avaru innum mappila mathiri 'jammu innu' irukkaru sir :lol: ,enna avaru hair-rukku mai adicha ellam sariayidum :DQuote:
Originally Posted by MADDY
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avaru innum mappila mathiri 'jammu innu' irukkaru sir :lol: ,enna avaru hair-rukku mai adicha ellam sariayidum :DQuote:
Originally Posted by MADDY
http://thatstamil.oneindia.in/movies...-abhishek.html
Quote:
ரூ120 கோடி..மணியின் நவீன ராமாயணம்!
இந்தியாவின் மிகச்சிறந்த இயக்குநர்களில் ஒருவராகப் புகழப்படும் மணிரத்னம் தனது அடுத்த படத்தின் படத்துக்கு தயாராகிவிட்டார்.
தமிழ், தெலுங்கு மற்றும் இந்தி மொழிகளில் தயாராகும் இந்தப் படத்துக்கு இந்தியில் ராவண் (ராவணன்) எனத் தலைப்பு வைக்கப்பட்டுள்ளதாகத் தெரிகிறது.
தமிழ் மற்றும் தெலுங்குப் படங்களின் தலைப்புகளும் ராவணன் என்றே வைக்கப்படக்கூடும் எனக் கூறப்படுகிறது.
இந்தப் படம் ராமாயணக் கதையின் நவீன வடிவமாக இருக்கும் என்கிறார்கள் விவரமறிந்தவர்கள்.
ராமராக அபிஷேக் பச்சனும், அவர் மனைவி சீதையாக ஐஸ்வர்யா ராயும் நடிக்கிறார்களாம். முக்கிய வேடம் ஒன்றில் அமிதாப்பை நடிக்க வைக்கவும் முயன்று வருகிறார் மணிரத்னம்.
ராவணன் எனும் பவர்புல் வில்லன் பாத்திரத்தில் ஆதித்ய பஞ்சோலியும் அனுமானாக கோவிந்தாவும் நடிக்கவிருப்பதாகத் தகவல்கள் தெரிவிக்கின்றன.
இந்தப் படத்தின் தமிழ்ப் பதிப்பில் அபிஷேக் பச்சன், ஐஸ்வர்யா ராயுடன் விக்ரம் மற்றும் கார்த்திக் இருவரும் நடிக்கப் போவதாகக் கூறப்படுகிறது. இவர்களில் ராவணன் யார், அனுமான் யார் என்பது மட்டும் இன்னும் முடிவாகவில்லை.
இந்தப் படம் புராண ராமாயணம் கிடையாது. அதே நேரம் அந்தப் பாத்திரங்களை நினைவூட்டுகிற விதத்தில் திரைக்கதை உருவாக்கப்பட்டுள்ளதாக மெட்ராஸ் டாக்கீஸ் வட்டாரங்கள் தெரிவிக்கின்றன.
இந்தப் படத்தின் பட்ஜெட் கிட்டத்தட்ட ரஜினியின் ரோபோவுக்கு நிகராக இருக்குமாம். காரணம் மிகச் சமீபத்தில்தான் மணிரத்தனமும் அனில் அம்பானியின் ரிலையன்ஸ் நிறுவனமும் இந்தப் படம் தயாரிப்புக்கான ஒப்பந்தத்தில் கையெழுத்திட்டனர். அதன்படி ரூ.120 கோடி செலவில் பிரம்மாண்டமாக உருவாகிறது இந்தப் படம்.
ஏற்கெனவே, மகாபாரத்தைத் தழுவி அதன் நவீன வடிவமாக தளபதி படத்தை எடுத்தவர் மணிரத்னம் என்பது குறிப்பிடத்தக்கது.
உங்க ராமாயணத்துல 'சேது' வருமா மணி சார்!
http://sify.com/movies/tamil/fullstory.php?id=14734984
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Mani makes more money!
By Moviebuzz | Wednesday, 06 August , 2008, 12:51
India's best known director Mani Ratnam and his Madras Talkies has signed a record Rs 120 crore deal with the Anil Ambani run Reliance Entertainment Big Picture, for his new untitled film in three languages- Hindi, Tamil and Telugu.
Mani sir as he is affectionately known in Kollywood has been quietly working on the script of this film, since the release of his super hit Guru in January 2007.
The Hindi version will feature Abhishek Bachchan- Aishwarya Rai and Govinda in a negative role. The Tamil and Telugu version will have Vikram doing Abhishek’s role while Aishwarya Rai will be the common heroine for all the three versions. It is going to be a tight rope walk for her as she has to juggle her dates with Shankar's Rajinikanth extravaganza 'Robot', during the same period.
