the BGM and not releasing it, then I accept your line of argument - but if Kamal has the rights and not released it, then pls do give an acceptable reasonQuote:
Originally Posted by crajkumar_be
Adengappa, enna oru reasoning :notworthy:Quote:
Originally Posted by irir123
Reminds me of Virumaandi dialogue indha panchayathu "seri, ellaam theriyumla......" :lol:
What do you know about why he has not released it? Do you realize there can be things which, like, duh, we might not know? Has it ever occurred to you that there might be things known to him and Raaja and not you, me and sundry? Why should i, or anyone for that matter (let alone Kamal) give you a reason?
adhavadhu, neenga vitta, "Sundar C Babu attempted to murder Mysskin, thats why they are not working together. What other reason can there be? Give one good acceptable reason" nu kettaalum keppeenga. :notworthy:
Guilty unless proven innocent, huh...
Oh, and you aren't sure who has the rights and yet you make these statements? :huh:
How many BGMs of Raaja have bene released till now?
One possible reason IR may not be keen (for argument's sake) to release his BGM scores as OST could be that any third rate MD, including the ones composing for TV serials and those guys who package trailers for films across India would copy-paste those scores left-right and centre and call it their BGM! (I remember some Hindi serials in the afternoon slots in the early 90's liberally stealing from HTNI and Nothing But Wind albums. I must admit that even those 'sodappal' serials also suddenly started to 'look' professional when IR's score was used.
Theres a Kamal interview on youtube which is pretty good (not really related to IR though). I'm posting the links below, the whole interview is worth watching.Quote:
Originally Posted by irir123
At the end of part 3 (watch from 8:00min and into part 4) Kamal talks about "Hey Ram" as his best work in recent times, but says that it didn't really reach the people. We can see that he is hurt that it didn't get the acclaim it deserved, and may find it difficult to think objectively, in terms of releasing OST alone. Kamal also talks about Hey Ram replying to a phone question (in Part 2, watch from 3:30), very interesting.
Part 1: http://www.youtube.com/watch?v=AsKWh...eature=related
Part 2: http://www.youtube.com/watch?v=ojSL3...eature=related
Part 3: http://www.youtube.com/watch?v=Fub3T...eature=related
Part 4: http://www.youtube.com/watch?v=-d1Zb...eature=related
Part 5: http://www.youtube.com/watch?v=BuLSp...eature=related
Part 6: http://www.youtube.com/watch?v=qOihZ...eature=channel
Maybe he should consider releasing a special edition DVD, which could include a "making of" and release the OST along with that. Audiences may be more mature than 10 years ago, and appreciate it.
Ananth,
What is new here? Didn't we know that Kamal was disappointed with the commerical failure of Hey Ram? Haven't we seen this\interview before? neenga enna pudhusa solreenga? How does it any way lend credence to the theory that he didnt want Ilaiyaraaja alone to 'benefit' by relkeasing the BGM? ennavo Ilaiyaraaja-voda matra ellam BGM-um release aana madhiriyum, Kamal mattum dhaan release pannaadha madhiriyum pesareenga?
Why these repeated digs at Kamal?
Quote:
Originally Posted by ananth222
crajkumar_be - if am not mistaken, Kamal did have plans to release the BGM of Hey Ram - i do remember him saying something to this effect when the BGM was being done at Budapest - even Chandrahasan said something to tat effect bfore the release of the movie - in fact, back in 2000, the prospects of HEY RAM bgm being rleased as a soundtrack was a much anticipated discussion in the hub!
maybe oldtime hubbers like Shankar (Cisco) can clarify
Got hold of the CD.. It has six tracks:
1. mella oorndhu oorndhu - Ilaiyaraaja - Na.Muthukumar
2. oNNukkoNNu - KJ Yesudas - Mu.Mehta
3. thAlAttu kEtka nAnum - Ilaiyaraaja - Muthulingam
4. kai veesi - Vijay Yesudas, Suwetha, Mathu Balakrishnan, Rahul, Chandrasekar - Pazhani Bharathy
5. oru vAndu koottamE - Ilaiyaraaja, Master Yaththeeswaran - Kabilan
6. eililEa eililEa (Gypsy song) - performed by Saroja ammAL
Songs 4 & 5 are excluded from the movie.
Onnukonnu
K J Yesudas and Ilayaraaja....where was ur magic all these days..ur beautiful combination...A beautiful number...with a superb mix of melody and light beats...super sir....i am not able to go to ahead with the 3rd song of the album...mudila....
Raaja.....Enga Ilayaraaja...the raaja of music....
Review please.
also where in Chennai we can get this? I just received NK (courier late or shipper late!!!), wondering if there is any shop who can ship immediately?
are u a relative to subramaniya saami in any way?...ipdi oru reasoningaaaa?Quote:
Originally Posted by irir123
njv, its available in music world. spencers/velechaery/t nagar :)
am gonna grab my copy now :boo:
review pls ....
judge, ur two cents pls....
anybody heard nandalala?
I have listened to it just once...All are melodies, I liked 'kai veesi', 'thAlAttu kEtka nAnum' (esp. the interludes) in the first hearing itself, rest need multiple hearings. I think many IR fans will like this album (definitely a better product in recent times) but popcorn crowd as usual will not like it.
Somehow I feel 'kai veesi' has KR touch to it.
This looks like another unique album where each song is written by a different lyricist.
