ஒரு நியூஸ் இங்க போட்டா கொஞ்ச நேரத்திலேயே அங்க புகைய ஆரம்பிச்சுடுதே..
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ஒரு நியூஸ் இங்க போட்டா கொஞ்ச நேரத்திலேயே அங்க புகைய ஆரம்பிச்சுடுதே..
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Down la (Rendu padam seriya pogalaenalum) irukarappavum up la irukaradhu :smokesmirk: !!! Vijay/SAC Kumudham yedhum vangitaangalo ?? Petti kuduthutaangalo ? adhu pannirupaangalo ? Idhu pannirupaangalo ? Aiyo evalo adichalum eppdi munnadiyae irukaara___ ??
Suspense-la yae saavunga !!!
Golden times. One of my fav article on Vijay.
WHO'S NEXT IN LINE?: Diwali releases of actors Vijay and Vikram, contenders for the `superstar' crown, are doing brisk business. Seen here are the hoardings of their films `Sivakasi' and `Maja.' — Photo: N. Sridharan
CHENNAI: At the 125th day celebrations of `Saami,' the Superstar almost gave his crown to Vikram, who gently turned it down saying: "Oru Suriyan. Oru Chandran. Oru Superstar." (There can only be one sun, one moon and one Superstar.) There is only one throne and the others would have to work hard to win their chair, said Vikram.
Two seats away, on the same stage, sat a younger but more ambitious actor: Ilaya Thalapathy Vijay. To encourage him, Rajnikant had told the crowd that Kavithalaya's next `Thirumalai' would see Vijay in a new avatar. It came good. And how. Vijay hasn't looked back ever since.
`Thirumalai,' `Gilli,' `Madurae,' `Tirupaachi,' `Sachien' and now with `Sivakasi,' Vijay has arrived to stake his claim to the throne.
An average movie like `Sachien' that released along with `Chandramukhi,' is on show for 200 days.
You know the star's status when a first-day-first-show generates mass hysteria, when fans turn fanatical and transform a movie theatre into a dance floor.
If you've watched Superstar movies, you know the pattern: a few male chauvinistic "how-a-girl-must-behave" lines, goofy comic interludes that involve kicking the sidekicks, oodles of style sprinkled all over the song and dance, a couple of gravity-defying fight sequences that can give Matrix a complex, colourful costumes, punches and punchlines, all leading up to the inevitable flashback and the revelation of the conflict and the rise of the hero back to the position of power which was once his.
But what drills home the `successor' imprint deep into the subconscious is the clever manipulation of Superstar symbols and cues in the film. Be it Sivakasi riding into a wedding hall as the `Maama Un Ponna Kudu' song plays during a wedding or when Sivakasi in the second half of the film gets an MGR look-alike to win over people to have the audience on their feet.
The crowd then goes crazy as the Superstar look-alike dances to `Pothuvaaga Yenmanasu Thangam.' Soon, Sivakasi joins the jig with the Superstar look-alike on stage. It's a rage.
And then, there's him dancing along the `Superstar Jodi' Nayantara who plays herself (for the `Kodambakkam area' song) to give the crowd enough reason to come back for yet another show.
While Vijay has successfully sold himself as the Superstar `successor' to the B and C centres, it will be tougher for him to convince the urban audiences given the crude, crass chauvinistic sensibility employed in his cinema.
A little refinement of the language, doing away with sexist statements and fine-tuning his own set of signature style skills and he should be king. At 31, the `Ilaya Thalapathy' has time on his side.
Besides, the man once called Shivaji Rao Gaekwad, soon to be known as `Sivaji' — the king — is still around.
http://www.hindu.com/2005/11/06/stor...0605020200.htm
Yes. My favourite too. Sudhish Kamath wrote it, no?
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And all he needs to do to reach there is make some sensible movies, be it a masala or a family drama or a love subject. Lately, his choice of scripts have been good. A little more attention will give him the blockbusters.
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Yes....and another one from himQuote:
Originally Posted by ajaybaskar
http://www.hindu.com/mp/2005/03/07/s...0700240100.htm
The `Superstar' genre
Yes, Vijay is here to carry Rajnikant's `shtyle' forward. And he does a pretty good job of it, says SUDHISH KAMATH
The imitation works... `Ilaya Thalapathy' Vijay with Trisha in "Gilli"
SUPERSTAR DOES not act as often as he used to. Or maybe `act' is the wrong word because he does not need to. He just needs to be there. Anyway, the point is that he has not been around.