And the role being done by Govinda would be essayed by Pritviraj, who actually started his career in Tamil in a villain's role in Kana Kandein. There are rumours that Karthik who last worked with Mani in Agninakshthram, will also be roped in to play an important role. Priya Mani too will be playing a role in the film which will start rolling in Karaikudi from September 10, and will also be shot in the forests of Madhya Pradesh.
Mani's all time favourite and his 'discovery' A.R Rahman will be composing songs for this film which has now become one of the hottest projects in the country. Ace cameraman Manikandan who is now shooting for Priyadarsan's Biloo Barber in Pollachi will be the cameraman.
Mani sir as usual was unavailable for comment and Reliance Entertainment Big Picture spokesman in Chennai too refused to talk about the deal.
If this is true - my sincere condolences to Maniratnam fans...Quote:
Originally Posted by sakaLAKALAKAlaa Vallavar
Abishek - aishwarya - reliance indha nexuslendhu eppo velile varuvaar?
Amir Khan padam lajjo drop
Kamal udan adutha padamum drop
what is happening to money ratnam?
ithu ellam oru periya problem illa sir!dont worry :cool2:Quote:
Originally Posted by jaiganes
avaru yyaru kuda pannarar enbathu mukkiyam illa!product eppadi varathu innuthan mukkiyam.avar padam pannrar endra news-se namakellam perum santhosam:D
I wish I could share your enthu.
After seeing Guru - I must say I am dampened by Mani's moves these days. If this news is any true, then it will be third movie with Abhishek who cannot act and there are loads of manoj bajpais, Amir Khans, KKs and Ranvir Shoreys out there in Bolly who are way better actors than abhi- no -shake bachan. Lesser spoken about Mrs Aish bachan's acting talents the better - not a company you should be in at the stage when your career is knocking on international fame.
A rainy weekend prompted a viewing of Anjali. The downpour probably reminded me of the opening sequences. The usual suspects greatly enhance the re-view quotient of the movie. Shamili still brings that ever-familiar lump to ones throat. During every introduction scene for Anjali, the back of the frame, from where she enters, is invariably over-lit. Couple that with the translucent white gown she is perennially clad in and one is forced to believe that Mani and Madhu Ambat wanted to convince the audience that we were definitely viewing a cherub descending to earth. Raaja is his usual glorious self - equal parts poignant and playful in both the soundtrack as well as the BGM. The performances, particularly Revathi, Raghuvaran and the little child who plays Anu, are all excellent. If Revathi holds fort in the latter half during her sequences with Shamili, Raghuvaran is brilliant in his silent suffering in the initial stages. There are a couple of seconds where he shares screen space with Revathi, unable to answer her (rather justifiable) question after slapping his daughter, during which his eyes are brimming, not with tears but with pain. Serves to remind you that there is skill and then there is talent.
Anjali, as with most Mani saar films, is exceptionally well written and designed. There is great consistency in character description (the daughter has this little tik of repeating kaNNellAm thaNNi after saying someone is crying that repeats throughout the movie) and motivation. But there is one specific aspect that revealed itself to me during this viewing that actually enhanced my understanding of the charm this movie held for me as a child.
As a child, answering the telephone as quickly as possible came to be an unconditioned reflex for me. Even when most often the person at the other end would peremptorily request to speak to someone of more importance within the household because I was just a kid. In the world that Mani creates in Anjali however, an Assistant Commissioner of Police doesn’t think twice before informing Shekhar’s young son that his father’s life might be in danger because a ruffian baying for his blood has just been released on bail. There are no “just kids” in Anjali. They are accorded the respect of post-adolescents, if not full-fledged adults. They have their own tribe, initiation rituals and bonding patterns. The knee-jerk reaction to adversity (Arjun being confronted by an older kid when they walk in with the vegetables) is one of machismo, not the familiar run-and-hide-behind-authority or propriety. The kids take an active part in getting their pregnant mother to the hospital and are even allowed the freedom to speak out of turn and call adults out on their inadequacies. Mani’s biggest success was creating a world were children are afforded as much respect as their guardians and in doing so he was able to connect with the need of every child in the audience to be taken seriously.
Ilaiyaan is the hero of Anjali. It's been a long time since i watched it (loved it the first time i watched it as a sinna pulla). IMO, not one of Maniyaan's better works. It had artificiality written all over it
crajkumar_be: Definitely not Mani's best work. Pre-Roja that would go to Mouna Ragam (IMO) and post-Roja to Iruvar. I just revisited the film and was trying to understand why I liked it so much when I first saw it.
Kannathil Muthamittal?