:)Quote:
Originally Posted by crajkumar_be
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:)Quote:
Originally Posted by crajkumar_be
:lol:Quote:
Originally Posted by Prabhu Ram
Ada, oru safety ku appadi sonnen-ga, context karudhi.. idhukkum avar vera thread la confess pannadhukkum sammandham illai :razz:
CR, I dont differ. But Vivs' point was kind of re-interpreted or mis-interpreted into somethign else. Both Kamal and NT, and even Rajni, infact, we all agreed that we dont have to bring them here in the context of this thread. AvangaLai, koNdu vandha, Dhanush, Maddy, Surya ellam discuss panna mudiyadhupa :-(
Yes, I am with Vivs on the bias against "LMIA" school. I am not concerned with that as much as the results - biggest example, Vikram's Sithan, which most of "LMIA" critics discount. You see only PR and myself defending that performance - I dont care if Vikram was trying to show he can "Act"; that role worked in that movie, and he contributed in a big way to that. Watch Upendra in Kannada version to see how the performer can let that role down. OTOH, Kasi by Vikram was "LMIA" and unsuccesful. For me, ease and natural performance doesnt matter much unless it adds to or fits in the film in question.
The way I look at it, you can broadly divide into
1> LMIA but succesful - Sithan; Many people quote Inbasekar for this though it didnt work for me so let's pencil him in here despite my reservations. I'd pencil in ND here - it worked for me though Maddy tried hard and was not 'at ease' or whatever.
2> LMIA but not so succesful - Thambivelu, Surya in parts in most of his 'masala' performances(like Agarkar, thambi rendu wicket eduppapla, paartha adutha rendu ball sixer parakkum)
3> DLMINA and succesful - fill this in yourself; As PR mentioned before, Maddy as Bottle Mani was an example of this. I'd probably prefer that performance by Maddy to many of his acclaimed ones. Anbarasu is another example.
4> DLMINA but not quite appreciable or outstanding - for me, Maddy in many movies does fall here; RUN, for example. Maybe he is at ease etc but what do I get as cinematic output from that ease? Nothing.
I'm not particularly worried about the method as long as it is succesful.
Ok, what I'm driving at is one cannot let oneself biased by preference of style of acting(easy, natural AGAINST effort, LMIA) to dictate evaluating whether a performance is good or not.
oruthat teknik-a communicate pandraar. innoruthar teknik-a purinjukkarar. bada killadi pasangapa...Quote:
Originally Posted by Prabhu Ram
vara vara CR post ellam romba notice paNNa dhaan nuances puriyudhu. Enge vishayam vekkararne konja nerathukkappuram dhaan veLangudhu. Edhavadhu maaruveshathula workshop attend paNNitty vandheengala CR?Quote:
Originally Posted by crajkumar
exactly CR :)
I never commented about the ability of the actor..but on the consistency of the fans.
consistency of the fans'na ?
consistency of the fansQuote:
Originally Posted by Sarna
:evil:Quote:
Originally Posted by Vivasaayi
doesnt motor!Quote:
Originally Posted by Sarna