But his brand of cinema is alive, if the success of `Tirupaachi' is any indication.
Tirupaachi is formula-filmmaking at its best with a script which goes like this: First half: Hero introduction song, much like Annamalai (whistle, whistle), brother-sister sentiment, item song with Chaaya Singh, Superstar style comedy, sentiment song, sister gets married to city, Hero meets heroine, song, one out of the three villains bumps off someone important and pushes hero to the edge. Second half: Two songs. Five fights. Hero kills all villains. Numbering some two hundred and eighty seven people in all (approximately, not exaggerated though) including `Pan Parag' Ravi, `Saniyan' Sakade and `Pataasu' Baalu.
With a plot like that, you have no choice but to depend on the star to deliver.
Tirupaachi"
Which is what Vijay does in `Tirupaachi.' Just like he did in `Tirumalai'. In `Gilli'. In `Madurey'.
In Superstar's footsteps
With his mannerisms and a style of his own, the `Ilaya Thalapathy' does remind us of the `Thalapathy.' Yes, of Superstar. One would have thought that no one can ever get into Superstar's shoes but Vijay surely seems to be getting his feet in shape. Critics might call him an imitation. But they also would admit that he does a very good job of it and more successfully than other wannabes.
Let's face it, we have just got to see Superstar on screen twice in seven years and his last film was not exactly the usual `Superstar' brand of cinema. He might have grown old yet, like Abbas says in Padayappa: "What a man!"
But because he has become choosy about his films, we don't get the variety of cinema he used to entertain us with. The masala doses. The truth is that we are all starved of cinema of the Superstar variety. Barring Vijay, the imitations are many and poor. We love Superstar not just for being him, we love him more for the kind of cinema he represented — the kind where he does Superman stunts. Don't we just surrender? Willing suspension of disbelief. The cheesy special effects, the comic timing, the brave do-gooder who will stop at nothing to ensure justice, the man who does not need to chase the girl, the representative of God. When Trisha gives Vijay a bracelet from the Raghavendra temple in `Tirupaachi,' we know who has taken over the legacy of that brand of cinema. The Superstar genre. We want to see a matinee idol thrash the trash out of the bad guys. In style. Period. That's Superstar cinema.
And only Vijay does it consistently with panache, pizzazz and all that jazz that basically means `shtyle' — the quintessential element of Superstar cinema. Make way for the prince.
PS: The king returns next month with Chandramukhi. Yay!
Yessss.Quote:
Originally Posted by ajaybaskar
Some of the magazine cuttings from my orkut account ....
http://images.orkut.com/orkut/photos...6tWOw9iBIJ.jpg
http://images.orkut.com/orkut/photos...loGm3HFQbs.jpg
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Yes, Thalaiva lets do a movie with Bala.
Thala-yum Thalaivar-um
http://images.orkut.com/orkut/photos...qmUgY3p107.jpg
Celebrities about Vijay's Dance
http://www.youtube.com/watch?v=0oABWLmqnTU
Film Review:''Kannukkul Nilavu''
A TREMENDOUS comeback vehicle for Vijay, wherein he portrays an entire gamut of emotions, Fassil's ``Kannukkul Nilavu'' makes you sit up right from the first scene. And your posture doesn't change till the intermission.
It is not an easy character to envisage or present. Kudos to Fassil and Vijay. The latter projects the role with all its nuances, confusions, expressions and reactions with the right amount of underplay that the role requires. The youngster's potential has been utilised well by Fassil.
Chintamani Cine Arts' ``Kannukkul Nilavu'' is a different story from the ``Kadhalukku Mariyadhai'' team. Shalini's is once again a flawless performance and she achieves it without overdoing things at any point. Raghuvaran is his natural, efficient self. Srividya, `Thalaivaasal' Vijay, Charlie and Dhamu are the other notable performers.
The screenplay keeps you guessing at every turn. But if the climax had been less protracted, the film would have been more enjoyable. A chase in the climax need not be an essential element for a film of this calibre.
Subtlety in scenic presentation and characterisation, suspense without melodrama and spontaneity in reactions (namely, the scene in which Srividya slaps Vijay for going away without telling him) add to the pluses of ``Kannukkul Nilavu.''
The house decor is so predictable in Fassil's movies. The woodwork, the staircase, the furniture - these can take on a different look too, can they not?
Anandakuttan's camera work that allows you to relax and feast on the lush locales, is a significant feature.
