Point (w.r.t believability in some cases, not in general). Some of Thalaivan's performances in those set lists were tedious
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Point (w.r.t believability in some cases, not in general). Some of Thalaivan's performances in those set lists were tedious
Thaazhndha uLLam, kaadhal dhandanai uLpada andha seriesla it is true that thy are torture as a whole and some scenes acting is quite irritating.
Agreed Rajni does masala corn :-) well.
To me, that even extends in comparison to the succesful masala corns of Kamal, let alone uu and kp. Ttt, psp were all succesful but I find some part of him betraying "indha saniyanla vandhu maattikittome" in scenes thereof. The intellect is bursting through saying "Boss give me something else. This stuff is ridiculous". He is much more at ease with silly in his own masala ventures - post a.sago. There are moments, though. Naanaga naan illai for instance - all corny yet he brought in sincerity there with some touches which are his own.
Whereas Rajni does corny with relish and sincerity. Well, if someone could summon up grief for the loss of YGM effectively(UKNV), quite awesome :lol:
Nevertheless one has to make the right comparison. Radharavi betrayal in uu - we are talking of a friend made when drunk and left for dead. A man who came in mysteriously. This cannot be compared with padikkadhavan(brother) or aNNamalai(childhood friend). Uu is one stinking dead duck of a script. Éven Rajni couldn't have summoned enough sincerity to that scene. It was stupid selection. Some examples might be got if we revisit some of Rajni's own (masala corn) duds. I don't remember much but mAvIran was taxing even for the Rajni fan that I was, if I remember right. Siva isn't uniformly well acted(in the above context raised by Jai). The good or bad thing about these is that I can't remember much details now but only the memory of my reaction to the performance(talking about a tv revisit within last 10 years)
:lol: :wicked: :whykolaveri:Quote:
Originally Posted by Plum
IMO, as i'd mentioned sometime earlier, coolness sometimes doesn't work for Thalaivan. Rajini (and Kamal) may be corny (in corny films), but coolness sits more naturally with Rajini i think....
Obviously Rajni is naturally cool..but I think thalaivar wantonly hams it up for whatever reasons.Quote:
Originally Posted by Bala (Karthik)
Nizhal nijamagiradhu is enough to suggest that he could be too cool.....naturally....but in masala movies he wantonly hams it..
I watched chachi 420 and dint understand why he overdid his role :? avvai shanmugi la panna madhiriye pannirukalam
Trashing my childhood memories, very good, very good, continue :cry:
:rotfl3: :rotfl2:Quote:
Originally Posted by P_R
after going through the Kamal's ideology in films thread, was invoked to watch heyram for the second time...
(first time watch was a disaster for me... in salem for the first day noon show in KS theatre with my friends... police kitta adi vaangi... adichu pudichu ticket vaangi... lighta mubbula poi ulla supera seat pudichu ukkandhu... apram local rowdi pasanga vandhu, engala first rowla ukkara solla... oru vegatthula sandaipottu... adivaanginadhu dhaan miccham...
and for some reason the movie did not work out for me that well the first time)
after watching it yesterday... i was awesomed...
enna screenplay... enna direction... enna details... yabba...
reg acting... indha threadla naan adha patthi pesa koodadhu... edho kaanaadhaddha kanda madhiri pesarenu nenappaanga...
only Kamal possible...
Kamala thavira evaanaalayum/"evaralayum" indha madhiri ellam mudiyadhu... :notworthy:
same applies to illayaraja too... :thumbsup:
will be happy to know if there is any heyram thread...
8-)Quote:
Originally Posted by SoftSword
even shah rukh surprisinga nalla pannirpar
8-) Please write more about the movie when you have time, SS! :)Quote:
Originally Posted by SoftSword
"Hey Ram" is probably a near perfect movie in my book. It had some cross language compromises/hiccups but that can be ignored since that issue was almost dwarfed by an otherwise perfect film. Every department of the film was at his best. Acting, screen-play, dialogues, direction, music, art direction, costumes, cinematography, sounds effects and quality of recording etc.