Rajinikanth sings for Kochadaiyaan
http://www.ndtv.com/album/listing/en...-1217#/slide/1
naan kuda rumur-ra irukkumo innu nenachen!photo-ve pottachu!
Printable View
Rajinikanth sings for Kochadaiyaan
http://www.ndtv.com/album/listing/en...-1217#/slide/1
naan kuda rumur-ra irukkumo innu nenachen!photo-ve pottachu!
why no thread for kochadaiyan??
Shankar's recent interview about arr in Vikatan magazine.
A.R. Rahman composes fresh tunes for God Father
Earlier, it was stated that A.R. Rahman will retain the songs from the Tamil version of the movie Varalaaru for the Kannada version God Father. But, now, it has been confirmed that the Oscar Award winner will compose some fresh tunes for the remake version retaining only some tunes from the original version. The Tamil version had 8 songs.
God Father marks the Sandalwood debut of Rahman as a music composer. Upendra plays the male lead in the movie. The movie also stars Soundarya, Catherine Tresa and Bhumika Chawla in important roles.
Sriram directs the movie, while K.Manju produces it.
http://www.galatta.com/kannada/news/...-father/57334/
coming soon!
கடலில் மையம் கொண்ட இசைப்புயல்
http://tamil.webdunia.com/articles/1...322054_1_1.jpg
இசையமைப்பாளர்கள் பொதுவாக படப்பிடிப்பு பக்கம் வருவதில்லை. இளையராஜா சமீபத்தில் ஒன்றிரண்டு படங்களின் படப்பிடிப்புக்கு வந்தார். கடவுளே நேரடியாக வந்தது போல் பரவசப்பட்டு போயினர். இசைப்புயல் இதற்கு முன் ஏதாவது படப்பிடிப்புக்கு போயிருக்கிறாரா? நமது மெம*ரி பிளஸில் அப்படி எதுவும் ஸ்டோராகவில்லை.
ஆச்ச*ரியமாக மணிரத்னம் கடல் படத்தின் படப்பிடிப்பு நடக்கும் கடல் பகுதிக்கு வந்திருக்கிறார் ரஹ்மான். மணிரத்னமும் ரஹ்மானும் கடலில் ஒரு ரவுண்ட் சென்றது படக்குழுவை கொஞ்ச*ம் ஆச்ச*ரியப்படத்தான் வைத்திருக்கிறது.
கடலில் கார்த்திக்கின் மகன் கௌதம், சமந்தா, அர்ஜுன் ஆகியோர் நடிக்கிறார்கள்.
http://tamil.webdunia.com/entertainm...20322054_1.htm
rahmans trip in the middle of the huge sea would only inspire him to come up with something as abundant as the scenary around him.
mm... something...
20 years have gone since Roja took the nation by storm. Hope Kadal turns out to be a fitting celebration to mark the milestone.
ajay, do u hav a list of all the albums of rahman...
whats the count now...
i was having the count until mudhalvan, after that periya pudingi aagittaen... now i hav no clue...
vettiya irukkura ARR section'la indha details aachum sariya collect pannuvom...
SS, Neenga wikipedia la search panna ful details um kidaikkum...
poi paarunga... thalai ye suthuthu.. ethanai albums... :smokesmirk:
ungal paarvaikku... http://en.wikipedia.org/wiki/A._R._Rahman_discography
There was a site called arrahmanonline.com. I guess it was the official website then. It had the complete discography. Unfortunately, it was closed and the official site is now arrahman.com. It is difficult to copy from that site though.
http://www.arrahman.com/journey-discography.html
SS, Post pandrathu laam romba kastam...
click the link http://en.wikipedia.org/wiki/A._R._Rahman_discography
wiki link enkitayae irukkunga... aana access panna mudiyadhu... thanks anyway.
===Original score===
<!--this section is for films that have been released '''Bold text'''only-->
<!--this section is for titles of Rahman’s film scores in their original language release only-->
{| style="width:100%;"
|- valign="top"
|
{| class="wikitable sortable"
|- style="background:#ccc; text-align:center;"
! Year !! Film !! Language !! Notes
|-
| 1992 || ''[[Roja (film)|Roja]]'' || [[Tamil language|Tamil]] || [[Filmfare Best Music Director Award (Tamil)]]<br />[[National Film Award for Best Music Direction]]<br />[[Tamil Nadu State Film Award for Best Music Director]]<br />Listed in ''[[Time (magazine)|TIME]]'s'' "[[Time magazine's "All-TIME" 100 best movies#10 Best Soundtracks|10 Best Soundtracks]]" of all time in 2005<ref name="Timetop10s">{{cite news | author=Corliss, Richard| title=Best Soundtracks – ALL TIME 100 MOVIES – TIME | work= [[Time (magazine)|TIME]] | url=http://www.time.com/time/specials/packages/article/0,28804,1953094_1953153_1954874,00.html| year= 2005| accessdate=24 February 2008 | date=2005-02-12}}</ref>
|-
| 1992 ||''[[Yodha]]'' || [[Malayalam language|Malayalam]] ||
|-
| 1993 || ''[[Pudhiya Mugam]]'' || Tamil ||
|-
| 1993 || ''[[Nippu Ravva]]'' || [[Telugu language|Telugu]] || Background score only<ref>{{cite web|url=http://www.arrahman.com/v2/discography/films-telugu-nippuravva.html |title=The Official Website |publisher=A. R. Rahman |date= |accessdate=2010-08-23}}</ref>
|-
| 1993 || ''[[Gentleman (film)|Gentleman]]'' || Tamil || [[Filmfare Best Music Director Award (Tamil)]]<br>[[Tamil Nadu State Film Award for Best Music Director]]
|-
| 1993 || ''[[Kizhakku Cheemayile]]'' || Tamil ||
|-
| 1993 || ''[[Uzhavan]]'' || Tamil ||
|-
| 1993 || ''[[Thiruda Thiruda]]'' || Tamil ||
|-
| 1994 || ''[[Vandicholai Chinraasu]]'' || Tamil ||
|-
| 1994 || ''[[Super Police]]'' || [[Telugu language|Telugu]] ||
|-
| 1994 || ''[[Duet (film)|Duet]]'' || Tamil ||
|-
| 1994 || ''[[May Madham]]'' || Tamil ||
|-
| 1994 || ''[[Kadhalan]]'' || Tamil || [[Filmfare Best Music Director Award (Tamil)]]<br>[[Tamil Nadu State Film Award for Best Music Director]]
|-
| 1994 || ''[[Pavithra]]'' || Tamil ||
|-
| 1994 || ''[[Karuththamma]]'' || Tamil ||
|-
| 1994 || ''[[Pudhiya Mannargal]]'' || Tamil ||
|-
| 1994 || ''[[Gangmaster (film)|Gangmaster]]'' || Telugu ||
|-
| 1995 || ''[[Bombay (film)|Bombay]]'' || Tamil || [[Filmfare Best Music Director Award (Tamil)]]<br>[[Tamil Nadu State Film Award for Best Music Director]]<br>Listed in ''[[The Guardian]]'' 's "1000 Albums to Hear Before You Die"<ref name=Guardian>{{cite web|title=100 Best Albums Ever|work=[[The Guardian]]|url=http://www.rocklistmusic.co.uk/guardian100.htm|accessdate=2010-02-03| archiveurl= http://web.archive.org/web/201002032...ardian100.htm| archivedate= 3 February 2010 <!--DASHBot-->| deadurl= no}}</ref><br>"Kannalane/ Kehna hi kya" listed in ''[[The Guardian]]'' 's "1000 Songs Everyone Must Hear"<ref name=Guardian/>