Another indisputable highlight is of course, Ilaiyaraja.
``Oru Naal Orukanavu'' by Anuradha Sriram and Jesudas where the excellent beats and melody make a fiesta, ``Roja Poonthotam'' by Unni Krishnan and Anuradha Sriram and ``Iravu Pagalai'' sung by Jesudas which is bound to keep the listener humming it for long, are among the irresistible numbers.
But the crowning glory is the re-recording - the melody that gently falls on your ears and soothens your mind just before the interval and the soul- stirring notes in the last scene are splendid.
Yet another well-made film from Fassil.
MALATHI RANGARAJAN
http://www.hindu.com/thehindu/2000/0...s/09210224.htm
Vijay beats rajnikanth!
The opinion poll conducted by the students of Loyola College to determine the most popular film actor in Tamil Nadu came out a surprise for many. The superstar of Kollywood, Rajnikanth and one of the highest paid actors in India took the fourth position. The all time favorite and number one position was bagged by the late Chief Minister of
Tamil Nadu and actor M.G. Ramachandran popularly known as MGR. the second spot went to thespian Sivaji Ganesan. Interestingly, the third place was bagged by Vijay pushing behind Rajni to the fourth position. Looks like Rajni position deteriorated this year as he had topped the list last year.
The most popular among the actresses was Saroja Devi followed by former Tamil Nadu Chief Minister J. Jayalalitha. K.R. Vijaya and Jyothika bagged the third and fourth position respectively. Kushboo, the favorite among the actress, took the fifth position.
http://www.behindwoods.com/tamil-mov...-27-09-08.html
When Vijay's 2007 Pongal Winner ruled the box office!!!!!!!!!!
Pokkiri: The film, released for Pongal 2007, turned out to be Vijay¡¯s biggest hit. Remake of a Telugu film, director Prabhu Deva packaged it in such a way that it suited the taste of Tamil audiences who danced to the hit tunes of Mani Sharma.
The on-screen chemistry between Vijay and Asin was great and the film turned out to be the highest grossing Tamil film in Kerala.
It did extraordinary business across A, B and C stations in Tamil Nadu and also overseas. It established Vijay as the most saleable star after Rajnikant. The trade says it¡¯s the most profitable movie of the year.Box-office verdict: Blockbuster http://www.hindu.com/fr/2007/12/28/s...2850050100.htm
Love beyond the boundaries <3
https://pbs.twimg.com/media/BqTny-GCUAA5sYq.jpg
The famous Hindu Survey in 2002
A 29 year old actor sits right behind the Superstar in the favourite hero category. That is pretty damn significant.
http://www.imagesup.net/dm-1414030293353.png
When Vijay's mass exposed in Filmfare awards 2009!!!! http://www.youtube.com/watch?v=Y8_9t35MojA
People in kerala have started already. :) https://pbs.twimg.com/media/BqF07nOCIAAFvAU.jpg
Vijay was introduced in Japanese TV for the first time, 1999. https://www.youtube.com/watch?v=kdS3Tvyzj_s
A decade after the Hindu survey, Vijay still the overwhelming favourite for top honours, this time courtesy, Forbes.
.................................................. .............
http://forbesindia.com/article/2012-...throne/34621/1
http://forbesindia.com/article/2012-...throne/34621/3
I am posting excerpts from both the links.
Who Will Inherit Rajinikanth's Throne?
Forbes India Celebrity 100 No. 28
Vijay
Age: 38
Nickname: Ilayathalapathi (young commander)
Biggest hits: Kadhalukku Mariyadhai, Ghilli, Nanban, and Thuppakki
What makes him click: Complete package: Comedy, dance, fights
Why producers are betting on him: A mass hero, with a fan base across age and gender
Fast facts
Son of director/producer SA Chandrasekhar, campaigned for AIADMK
Punch line
“Oru Vatti Mudivu Pannitenna En Peacha Nane Kekkamaten”—Pokkiri (Once I’ve made a decision, I won’t even listen to disagreement from myself)
Superstar yarunu kaeta chinna kozhandayum sollum
(If you ask who the superstar is, even a small child will tell you)
- from a song in Raja Chinna Roja
I am a little star, aaven naan superstar
(I will become a superstar)
- from a song in Samsara Sangeetham
There was a time in Tamil Nadu when these two songs would blare from every other tea shop loudspeaker, on All India Radio programmes (like Neyar Viruppam, or ‘Audience Choice’), and on tape recorders in drawing rooms across the state. There were no similarities between the two, either in tune or in setting. One featured Rajinikanth, the undisputed superstar, and the other a five-year-old boy, the son of an ambitious producer, director and actor. But the first lines of both songs captured a reality and an aspiration that defined Tamil cinema in 1989, the year those films hit the screens.
