Politically, I'd argue that Nadhiya should be leading the list though she would also be the most conspicuous entry in it. At a superficial level, she was supposed to represent the modern urban independent woman, but almost all her roles were patently in the child-woman mode; mischievous and cutesy break-the-little-rules type, but ultimately all too pliant. All the middle-class patronage she received (right from the sort of immense appreciation she always received for her "decent" costumes) was, as I see it, a profound reflection of the Victorian-style morality of the middle-class.