|-
| 1995 || ''[[Indira (film)|Indira]]'' || Tamil ||
|-
| 1995 || ''[[Rangeela (film)|Rangeela]]'' || [[Hindi]] || [[Filmfare Best Music Director Award]]<br>[[Filmfare RD Burman Award for New Music Talent]]
|-
| 1995 || ''[[Muthu (film)|Muthu]]'' || Tamil || Most successful Indian soundtrack in Japan<ref name="muthunoborderss">{{cite web | author=Prasad, Ayappa| title=Films don't believe in borders | work= [[Screen (magazine)|Screen]] | url=http://www.screenindia.com/old/fullstory.php?content_id=5670 | year= 2003| accessdate=15 November 2008}}</ref>
|-
| 1996 || ''[[Love Birds (1996 film)|Love Birds]]'' || Tamil ||
|-
| 1996 || ''[[Indian (1996 film)|Indian]]'' || Tamil || Nominated—[[Filmfare Best Music Director Award (Tamil)]]<br>[[Filmfare Best Background Score Award]]
|-
| 1996 || ''[[Kadhal Desam]]'' || Tamil || [[Filmfare Best Music Director Award (Tamil)]]
|-
| 1996 || ''[[Fire (1996 film)|Fire]]'' || Hindi ||
|-
| 1996 || ''[[Mr. Romeo]]'' || Tamil ||
|-
| 1997 || ''[[Anthimanthaarai]]'' || Tamil ||
|-
| 1997 || ''[[Minsara Kanavu]]'' || Tamil || [[Filmfare Best Music Director Award (Tamil)]]<br>[[National Film Award for Best Music Direction]]<br>[[Tamil Nadu State Film Award for Best Music Director]]
|-
| 1997 || ''[[Iruvar]]'' || Tamil ||
|-
| 1997 || ''[[Daud (film)|Daud]]'' || Hindi ||
|-
| 1997 || ''[[Ratchagan]]'' || Tamil ||
|-
| 1997 || ''[[Kabhi Na Kabhi]]'' || Hindi ||
|-
| 1998 || ''[[Jeans (film)|Jeans]]'' || Tamil || [[Filmfare Best Music Director Award (Tamil)]]
|-
| 1998 || ''[[Dil Se..]]'' || Hindi || [[Filmfare Best Music Director Award]]<br>"[[Chaiyya Chaiyya]]" was 9th in [[BBC World Service]] top 10 songs of all time<ref>{{cite web |url= http://www.bbc.co.uk/worldservice/us...es/index.shtml |title= The World's Top Ten |accessdate=2008-11-05 |work= |publisher= [[BBC World Service]] |date= }}</ref>
|-
| 1998 || ''[[1947 Earth (1998 film)|Earth]]'' || Hindi ||
|-
| 1998 || ''[[Doli Saja Ke Rakhna]]'' || Hindi ||
|-
| 1999 || ''[[En Swasa Kaatre]]'' || Tamil ||
|-
| 1999 || ''[[Padayappa]]'' || Tamil ||
|-
| 1999 || ''[[Kadhalar Dhinam]]'' || Tamil ||
|-
| 1999 || ''[[Taal (film)|Taal]]'' || Hindi || [[Filmfare Best Music Director Award]]<br>[[IIFA Best Music Director Award]]<br>[[Zee Cine Award for Best Music Director]]
|-
| 1999 || ''[[Sangamam]]'' || Tamil || [[Tamil Nadu State Film Award for Best Music Director]]
|-
| 1999 || ''[[Jodi (film)|Jodi]]'' || Tamil ||
|-
| 1999 || ''[[Thakshak]]'' || Hindi ||
|-
| 1999 || ''[[Mudhalvan]]'' || Tamil || [[Filmfare Best Music Director Award (Tamil)]]
|-
| 1999 || ''[[Taj Mahal (1999 film)|Taj Mahal]]'' || Tamil ||
|-
| 2000 || ''[[Pukar (2000 film)|Pukar]]'' || Hindi ||
|-
| 2000 || ''[[Alaipayuthey]]'' || Tamil || [[Filmfare Best Music Director Award (Tamil)]]
|-
| 2000 || ''[[Kandukondain Kandukondain]]'' || Tamil ||
|-
| 2000 || ''[[Fiza]]'' || Hindi || 1 song ("Piya Haji Ali")
|-
| 2000 || ''[[Rhythm (film)|Rhythm]]'' || Tamil ||
|-
| 2000 || ''[[Thenali]]'' || Tamil ||
|-
| 2000 || ''[[Zubeidaa]]'' || Hindi ||
|-
| 2001 || ''[[One 2 Ka 4]]'' || Hindi ||
|-
| 2001 || ''[[Nayak: The Real Hero]]'' || Hindi || Remake of ''Mudhalvan''. Rahman's compositions reused
|-
| 2001 || ''[[Love You Hamesha]]'' || Hindi ||
|-
| 2001 || ''[[Lagaan]]'' || Hindi || [[Filmfare Best Music Director Award]]<br>[[National Film Award for Best Music Direction]]<br>[[IIFA Award for Best Music Director]]<br>IIFA Music of the Decade Award<br>[[Screen Award for Best Music Director|Star Screen Award for Best Music Director]]<br>[[Screen Award for Best Background Music|Star Screen Award for Best Background Score]]<br>[[Zee Cine Award for Best Music Director]]<br>Ranked #44 on [[Amazon.com]]'s "The 100 Greatest World Music Albums of All Time"<ref>{{cite web|title=The 100 Greatest World Music Albums of All Time|publisher=[[Amazon.com]]|year=2009|url=http://www.amazon.com/gp/feature.html?ie=UTF8&docId=1000416151|accessdate=2 010-02-03| archiveurl= http://web.archive.org/web/201001110...Id=1000416151| archivedate= 11 January 2010 <!--DASHBot-->| deadurl= no}}</ref><ref>{{cite news|title=Lagaan is listed among top 100 Albums|date=27 August 2009|work=[[Times of India]]|url=http://timesofindia.indiatimes.com/articleshow/4936822.cms|accessdate=2010-02-03}}</ref>
|-
| 2001 || ''[[Star (2001 film)|Star]]'' || Tamil ||
|-
| 2001 || ''[[Paarthale Paravasam]]'' || Tamil ||
|-
| 2002 || ''[[Alli Arjuna]]'' || Tamil ||
|-
| 2002 || ''[[Kannathil Muthamittal]]'' || Tamil || [[National Film Award for Best Music Direction]]
|-
| 2002 || ''[[The Legend of Bhagat Singh]]'' || Hindi || [[Filmfare Best Background Score Award]]<br>[[Zee Cine Award for Best Background Music]]
|-
| 2002 || ''[[Baba (2002 film)|Baba]]'' || Tamil ||
|-
| 2002 || ''[[Kadhal Virus]]'' || Tamil ||
|-
| 2002 || ''[[Saathiya (film)|Saathiya]]'' || Hindi || [[Filmfare Best Music Director Award]]<br>[[IIFA Award for Best Music Director]]<br>[[Zee Cine Award for Best Music Director]]<br>MTV Immies Award for Best Composer<br>Bollywood Music Award for Best Music Director<br>Remake of ''Alaipayuthey''. Rahman's compositions reused
|-
| 2003 || ''[[Parasuram (film)|Parasuram]]'' || Tamil ||
|-
| 2003 || ''[[Boys (2003 film)|Boys]]'' || Tamil || Nominated—[[Filmfare Best Music Director Award (Tamil)]]
|-
| 2003 || ''[[Warriors of Heaven and Earth]]'' || [[Mandarin Chinese|Mandarin]],<br>English,<br />Hindi ||
|-
| 2003 || ''[[Enakku 20 Unakku 18]]'' || Tamil ||
|-
| 2003 || ''[[Nee Manasu Naaku Telusu]]'' || Telugu || Simultaeneous make of ''Enakku 20 Unakku 18''.