And they capture the reality today, 23 years later: Rajinikanth is still the superstar, and it’s every actor’s dream to inherit the title from him.
Much is promised to the winner. Superstardom means the extreme affection of the people. In May 2011, when Rajinikanth was hospitalised, many of his fans cried and went without food for days, praying for his recovery. There were special pujas in temples and at homes.
Superstardom also means immense political influence. Even though Rajinikanth has kept himself out of politics in the last several years, many remember how his campaign in 1996 dethroned Jayalalithaa. (His famous line, ‘Even God cannot save Tamil Nadu if the AIADMK returns to power’, went viral, just like the ones he delivers on screen.)
It also means national recognition. While most Tamil stars are hardly known outside the southern states, Rajini is well known across the country, and even in a few overseas markets (he has a huge fan following in Japan). His fame seems to be only growing, says SP Muthuraman, who has worked with Rajinikanth in 25 films. And, of course, it means wealth: Rajinikanth gets Rs 35 crore for a movie, according to at least four people in the industry.
Rajinikanth is still the undisputed No. 1 in Tamil cinema. But things have changed too. Despite what the innumerable jokes—or the kind of roles that he takes up in movies—suggest, he is getting older: He is 62. He is not doing as many films as he used to. In the year Raja Chinna Roja was released (1989), he acted in six other movies. Now, he takes up one project in two-three years. His next film, Kochadaiyaan, is an animation feature. While no one suggests the Rajini phenomenon has run its course, talk about who will occupy his throne once he vacates it is getting louder in his adopted home state. (Rajini is a Maratha. His original name is Shivaji Rao Gaekwad).
This is not the first time that the topic has come up. Several names have popped up in the past, including Vijayakanth, Karthik (son of yesteryear actor R Muthuraman) and Prabhu (son of Sivaji Ganesan). Rajini outran all his prospective successors. Vijayakanth and Karthik have launched political parties; Prabhu plays supporting roles.
Vijay looks more likely to occupy that slot. Dhananjayan says, “He has a mass fan following carefully established in the last 20 years. Like Rajini, he is loved by the family audience and has deep reach in smaller towns and villages. He is the true mass actor, like Rajini and Salman Khan. His weakness is his inability to carefully select stories and get involved in their making as Rajini is following, leading to multiple failures and then a hit film. So, if Vijay ends up getting solid and huge films like Baasha in his career, he will end up at the same slot, provided Rajini vacates it. As long as Rajini is acting, Vijay will remain at No. 2 and once he vacates, he will straightaway occupy that slot.”
Blah says Vijay still has a good 10 years ahead of him. This means Vijay could still deliver phenomenal hits, just like Rajinikanth has in the current phase of his career. But Vijay will also find that the throne is very different from the one Rajini occupied. There are three reasons. Two of them arise out of Rajini’s personality and one has to do with the time he occupied the throne.
The best way to define Rajinikanth is that he is impossibly charismatic. And he had charisma in oodles long before he became a star.
Raja Bahadur, Rajini’s friend since his days as a bus conductor in Bangalore, told Forbes India earlier about his presence when he acted in amateur plays: “Even when he was in one corner, it seemed as if he occupied the whole stage.” Film director SP Muthuraman said he could make out that he was “hero material” the moment he set eyes on him. (Rajini had just made his film debut, playing a small role in K Balachander’s Apoorva Raagangal. He didn’t have conventional good looks; he was dark, plump, with a head full of untameable hair.)
Second, Rajinikanth’s name, to borrow a phrase used to describe the mathematical genius of Ramanujan, seems to ‘transcend jealousies’. Part of the reason could be the way he is seen off-screen. He dresses simply, never hides his age, and his jokes are self-deprecating. (“When I told a neighbour Aishwarya is acting in my next film, he asked, ‘Who’s the hero?’”.)
It also has to do with the dedication he puts into every movie, and the respect with which he treats his colleagues. Cho Ramaswamy, who has worked with Rajinikanth, says, “He is very co-operative, particularly with comedy actors like me. We would require somebody to throw a feeding line. He would do that willingly, obligingly and in fact, go about asking if we need anything.” Suresh Krissna, who directed Baasha, says he is a director’s delight.
