paarthukkoNdirundhaale(chittoor raaNi padmini)
Pick #133
http://tfmpage.com/stream/songs/paarthu_crp.rm
Song: paarthu koNdirundhaale
Film: chittoor rani padmini
Singer: Seergazhi Govindarajan
Lyrics: ?
Music: GRamanathan
When you think you have listened to almost all the tfmgems, you come across a masterpiece like todays pick and restart your search all again.
Sirgazhi has sung very few songs for Sivaji and i feel this is his best.
The song just took my breath away..He sings the swaras nonstop , barely taking a breath for almost 68 seconds(Listen to the tail end of the song). I personally feel this song deserve much more appreciation that it has now(not many are aware of its existence).
I think CRP had Sivaji and Padmini(or is it vaijayanthi?). I believe it was not a hit and the songs were soon forgotten.
This is a lenghty song(just over 7 minutes long). Somehow the file i have starts with 'vaarthaiyil viLangaadhu'. Im not sure if this is the start of the song.
sangeetham en dhegam(baala naagammaa)
Pick #134
http://tfmpage.com/stream/songs/sangeet_bn.rm
Song: sangeetham en dhegam
Film: Bala Nagamma
Singer: Vani Jairam
Lyrics: Pulamaipithan
Music: iLaiyaraja
A brilliant composition by IR based on chitrambhari raagam(detail from raaga based songs thread). This is the only film song listed under this raaga.
VaniJairam displays again her mastery over classical based songs. She sings the difficult sandhams in the charanam with ease.
Sangeetham En Dhaegamandro?
Anatomy of Pleasure
What a bravura performance! Makes one think up phrases like "goose-flesh inducing," "delicious drowning" "force of nature" and "super dhool kilappal" - and still the essence, the pace, the clarity and the purity of the composition and voice - dodge such pithy punches.
In an interview published in The Economic Times (February 3, 2005) VJ says this: "I am a real nut for hard work. That is how I have earned a good reputation in my line." The hard work in a song like the one featured today might just be to make it all look so easy. ...As in the taan that follows "Aagaya Gangaikkum Theeradha Dhagam..." and returns to the first syllable of the opening word seamlessly. The gentle sigh in "perumoochchu vaangum" and the rhetoric of sympathy within "adhu engu thoongum?" and the repetition of "Sangeetham" - short, tall, grande - these are all moments of love's labour.
IR , when he sets himself up for a challenge like this, invariably peaks. The composition captures a royal hall (or a temple courtyard) congregation at dusk (jaathi mallippoo pole andhi maalai pooththaval) and the song washes over like a quick wave of starlit sky. The rhythmic and melodic patterns merge with grace, like two palms pressed in greeting, and the recital begins. The heat of excitement, the descending hush...It is all there in the interludes, you just have to come a bit closer to the song...
Body Music. Body of Music. An Out of Body experience.
Sangeetham... Nam Yogamandro?