|-
| 2003 || ''[[Kangalal Kaidhu Sei]]'' || Tamil ||
|-
| 2003 || ''[[Tehzeeb (2003 film)|Tehzeeb]]'' || Hindi ||
|-
| 2004 || ''[[Udhaya]]'' || Tamil ||
|-
| 2004 || ''[[Lakeer – Forbidden Lines]]'' || Hindi ||
|-
| 2004 || ''[[Meenaxi: A Tale of Three Cities]]'' || Hindi ||
|-
| 2004 || ''[[Aayutha Ezhuthu]]'' || Tamil ||
|-
| 2004 || ''[[Yuva]]'' || Hindi||
|-
| 2004 || ''[[New (film)|New]]'' || Tamil ||
|-
| 2004 || ''[[Naani]]'' || Telugu || Simultaneous make of ''New''
|-
| 2004 || ''[[Dil Ne Jise Apna Kahaa]]'' || Hindi || 4 songs
|-
| 2004 || ''[[Swades]]'' || Hindi || [[Filmfare Best Background Score Award]]<br>Nominated—[[Filmfare Best Music Director Award]]
|-
| 2004 || ''[[Kisna: The Warrior Poet]]'' || Hindi || 5 songs
|-
| 2005 || ''[[Netaji Subhas Chandra Bose: The Forgotten Hero]]'' || Hindi ||
|-
| 2005 || ''[[Mangal Pandey: The Rising]]'' || Hindi ||
|-
| 2005 || ''[[Anbe Aaruyire (2005 film)|Anbe Aaruyire]]'' || Tamil ||
|-
| 2005 || ''[[Water (2005 film)|Water]]'' || Hindi || 5 songs<br>Song "Aayo Re Sakhi"' longlisted for [[79th Academy Awards|2007]] [[Academy Award for Best Original Song]] nomination
|-
| 2006 || ''[[Rang De Basanti]]'' || Hindi || [[Filmfare Best Music Director Award]]<br>[[IIFA Best Music Director Award]]<br>[[Zee Cine Award for Best Music Director]]<br>[[Screen Award for Best Music Director|Star Screen Award for Best Music Direction]]<br>[[Screen Award for Best Background Music|Star Screen Award for Best Background Score]]<br>"Lukka Chuppi" and "Khalbali" longlisted for [[79th Academy Awards|2007]] [[Academy Award for Best Original Song]] nomination
|-
| 2006 || ''[[Sillunu Oru Kaadhal]]'' || Tamil ||[[Filmfare Best Music Director Award (Tamil)]]
|-
| 2006 || ''[[Varalaru - The History of the Godfather|Varalaru]]'' || Tamil ||
|-
| 2007 || ''[[Guru (2007 film)|Guru]]'' || Hindi || [[Filmfare Best Music Director Award]]<br>[[Filmfare Best Background Score Award]]
|-
| 2007 || ''[[Provoked (film)|Provoked]]'' || Hindi ||
|-
| 2007 || ''[[Sivaji (film)|Sivaji]]'' || Tamil || [[Filmfare Best Music Director Award (Tamil)]]<br>[[Vijay Award for Best Music Director]]
|-
| 2007 || ''[[Azhagiya Thamizh Magan]]'' || Tamil ||
|-
| 2007 || ''[[Elizabeth: The Golden Age]]'' || English || With [[Craig Armstrong (composer)|Craig Armstrong]]
|-
| 2008 || ''[[Jodhaa Akbar]]'' || Hindi ||[[Filmfare Best Background Score]]<br>Nominated—[[Filmfare Best Music Director Award]]<br>Nominated—[[3rd Asian Film Awards|Asian Film Award]] for Best Composer<ref>{{cite web|title=Asian Film Awards: 2009|work=[[IMDb]]|url=http://www.imdb.com/Sections/Awards/Asian_Film_Awards/2009|accessdate=2009-02-25| archiveurl= http://web.archive.org/web/200902140...m_Awards/2009| archivedate= 14 February 2009 <!--DASHBot-->| deadurl= no}}</ref>
|-
| 2008 || ''[[Jaane Tu... Ya Jaane Na]]'' || Hindi || [[Filmfare Best Music Director Award]]<br>[[Screen Award for Best Music Director|Star Screen Award for Best Music Director]]
|-
| 2008 || ''[[Ada... A Way of Life]]'' || Hindi ||
|-
| 2008 || ''[[Sakkarakatti]]'' || Tamil || Nominated—[[Filmfare Best Music Director Award (Tamil)]]
|-
| 2008 || ''[[Yuvvraaj]]'' || Hindi ||
|-
| 2008 || ''[[Ghajini (2008 film)|Ghajini]]'' || Hindi || Nominated—[[Filmfare Best Music Director Award]]
|-
| 2008 || ''[[Slumdog Millionaire]]'' || English,<br>Hindi ||[[Academy Award for Best Original Music Score]]<br />[[Academy Award for Best Original Song]] for "[[Jai Ho]]"<br />Nominated—[[Academy Award for Best Original Song]] for "[[O…Saya]]"<br>[[BAFTA Award for Best Film Music]]<br />[[Broadcast Film Critics Association Award for Best Composer]]<br />[[Golden Globe Award for Best Original Score]]<br />[[Grammy Award for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media|Grammy Award for Best Compilation Soundtrack Album]]<br />[[Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media]] for "Jai Ho"<br />[[Satellite Award for Best Original Score]]<br />Nominated—[[Satellite Award for Best Original Song]] for "[[Jai Ho]]"<br />[[World Soundtrack Award for Best Original Song Written Directly for a Film|World Soundtrack Award for Best Original Song]] for "Jai Ho"<br />Nominated—[[World Soundtrack Award for Best Original Song Written Directly for a Film|World Soundtrack Award for Best Original Song]] for "O Saya"<br />Nominated—[[World Soundtrack Award for Best Original Soundtrack of the Year]]
|-
| 2009 || ''[[Delhi-6]]'' || Hindi || [[Filmfare Best Music Director Award]]
|-
| 2009 || ''[[Blue (2009 film)|Blue]]'' || Hindi ||
|-