But more importantly, his image, reputation and influence were built during pre-IPL, pre-internet, pre-satellite TV days when cinema was the prime, and often the only, source of entertainment. A movie rested on the charisma of the star.
That is changing, says Theodore Bhaskaran, who has written books on the history of Tamil cinema and society. Now there are directors who give importance to the content, the story and the screenplay. Audiences have changed too. They don’t see cinema just as entertainment. They want more: “The age of superstars is over,” he says.
Some time in the future, Vijay might end up occupying the slot left by Rajinikanth. But, he will never replace him. No one can!
The people's poll always puts Vijay on top and so does the Industry excerpts. You heard Dhananjayan in the Forbes article, here is what Abirmai Ramanathan had to say.
https://www.youtube.com/watch?v=1sqsUPLj7fw
I am seeing this for the first time. Thanks Kumaran.Quote:
Originally Posted by Kumaran.P
Among Kids and Women, it has to be Vijay.
https://www.youtube.com/watch?v=yJ3At2jBCv0
:2thumbsup: Great share bro !Quote:
Originally Posted by CEDYBLUE
It was shared by a japanese vijay fan in twitter recently bro!Quote:
Originally Posted by CEDYBLUE
Thuppakki special show on Vijay's bday June 22nd 9am at Kollam Archana..
https://m.ak.fbcdn.net/photos-h.ak/h...16970503_n.jpg
https://m.ak.fbcdn.net/photos-g.ak/h...70768068_n.jpgQuote:
Originally Posted by VinodKumar's
Cedy..thanks for starting that initiative. Let's rock and roll with some positivity ..and post some feel good articles and posts. Here is one interview of ARM when he was filming the Hindi version of Ghajini with Aamir Khan. One great excerpt out of this is as follows :
I met Vijay accidently in a lift at Ramoji Rao Studios. After initial pleasantries he asked me if he could visit the Gajini sets. I was shocked and invited him personally to the sets and introduced him to Aamir. To my surprise, Aamir immediately recognized him and said that he is a fan of Vijay and his dance. He also recollected how he and his wife would be glued to his songs on TV while in Chennai.
There are a couple other things ARM mentioned about his first choice for first movie etc. And this was when he and Vijay didn't even have any discussion of working together.
The link to the above interview http://www.behindwoods.com/features/...murgadoss.html
Keep the posts coming friends!! Cheers!
I remember seeing this .. it was a proud moment for all Vijay fans...if my memory serves me right, he said this when Vijay was going through that lean phase around 2009-10....imagine the scenario now. He will be nautical miles ahead of his contemporaries.Quote:
Originally Posted by CEDYBLUE
Thanks guys for sharing thalaivar's sweet memories... Let me try to contribute too..
Just a few links to showcase Vijay's popularity even amongst Telugu channels and Telugu actors
Vijay's mass in ETV Dance Show
http://youtu.be/KEFiPPJXt1o
Jr NTR says he likes Vijay and Hrithik
http://youtu.be/SrfeAVUHx80
Actor Prabhas about Vijay in a dance show
http://youtu.be/EP4M0a98J00
There are many such other instances where these people talk about Vijay themselves without even being prompted....shows the amount of respect and credibility he enjoys across other states.
Cheers!!
Who cares if Prabhas or Jr NTR praises Vijay? Has any local side actor praised Vijay? If not, then case closed.
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MY MOST FAVORITE ARTICLE EVER WRITTEN BY A VIJAY FAN KSR ! :notworthy:
To end with, MY FOOT SENSELESS DUMBASS SAVAMs,
EVERY MESSAGE AGAINST VIJAY U SENT HAS MADE ME LOVE HIM MORE AND MORE
EVERY NASTY REMARK U MADE GOT ME MORE ATTACHED TO HIM
EVERY FILM U TRASHED MADE ME WATCH IT FOR MORE NUMBER OF TIMES AND BECAME MY FAVORITE
EVERY JOBLESS COMPARISON U MADE ME SHOW HOW BETTER IS VIJAY THAN EVERY OTHER ACTOR
EVERY BAD NICKNAME U TAGGED HIM WITH ME MADE ME WRITE HIS NAME IN EVERY CELL OF MY BODY
EVERY BAD THING U TRIED TO BRING OUT ABOUT HIM HAD MADE ME SEARCH AND FIND MORE AND MORE GOOD THINGS IN HIM
IN ESSENCE U HAVE BECOME MORE DUMBASS AND I HAVE BECOME A BIGGER FAN
THANKS FOR THE GREAT HELP!!!