1. Mella oorndhu oorndhu - Ilaiyaraaja - Na.Muthukumar - Breezy melody with beautiful lyrics.
2. Onnukkonu - KJ Yesudas - Mu.Mehta - KJY's recent best. Soul stirring melody again with excellent lyrics.. :bow: to lyricist.
3. thAlAttu kEtka nAnum - Ilaiyaraaja - Muthulingam - Another slow song. Mesmerizing orchestration!
4. kai veesi - Vijay Yesudas, Suwetha, Mathu Balakrishnan, Rahul, Chandrasekar - Pazhani Bharathy - Can't comment on this now. :oops: Need time!
5. oru vAndu koottamE - Ilaiyaraaja, Master Yaththeeswaran - Kabilan - Needs repeated listen. I'm not ok with Raaja's voice in this songs :? :roll: :oops:
6. eililEa eililEa (Gypsy song) - Saroja Ammal - First time in Tamil Cinema, we get to hear NariKuruvar song. Hats off!!!
1 and 2 are my pick!!!
:bow:
http://visionofvinith.blogspot.com/2...ic-review.html
How is that gypsy song ?
Can any one please upload at least the samples online ?
Happy to know that IR has done it :D
andha yatheswaran karthik raja pullandan dhaane?
Karthik!!
oru question - indha musicukku date eppadi fix panreenga? Kaetta odane idhu 12th century music appadinnu or carbon dating mechanism vechurukeengala? Really curious. Describe 'outdated' please!
jaiganes: Exact date konjam kashtam dhaan...carbon dating try pannalaam. Mathabadi, ketta odane, 'aiyo, college'la irundhabodhu ketta maadhiri irukke'nnu' oru feeling vayithu kulla varum...adha vechu konjam fix pannalaam. Aanaa andha feeling vayithu kulla varadhunaala, kaalaila saapta sakkara pongal naala kooda irukkalaam, solla mudiyaadhu...
Karthik, Music does not have a expiry date. A particular sound does not become outdated merely because majority of the current MD's do not use it. It all depends on if it makes the song sound good or not. I think i already said this before. To use your terminalogy Your reviews are becoming outdated(or should i say painfully archaic). Every MD has his own stock sound for certain songs and situations. IR has it too and since he spans so many years and done so many songs , it will sound the same as before whether in 80's or 90's. What we should be looking at is does it bring down the song quality or not. As long as the song sounds good and the orchestration is good it should work. Again IR may not feel the need to do experimentation in song sounds especially given the serious themes of both NK and Nandhalala. So what if IR used the same sounds from the last decade? everything is interesting when its heard for the first time. But IR has done so much that its hard to find something which is totally new and interesting. That does not mean its not good anymore. Your review gives the listeners a pretty incorrect impression. I know its just your opinion(but you do want people to read them right?) but as i said before you need to get a fresh perspective on how to review IR's albums otherwise your reviews might get outdated.
Adhellaam vidungappa..inetk has his own style..why to discuss that now..
ippo Nandhalala songs eppadi irukku..adha pesunga..
yaraavadhu upload panna mudiyumaa ?
inge bangalore-la CD kidaippadhu kashtam :(
raja_fan,
I am hoping the guys will get it tomorrow or on Friday in Bangalore. Lets see.
S.Suresh
His poor recording quality still continues in this album. I don't understand what keeps him in Prasad studios till date. A better recording of this album will enhance the listening experience more. Somehow NK was better in terms of recording, I am so disappointed.
Note: This is my view. I am not here for arguments. Taste differ. If my taste is bad, so be it.
Nandalala - This may be like his late 80s or early 90s song, typical amma songs. Nothing significantly special, including Onnukkonnu song.
Elilea - May be this is the only difference in this album. Horrible. No one with right/peaceful mind can hear this. Hope this is not IR composed. Qualified to top the chart (per latest standars!)
Interlude/Prelude etc in all songs are very ordinary and used in most of his earlier movies.
No wonder why Miskin decided to use only 2 songs :) Politely saying, "thanks now you do the BGM".
NK was definitely miles apart. Will go back to NK for now.
Just listened to the songs - on first hearing, they give me the feeling that they have been composed for a Malayalam movie, especially "Mella oorndhu" has a mallu touch, in the sense, its melodic content, tempo and feel are things that IR usually reserves for his mallu compositions rather than recent tamil compositions!! definitely, they are far better than most songs that come out of TFM these days - dont know why, 'kai veesi' sounds KRish as well as ARRish - only the flute in the first interlude reminds one of IR!
the album gives me hope for the kind of visuals tat Myskin must have described to IR at the time of composing! am sure that the film will not disappoint and looking fwd to the BGM!
the pace n tempo of all the songs give me a gut-feeling of what to expect from the film as well - am expecting a 'moondram pirai' style slow-paced output rich with visuals
Thanks!Quote:
Originally Posted by K
First impressions: Very pleasant sounding album. But the whole production sounds like one of those independent CDs released by amateur light music bands. You'd expect something grander from a composer of the stature of IR. It was there in NK, but sadly missing in Nandhalala. And "elilae" is better forgotten. On the whole, very good songs, but could have perhaps been grander. (I hope those "Hungarian musicians" are put to better use for the bgm...)
aside: I had "Oh Butterfly" playing on my playlist after these songs... miles ahead!!
IR please go back to live orchestra - and leave the synthesizers/loops for lesser composers! or atleast try to strike a fine balance between the two as you did in "oru naal maalaiyil" (Shiva 2006)