| 2009 || ''[[Couples Retreat]]'' || English || BMI London Awards for Best Score<ref>{{cite web|url=http://www.bmi.com/photos/entry/549749|title=A.R. Rahman Picks Up BMI Film Award in London|publisher=Broadcast Music, Inc.|date=2010-11-02}}</ref><br/>Song "NaNa" longlisted for [[82nd Academy Awards|2010]] [[Academy Award for Best Original Song]] nomination<ref>{{cite web|url=http://www.ndtv.com/news/india/rahman_oscar_bound_once_again.php |title=Rahman: Oscar bound once again? |publisher=Ndtv.com |date= |accessdate=2010-08-23}}</ref>
|-
| 2010 || ''[[Vinnaithaandi Varuvaayaa]]'' || Tamil || [[Filmfare Best Music Director Award (Tamil)]]<br>[[Vijay Award for Best Music Director]]<br>[[Vijay Music Awards|Vijay Music Award for Best Music Director]]
|-
| 2010 || ''[[Raavan]]'' || Hindi ||
|-
| 2010 || ''[[Raavanan (film)|Raavanan]]'' || Tamil ||
|-
| 2010 || ''[[Puli (film)|Komaram Puli]]'' || Telugu ||
|-
| 2010 || ''[[Ye Maaya Chesave]]'' || Telugu || [[CineMAA Awards|CineMAA Award for Best Music Director]]<br>[[Filmfare Best Music Director Award (Telugu)]]<br>[[Nandi Awards|Nandi Award for Best Music Director]]<br>Zee Cine Telugu Award for Best Background Score<br>Nominated—[[Santosham Best Music Director Award]]<br>Remake of ''Vinnaithaandi Varuvaaya''. Rahman's compositions reused
|-
| 2010 || ''[[Enthiran]]'' || Tamil || Nominated—[[Filmfare Best Music Director Award (Tamil)]]
|-''[[dubbed in HINDI as ROBOT ,in TELUGU as ROBO]]''.
| 2010 || ''[[Jhootha Hi Sahi]]'' || Hindi ||
|-
| 2010 || ''[[127 Hours]]'' || English || Nominated—[[Academy Award for Best Original Score]]<br/>Nominated—[[Academy Award for Best Original Song]] for "[[If I Rise]]"<br/>Nominated—[[BAFTA Award for Best Film Music]]<br />[[Broadcast Film Critics Association Award for Best Song]] for "If I Rise"<br/>Nominated—[[Golden Globe Award for Best Original Score]]<br/>Nominated—[[Satellite Award for Best Original Score]]<br/>Nominated—[[Satellite Award for Best Original Song]] for "If I Rise"<br/>[[Denver Film Critics Society]] Award for best Song "If I Rise"<br />[[World Soundtrack Award – Public Choice]]<br />Nominated—[[World Soundtrack Award for Best Original Song Written Directly for a Film|World Soundtrack Award for Best Original Song]] for "If I Rise"
|-
| 2011 || ''[[Rockstar (2011 film)|Rockstar]]'' || Hindi || [[Filmfare Best Music Director Award]]<br>[[Zee Cine Award for Best Music Director]]<br>[[Screen Award for Best Music Director]]
|-
| 2012 || ''[[Ekk Deewana Tha]]'' || Hindi ||
|-
| 2012 || ''[[Lavender (film)|Lavender]]'' || Malayalam || Post-production<br>One promotional song only
|-
| 2012 || ''[[Paani]]'' || Hindi || Filming
|-
| 2012 || ''[[Nair-san (film)|Nairsan]]'' || English, Japanese, malayalam || Filming, Background score only
|-
| 2012 || ''[[People Like Us]]'' || English || Announced<ref>{{cite news|url=http://www.hindustantimes.com/Entertainment/Bollywood/Rahman-back-with-romantic-songs-for-Ek-Deewana-Tha/Article1-786512.aspx|title=Rahman composes for Spielberg's next|publisher=[[Hindustan Times]]|date=December 24, 2011|accessdate=December 24, 2011}}</ref>
|-
| 2012 || ''Monkeys of Bollywood'' || English || Announced<br/>Animated musical<ref>{{cite news|url=http://www.indianexpress.com/news/rahman-gurinder-chadha-team-up-for-monkey-musical/737006/|title=Rahman, Gurinder Chadha team up for monkey musical|publisher=''[[The Indian Express]]''|location=[[Los Angeles]]|date=2011-01-13|accessdate=2011-01-16}}</ref>
|-
| 2012 || ''[[Yohan: Adhyayam Ondru]]'' || Tamil|| Filming
|-
| 2012 || ''[[Kochadaiyaan]]'' || Tamil|| Filming
|-
| 2012 || ''[[Yash Chopra's Untitled Project]]'' || Hindi|| Filming
|-
| 2012 || ''[[Kadal (film)|Kadal]]'' || Tamil|| Filming
|-
| 2012 || ''[[Godfather (2011 film)|Godfather]]'' || Kannada || Announced<ref>{{cite web|url=http://www.cinefundas.com/2011/04/30/illustrious-rahman-will-compose-for-god-father |title=Illustrious Rahman Will Compose For God Father | Cinefundas.com – One Stop Cinema Portal |publisher=Cinefundas.com |date= |accessdate=2011-10-08}}</ref><ref>{{cite web|url=http://www.indiaglitz.com/channels/tamil/article/66287.html |title=AR Rahman to score for the Kannada ‘Varalaru’! – Tamil Movie News |publisher=IndiaGlitz |date= |accessdate=2011-10-08}}</ref>
|-
| 2012 || Jai || Hindi || Announced<ref>{{cite web|author=Raymond Ronamai |url=http://entertainment.oneindia.in/bollywood/news/2011/yash-chopra-ar-rahman-shahrukh-170511-aid0064.html |title=Yash Chopra with AR Rahman for the first time |publisher=Entertainment.oneindia.in |date=2011-05-17 |accessdate=2011-10-08}}</ref><ref>{{cite web|url=http://www.bollywoodhungama.com/news/2011/05/17/15782/index.html |title=Yash Chopra to collaborate with A.R. Rahman for his next |publisher=Bollywoodhungama.com |date=2011-05-17 |accessdate=2011-10-08}}</ref>
|}
sory SS.. edit pandrathu romba kastam..
paarthukkonga...
Ok, let me take the pride to put it all together:
1992
------
1. Roja
2. Yodha
1993
------
3. Pudhiya Mugam
4. Nippu Ravva
5. Gentleman
6. Kizhakku Cheemayile
7. Uzhavan
8. Thiruda Thiruda
1994
------
9. Vandicholai Chinraasu
10. Super Police
11. Duet
12. May Madham
13. Kadhalan
14. Pavithra
15. Karuththamma
16. Pudhiya Mannargal
17. Gangmaster
1995
------
18. Bombay
19. Indira
20. Rangeela
21. Muthu
1996
------
22. Love Birds
23. Indian
24. Kadhal Desam
25. Fire
26. Mr. Romeo
1997
------
27. Anthimanthaarai
28. Minsara Kanavu
29. Iruvar
30. Daud
31. Ratchagan
32. Kabhi Na Kabhi
1998
------
33. Jeans
34. Dil Se
35. 1947 Earth
36. Doli Saja Ke Rakhna
1999
------
37. En Swasa Kaatre
38. Padayappa
39. Kadhalar Dhinam
40. Taal
41.Sangamam
42. Jodi
43. Thakshak
44. Mudhalvan
45. Taj Mahal
2000
------
46. Pukar
47. Alaipayuthey
48. Kandukondain Kandukondain
49. Fiza (1 song)
50. Rhythm
51. Thenali
52. Zubeidaa
2001
------
53. One 2 Ka 4
54. Nayak: The Real Hero
55. Love You Hamesha
56. Lagaan
57. Star
58. Paarthale Paravasam
2002
------
59. Alli Arjuna
60. Kannathil Muthamittal
61. The Legend of Bhagat Singh
62. Baba
63. Kadhal Virus
64. Saathiya
2003
------
65. Parasuram
66. Boys
67. Warriors of Heaven and Earth
68. Enakku 20 Unakku 18
69. Nee Manasu Naaku Telusu
70. Kangalal Kaidhu Sei
71. Tehzeeb
2004
------
72. Udhaya
73. Meenaxi: A Tale of Three Cities
74. Aayutha Ezhuthu
75. Yuva
76. New
77. Naani
78. Dil Ne Jise Apna Kahaa
79. Swades
80. Kisna: The Warrior Poet (5 songs)
2005
------
81. Bose: The Forgotten Hero
82. Mangal Pandey: The Rising
83. Anbe Aaruyire
84. Water
2006
------
85. Rang De Basanti
86. Sillunu Oru Kaadhal
87. Varalaru
2007
------
88. Guru
89. Provoked
90. Sivaji
91. Azhagiya Thamizh Magan
92. Elizabeth: The Golden Age
2008
------
93. Jodhaa Akbar
94. Jaane Tu... Ya Jaane Na
95. Ada
96. Sakkarakatti
97. Yuvvraaj
98. Ghajini
99. Slumdog Millionaire
2009
------
100. Delhi-6
101. Blue
102. Couples Retreat
2010
------
13. Vinnaithaandi Varuvaayaa
104. Raavan
105. Raavanan
106. Puli
107. Ye Maaya Chesave
108. Enthiran
109. Jhootha Hi Sahi
110. 127 Hours
2011
------
111. Rockstar
2012
------
112. Ekk Deewana Tha
Bombay dreams'laam list'laye kanom...
indha thala satthamae illaama century potrukkaar... i thot he wud be reaching 100s only by now...
ok, here comes the fate of the albums...
pls correct me...
1992
------
1. Roja - Hit
2. Yodha
1993
------
3. Pudhiya Mugam - Hit
4. Nippu Ravva
5. Gentleman - Hit
6. Kizhakku Cheemayile - Hit
7. Uzhavan - Ave
8. Thiruda Thiruda - Hit
1994
------
9. Vandicholai Chinraasu - Flop
10. Super Police - Flop
11. Duet - Hit
12. May Madham - Hit
13. Kadhalan - Hit
14. Pavithra - Ave
15. Karuththamma - Hit
16. Pudhiya Mannargal - Ave
17. Gangmaster
1995
------
18. Bombay - Hit
19. Indira - Hit
20. Rangeela - Hit
21. Muthu - Hit
1996
------
22. Love Birds - Hit
23. Indian - Hit
24. Kadhal Desam - Hit
25. Fire
26. Mr. Romeo - Hit
1997
------
27. Anthimanthaarai - Flop
28. Minsara Kanavu - Hit
29. Iruvar - Hit
30. Daud - Ave
31. Ratchagan - Hit
32. Kabhi Na Kabhi - Flop
1998
------
33. Jeans - Hit
34. Dil Se - Hit
35. 1947 Earth - Flop
36. Doli Saja Ke Rakhna - Ave
1999
------
37. En Swasa Kaatre - Hit
38. Padayappa - Hit
39. Kadhalar Dhinam - Hit
40. Taal - Hit
41.Sangamam - Hit
42. Jodi - Hit
43. Thakshak - Flop
44. Mudhalvan - Hit
45. Taj Mahal - Hit
2000
------
46. Pukar - Ave
47. Alaipayuthey - Hit
48. Kandukondain Kandukondain - Hit
49. Fiza (1 song)
50. Rhythm - Hit
51. Thenali - Hit
52. Zubeidaa - Flop
2001
------
53. One 2 Ka 4 - Ave
54. Nayak: The Real Hero - Ave
55. Love You Hamesha - Flop
56. Lagaan - Hit
57. Star - Ave
58. Paarthale Paravasam - Ave
2002
------
59. Alli Arjuna - Ave
60. Kannathil Muthamittal - Hit
61. The Legend of Bhagat Singh - Hit
62. Baba - Ave
63. Kadhal Virus - Hit
64. Saathiya - Hit
2003
------
65. Parasuram - Flop
66. Boys - Hit
67. Warriors of Heaven and Earth
68. Enakku 20 Unakku 18 - Ave
69. Nee Manasu Naaku Telusu
70. Kangalal Kaidhu Sei - Flop
71. Tehzeeb - Flop
2004
------
72. Udhaya - Flop
73. Meenaxi: A Tale of Three Cities
74. Aayutha Ezhuthu - Hit
75. Yuva - Hit
76. New - Hit
77. Naani
78. Dil Ne Jise Apna Kahaa
79. Swades - Hit
80. Kisna: The Warrior Poet (5 songs) - Flop
2005
------
81. Bose: The Forgotten Hero - Flop
82. Mangal Pandey: The Rising - Flop
83. Anbe Aaruyire - Hit
84. Water
2006
------
85. Rang De Basanti - Hit
86. Sillunu Oru Kaadhal - Hit
87. Varalaru - Hit
2007
------
88. Guru - Hit
89. Provoked
90. Sivaji - Hit
91. Azhagiya Thamizh Magan - Hit
92. Elizabeth: The Golden Age
2008
------
93. Jodhaa Akbar - Hit
94. Jaane Tu... Ya Jaane Na
95. Ada - Ave
96. Sakkarakatti - Hit
97. Yuvvraaj - Ave
98. Ghajini - Hit
99. Slumdog Millionaire - Hit
2009
------
100. Delhi-6 - Hit
101. Blue - Flop
102. Couples Retreat - Flop
2010
------
13. Vinnaithaandi Varuvaayaa - Hit
104. Raavan - Ave
105. Raavanan - Ave
106. Puli - Flop
107. Ye Maaya Chesave - Hit
108. Enthiran - Hit
109. Jhootha Hi Sahi - Flop
110. 127 Hours
2011
------
111. Rockstar - Hit
2012
------
112. Ekk Deewana Tha - Flop
SS, Thx for the list...
apdiye tamil ethanai, hindi ethanai nu eNNittu sollunga.. ? Naan setha neram poittu vanthuren..:yessir:
Yodha album has a cult following. I don't know if you can add Nippu Ravva to the list. Songs were composed by Raj-Koti and BGM by ARR. Komaram Puli may not have the greatness of an ARR album but as far as I know, the album sales created a new record in Telugu music industry.
JTYJN is a hit.
puli, i know it was a hit in telugu... but nammakitta avlo reach aagala so...
JTYJN was a hit.. i missed mentioning..
==Discography as playback singer==
{| class="wikitable" style="width:60%;"
! Year !! Song Title !! Film Title !! Co-Singer !! Language
|-
| 1994 || "Urvasi Urvasi" || ''[[Kadhalan]]'' || [[Suresh Peters]] || Tamil
|-
| rowspan="2"| 1995 || "Humma Humma" || ''[[Bombay (film)|Bombay]]'' || [[Suresh Peters]], [[Swarnalatha]] || Tamil
|-
| "Mangta Hai Kya" || ''[[Rangeela (film)|Rangeela]]'' || [[Shweta Shetty]] || Hindi
|-
| rowspan="3"|1996 || "No Problem" || ''[[Love Birds (1996 film)|Love Birds]]'' || [[Apache Indian]] || Tamil
|-
| "Mustafa Mustafa" || rowspan="2"|''[[Kadhal Desam]]'' || Solo || rowspan="2"|Tamil
|-
| "Kalloori Salai" || [[Hariharan (singer)|Hariharan]]
|-
| rowspan="2"|1998 || "Columbus Columbus" || ''[[Jeans (film)|Jeans]]'' || Solo || Tamil
|-
| "Dil Se Re" || ''[[Dil Se..]]'' || [[Anupama (singer)|Anupama]], [[Anuradha Sriram]] || Hindi
|-
| 2000 || "Piya Haji Ali" || ''[[Fiza]]'' || [[Srinivas (singer)|Srinivas]], Murtuza Khan, Qadir Khan || Hindi
|-
| 2001 || "Chale Chalo" || ''[[Lagaan]]'' || [[Srinivas (singer)|Srinivas]] || Hindi
|-
| rowspan="2"|2002 || "Vellai Pookal" || ''[[Kannathil Muthamittal]]'' || Solo || Tamil
|-
| "Mere Yaar Mila De" || ''[[Saathiya (film)|Saathiya]]'' || Solo || Hindi
|-
| rowspan="4"|2004 || "Jana Gana Mana" || ''[[Aayutha Ezhuthu]]'' ||rowspan="2"|[[Karthik (singer)|Karthik]] || Tamil
|-
| "Dhakka Laga Bukka" || ''[[Yuva]]'' || Hindi
|-
| "Yeh Jo Des Hai Tera" || ''[[Swades]]'' || Solo || Hindi
|-
| "Aazadi" || ''[[Netaji Subhas Chandra Bose: The Forgotten Hero]]'' || [[Anuradha Sriram]] || Hindi
|-
| rowspan="2"|2005 || "Mangal Mangal" || ''[[Mangal Pandey: The Rising]]'' || [[Kailash Kher]] || Hindi
|-
| "Aararai Kodi" || ''[[Anbe Aaruyire (2005 film)|Anbe Aaruyire]]'' || Solo || Tamil
|-
| rowspan="5"|2006 || "Khalbali" || rowspan="3"|''[[Rang De Basanti]]'' || Mohammed Aslam, Naccim || rowspan="3"|Hindi
|-
| "Lukka Chuppi" || [[Lata Mangeshkar]]
|-
| "Rubaroo" || [[Naresh Iyer]]
|-
| "Theeyil Vizhunda" || ''[[Varalaru]]'' || Solo || Tamil
|-
| "New York Nagaram" || ''[[Sillunu Oru Kaadhal]]'' || Solo || Tamil
|-
| rowspan="3"|2007 || "Tere Bina" || ''[[Guru (2007 film)|Guru]]'' || [[Chinmayi]] || Hindi
|-
| "Athiradee Karan" || ''[[Sivaji (film)|Sivaji]]0'' || Sayanora Philip || Tamil
|-
| "Ellapugazhum" || ''[[Azhagiya Thamizh Magan]]'' || Solo || Tamil
|-
| rowspan="6"|2008 || "Khwaja Mere Khwaja" || ''[[Jodhaa Akbar]]'' || Solo || Hindi
|-
| "Tu Bole Main Boloon" || ''[[Jaane Tu... Ya Jaane Na]]'' || Solo || Hindi
|-
| "Meherbaan" || ''[[Ada... A Way of Life]]'' || Solo || Hindi
|-
| "Marudhaani" || ''[[Sakkarakatti]]'' || [[Madhushree]] || Tamil
|-
| "Tu Mera Dost Hai" || ''[[Yuvvraaj]]'' || [[Benny Dayal]], [[Shreya Ghoshal]] || Hindi
|-
| "[[O…Saya]]" || ''[[Slumdog Millionaire]]'' || [[M.I.A. (artist)|M I A]] || English
|-
| 2009 || "[[Rehna Tu]]" || ''[[Delhi-6]]'' || [[Benny Dayal]], [[Tanvi Shah]] || Hindi
|-
| rowspan="5"|2010|| "Kuru Kuru" || ''[[Couples Retreat]]'' || Solo || English
|-
| "Mannippaya" || ''[[Vinnaithaandi Varuvaayaa]]'' || [[Shreya Ghoshal]] || Tamil
|-
| "Maaralante Lokam" || ''[[Puli (film)|Puli]]'' || Solo || Telugu
|-
| "Pudhiya Manidha" || rowspan="2"|''[[Enthiran]]'' || [[S. P. Balasubrahmanyam]], Khatija Rahman || rowspan="2"|Tamil
|-
| "[[Irumbile Oru Irudhaiyam]]" || [[Lady Kash and Krissy|Kash n' Krissy]]
|-
| rowspan="2"|2011 || "Kun Faya Kun" || rowspan="2"|''[[Rockstar (2011 film)|Rockstar]]'' || [[Javed Ali]], [[Mohit Chauhan]] || rowspan="2"|Hindi
|-
| "Nadaan Parinde" || [[Mohit Chauhan]]
|}
sagotharargale, intha list ellam innum thevaiyya'ppa?
thalavar in 'jolly mood'with his wife (vera ethavathu gilma-va yaarum karpanai panni kaatheenga)
http://www.indiaglitz.com/channels/t...3/1234697.html
http://www.indiaglitz.com/channels/t...3/1234692.html
http://www.indiaglitz.com/channels/t...3/1234691.html
http://www.indiaglitz.com/channels/t...3/1234695.html
http://www.indiaglitz.com/channels/t...3/1234691.html
"My Mother is instrumental for me coming to this music world. Of course I came here since my Dad passed away, but my passion was computer science. I was to become a computer engineer, but my mother forced me into music field, encouraged my interest towards, that's why whatever I am today, I am because of her, else I would have been somewhere developing computers.."
-A.R. Rahman
https://fbcdn-sphotos-a.akamaihd.net...68397872_n.jpg
AR Rahman at Puneet Gupta Invitaions Launch
http://www.youtube.com/watch?v=wexakXfYDrc
AR Rahman and the Art of Focus
by Charles Assisi
There, after all, could be a method to his genius. Charles Assisi finds out
+ Comment now Email Print
Image: A. R. Rahman’s private collection
S
oon after I got out of AR Rahman’s North Mumbai home (which also doubles up as his studio), I went online. To look up ‘Munbe Vaa,’ a song in the Tamil movie, Sillunu Oru Kaadhal, for which Rahman had composed the music.
Now, I don’t understand a word of Tamil. And I can confidently say—without fear of contradiction from my wife—that I’m rarely ‘mushy.’ But the moment the song started to play, I was lost. Lost in words I didn’t understand, and—I hate to say it—falling in love with love all over again.
We had visited Rahman with a clear brief in mind. There’s a section in ForbesLife India, ‘The Pursuit of Happiness,’ where we talk to people who are perceptibly happy and ask them one central question: How do they achieve happiness? In earlier issues, as part of this series of dialogues, we’d spoken to people like the absolutely lovely Asha Bhosle, Bollywood’s original charmer Shammi Kapoor, and the redoubtable Leander Paes who’s known to play his tennis with his heart worn loud on his sleeve.
When my colleague Jarshad NK, who has known Rahman now for many years, asked him if he’d spend time with us, I was pleasantly surprised when he agreed; Rahman, to my mind, projected reticence, a deep regard for his privacy, so I’d pretty much taken it for granted he’d politely decline to let us into his head. I was wrong.
And he continued to confound my expectations. There was no name-dropping; he didn’t carry the gravitas of somebody who’s worked with some of the biggest names in the world; there wasn’t the sense of self-importance you’d expect in someone who has won practically every award in the business, including two Oscars and two Grammys.
On the contrary, he made me feel at ease—almost like I was with an old friend, with whom I could share a couple of boy jokes, laugh at a few silly unprintable things, and ponder the world and its machinations. I found myself doing fanboy stuff like telling him how crazy my dad is about his music and he smiled and asked me to thank him for listening to what he composes.
I don’t intend to delve here into our conversation on happiness—that’s covered in ForbesLife India’s Spring edition—but about something else that struck me during our chat.
“I’m never composing in the studio for too long—at best for 20 minutes, 30 on the outside. I don’t spend eight to nine hours on something. It fatigues me. It’s like beating a sick person. There’s this Big Bang moment. It either comes, or it doesn’t. It flows or it doesn’t. But when you sit and things are at ease… that’s when it happens.”
“Twenty minutes!” I spluttered. “That’s all?”
Like most people, I’ve grown up on the idea that geniuses stay up for hours on end, focussed on their goals to the exclusion of everything else. But here was this icon of brilliance telling me it wasn’t worth working for more than 20 minutes. He knows what he’s talking about. I mean, six years after Munbe Vaa first hit the charts and I heard it for the first time, I wanted to fall in love again—which is exactly what Rahman had intended (“…certain songs like ‘Munbe Vaa¸’ when I did it, I wanted it to be a cult song—a legendary piece of music…”).
As he went about articulating how he did it, my mind couldn’t help but veer around to a book that’s hit the shelves very recently, 18 Minutes, by Peter Bregman. Rahman and Bregman were talking the same language. An advisor and consultant to CEOs and leadership teams across the world, the sum and substance of Bregman’s hypothesis is this: By setting out to do what is most important in your life and creating a daily 18 minute ritual spread over an eight-hour working day, you learn to concentrate on things that really matter. I’m sure Rahman hasn’t read 18 Minutes. But his method is remarkably similar to what Bregman recommends as a way to achieve the levels of productivity that only the best in the world—at whatever discipline—manage to do. So what are those common lessons?
Lesson #1: Pause
The big lesson: The ability to pause for a few moments when everything around seems completely out of whack.
I asked him, “Don’t you get pissed off when critics pan your work or somebody you reckon doesn’t understand what you’ve done attempts to deconstruct your body of work?” His answer was prompt: “Never take a decision based on emotion. You need to look at the world in a detached way.
You can look at it either as a romantic film or a horror flick. I choose to look at it as a romantic one. When there’s a sea of negative comments, I put a filter around myself.” It’s a lesson, he said, that was reinforced when he had a chat with Sachin Tendulkar, who does much the same thing.
Image: A. R. Rahman’s private collection
During the course of Bregman’s research on emotional responses, a neuroscientist at Columbia University told him that the brain has this part called the amygdala, which triggers emotional responses. When something unsettling happens, it provokes an immediate reaction. But pure, unadulterated emotions are not the source of your best decisions.
So Bregman asks, how do you get beyond the emotional to rational thought? The neuroscientist told him, if you take a breath and delay your action, you give the prefrontal cortex time to control the emotional response. And all it takes is a second or two.
And that is precisely the filter Rahman is talking of. Pause! “It requires effort.... it requires sacrifice.”
Lesson #2: Pursue your passion
Roja was Rahman’s debut film as a music director in 1992. Directed by Mani Ratnam, it catapulted Rahman to national acclaim and won him a series of awards, and a mention in Time magazine for creating one among the 10 best sound tracks of all time. Question on my mind was, how did he get there?
“I used to cycle and go all the way to Mount Road [some 10-12 km away] just to find this one British magazine called Music Makers. It was about synthesisers.” Often, after he’d cycled there, the store would say it hadn’t arrived yet. But he’d keep going there every day, “until I got my copy. And when I’d finally get it, I’d go ‘Oh my God!’”
“Then there was this time I used to go to Bangalore to another shop, where they had albums that were not there in Chennai and come back listening to them on the train. That transported me to another world. When I did my music, I wanted to transport other people as well, without compromising on tradition. I guess that’s why Roja eventually happened.”
Each year, Bregman writes, the US Bureau of Labor Statistics conducts a survey among thousands of Americans. The purpose is to document how people spend their time every minute each day. Most people surveyed by the bureau spend the most part of their day sleeping; 8.68 hours to be precise. They watch television for 3.45 hours and work for 7.78 hours. That is, most people actually spend more time sleeping than they work, which is fine. But what makes the data compelling is people spend almost half the number of hours they work doing something as unproductive as watching television.
Now juxtapose this with what Bonnie Ware came up with in a book Bregman points to, called Top Five Regrets of the Dying. An Australian songwriter, Ware devoted a significant amount of her time to palliative care with people in the last twelve to three weeks of their lives. The themes that recurred in her conversations with dying people were:
• I wish I had the courage to live a life true to myself, not the life others expected of me.
• I wish I didn’t work so hard.
When you see these two regrets together, Bregman says, you realise “What people really regret isn’t simply working so hard, it’s working on things that don’t matter to them. If our work feels like it matters to us, if it represents a life true to us, then we would die without the main regrets that haunt the dying. We would live more fully.” Rahman put it more philosophically. “You can’t be without passion. Passion means the possessiveness to be the best.” And where does work fit in, I asked him? “Work is like nasha (intoxication). When you’re working, you got to be really selfish and get the best out, pushing your people hard. Sometimes you rub them on the wrong side, but work is like medicine: If it is good, everything else is forgiven.”
Lesson #3: Assert your differences
Bregman talks of an interesting change he noticed, back in the ’90s, when he was consulting with American Express. Harvey Golub, CEO and chairman, used to come into work wearing suspenders. Bregman recalls that soon after Golub took over the top job at Amex, people started to wear suspenders as well. It’s an effect Bregman has seen across businesses: People try to fit in. “But fitting in has the opposite effect. It makes you dispensable. If you’re like everyone else, then how critical to the business can you be?”
Bregman points to Susan Boyle. “In a field with a tremendous number of beautiful, sexy, talented people, what are the chances that you’ll be noticed by being even more beautiful, sexy, and talented?” But Susan Boyle was different. She broke the mould. Which is why her YouTube videos received more than 100 million hits. “If she looked like every other aspiring singer, would the world have noticed?”
Image: A. R. Rahman’s private collection
It’s a lesson Rahman learnt early on in life. “Problem is, people compromise. Until something is not there, people won’t know it is there. So you have to create that wanting.” But getting people to want something they don’t know about isn’t easy. It takes time and patience: “First, you cater to what people need. Once you’ve done that, you compose what you love and believe people will love as well. And you stand by it, even at the risk of being rejected.” And how do you do that? “You can only be what you are. You can only try to maximise what you are. Good-looking or bad-looking, this is my shape; it is there for people to see. There is a beautiful quote that says, ‘I can never change what or how I look. But I can change how the world looks at me.’”
“If you go to Hollywood and say, ‘I can do what John Williams does,’ they’ll say, ‘get out!’ But when I said I have Slumdog Millionaire, they embraced me. Do something on your own. Do something unique. Look at yourself from the other person’s perspective and make yourself unique.”
Lesson#4: Choose the world that supports you
The first thing that struck me about Rahman’s apartment-studio was the all-pervading sense of peace: The unmistakable smell of incense; the all-white walls and floors; thick carpets; unfailingly polite support staff. Perhaps most significant, despite the fact that his apartment was located in a film-crazy city, and even had his name on the door, nobody, not even the watchman, knew that it was the AR Rahman who lived and worked out of the place. It’s the same with his Chennai home. And, Jarshad tells us, he’s got an apartment like this in every major city he works out of, all of which are more or less replicas of each other. He hates to work out of plush hotels that would only be too happy to bend over backwards to accommodate his every whim and fancy. The only quirk, if you want to call it that, is that he likes to work in the night.
I couldn’t help but think of it as a series of rituals. On the face of it, the idea of a ritualistic life sounds terribly boring. He laughs. “I don’t drink. I don’t eat pork. I don’t womanise. I think many people think of me in the same way: He must be a boring guy.”
Bregman has a contrarian take on rituals; he calls them tricks. “We all need a trick,” he writes and cites the late Jack LaLanne, a fitness guru who had the longest running TV show—34 years! —in the US. LaLanne was the kind of man who could swim a mile or more while towing large boats filled with people… while handcuffed. That, Bregman says, wasn’t LaLanne’s ‘trick’. His tricks were in his everyday rituals. Until he died, aged 96, he spent the first two hours of his day exercising: Ninety minutes lifting weights, 30 minutes swimming or walking. He wrote his eleventh book, Live Young Forever, at age 95.
Bregman concludes that rituals are the only way you can focus on a few important things amidst the many other things asking for one’s attention.
Lesson #5: Master distraction
In business, multi-tasking is a much-touted skill. The better you are at it, conventional wisdom goes, the higher your chances of making it to the top.
But when Bregman started to research the phenomenon and the impact it had on productivity, he was stunned. People distracted by incoming email and phone calls saw a 10-point fall in their IQ. The impact is twice as much as it would be if you were smoking marijuana. Bregman figures that in reality, productivity actually drops 40 percent, because human beings aren’t built to multi-task. What we do instead, he says, is switch-task—shift rapidly from one task to another—and lose time in the process. Last year, one of Rahman’s children was seriously unwell and had to be rushed to the ICU, where she was diagnosed with a critical condition that required open heart surgery. Rahman, for whom music is nasha, gave it all up. He knew he couldn’t focus on music, not when his child was unwell, not when she needed him more than anybody else did. For an entire week he was by her side, tending to her, until she was well again and back on her feet.
AR Rahman doesn’t multi-task. When he’s focussed, it is intense, because, as he says, “It is a spiritual thing. Nothing comes without losing something. You can’t have everything.”
“I’m never composing in the studio for too long—at best for 20 minutes, 30 on the outside. I don’t spend eight to nine hours on something”
“You can only try to maximise what you are. Good-looking or bad-looking, this is my shape”
http://forbesindia.com/article/recli...-focus/32584/0
avarai vidunga SS.. vaanga naama rendu paerum discuss pannalam..
did u c my post http://www.mayyam.com/talk/showthrea...l=1#post834957...
Romba kammiya thaan paadi irukkaru :(..
avarai epdi vidradhu...
hubla irukkuradhe rendu moonu ARR fans... avarayum vittutu apram enna panradhu??
master, maddylaam indha pakkam vandhu pala varusam aachu...
and reg the playback singing..
yes he sang less.. but all are gems no??
he chooses the best for him... i dono if its automatic or what makes him to choose those... but the song he chooses mostly will be very difficult to others to sing... he hits the hightest pitches with ease...
but most of the times he chooses to sing a solo or a male duet...
is mannippaya the only male-female duet? not sure.
ARR kaNdippa mani padathula oru paattu paadi irupparu..
ya of course watever ARR sang a song tat is highly acclaimed nd also high pitch song..
Duet songs.. :confused2:
1. Hamma hamma (Duet or item ?)
2. Mukkala ? (he sang ?)
3. Luka chuppi wit LIVING LEGEND Latha mangeshkar ma ( wt a beautiful song... highly very acclaimed song)..
4. Dil se re / KaNNeere (though its solo song, it wil realize u as romantic song)..
5. Tere bina frm GURU (wit chinmayi)
6. wt abt Athiradi kaaran ?
7. Tu mera dhost hai frm Yuvaraaj (wt a song...chance e ila)
8. Irumbile oru idhayam
9. nd of course Mannippaya..
i think these r only he sang wit co-singer (duet songs)...
hamma hamma - solo...
mookkala paadunadhu mano...
adhiradikkaaran'la konjam konjam female voice varum...
irumbile is a duet ya...
rendu paerum sernthu paadraangala.. so irumbile duet thaana..?