Love Vijay,
Vijay Fan
full article--> http://ram-the-rebel.blogspot.in/201...ijay-fans.html
WHEN ONLINE VIJAY FANS CONDEMNED THEATER OWNERS& BIASED MEDIA AND EXTENDING LOYAL SUPPORT TO VIJAY
http://www.vijayfansclub.com/wp-cont...ns-600x375.jpg
The recent reaction of theatre owners after the relese of Sura is one of the worst happenings in recent past. Time and situation changes everyone, but really not to this extent. The same theatres owners who once hailed Vijay as a Messiah to them, have all of sudden been projecting him as someone who has ruined their lives with unreal claims, that even God cannot approve.
What realy hurts is their speeches as if he hasn¡¯t given any profit to them. Vijay is the one who always wishes that everyone from parking boy to theatre owners to distributors and his producers earn profits from his films. And he managed to achive it number of times which even earned him the Minimum Guarantee hero status.
We have a few questions to these protesting theatre owners.
1.If 5 Vijay movies continously failed as per your claims, on what gut feeling you invested 50 lakhs in his 6th consecutive movie? This seriously lacks any logic. A Good business mind won¡¯t commit same mistake for 6 times in a row. They still look at cashing upon his opening power and fans excitement to see collections for first few days. If they say its the trust they had on Vijay it is an escape statement to hide the real source of their losses and shift the blame on Vijay.
2.The 50 lakh MG concept would apply only for theatres in major cities like Chennai, Madurai, Kovai, Trichy, Salem and Nellai. Has the movie been sold for same amount to theatres located in places like Karur, Pollachi, Pazhani etc etc and the other rural areas of TN? We guess the rate is only according to area and projecting it as a TamilNadu wise problem is again a media stunt.
3.What was the Ticket rates for first 2 weeks? Is any theatre following rules implemented by Govt of Tamil nadu? People who saw the movie on 20th day paid a Ticket price of min 100. The first 5 days Ticket prices were 150,200 in many places whereas according to Govt norms it should be 50,75 even for an AC theatre. Few theatres outside Chennai has A/C only in its name. With ticket prices min of 100 till 20th day and reasonable crowd flow as confirmed by those who visit theatres, how could a owner face loss?
4. Just a Small calculation. Lets take a Theatre capacity of around 1000. And a Vijay movie for first 10 days will have minimum 80% Crowd on an average. With theatre ticket prices at a min of 100 and Daily 4 shows, movie sold for 50lakhs. Let keep per Show 800 seats gets filled. Per day 3200 seats(Includes all 4 shows). For 10 days, 10*3200 seats= 32,000*100 ticket cost= 32,00,000.With having 60% average occupancy for next 10 days, with same calculation a theatre would get 24 lakhs back.This itself amounts to 56 lakhs returns roughly with minimum assumed values.Then where comes the claim of money? It looks more like an intentional act to degrade Vijay¡¯s fame in Industry.
4. There is also a point mentioned by theatre owners that Kamal,Rajini,Manirathnam and T.R. compensated them. Let us know one thing.Did Kamal compensate for Alavadhan or Anbe Sivam loss? He did only for Mumbai express which was his own Production. Did Rajini compensate for Kuslean loss? He did only for Baba which was his Own production. Its ages since Maniratnam or TR worked in a project for another producer.So its clear that everyone had compensated only for their own Production. If Vijay has been asked compensation for Aathi its fair. Claiming loss for other movies which wasn¡¯t his own Production is heights of stupidity. If they are really failures, why would someone be willing to invest 50 lakhs on Sura after 5 failures?
5. Even after Sun pics themselves said Vettaikaran is their highest grosser, how can these people call that as a flop? If Vijay movies are been called continuous Failures, then what about most of the heroes who give a hit once in a blue moon and still rated as top heroes on par with Vijay? And calling al movies after Aathi as flops, which includes Pokiri is he most ridiculous thing ever heard recently. And their most unrealistic claim that Sun Pictures cannot be responsible for this highlights their only motive behind all these. How can a distributr selling at a high price cannot be responsible for their loss?!
6. The theatre owners must have forgotten that Vijay is the only hero in current generation who delieverd 16 mega hits and several super hits to reach his 50th movie. The same complaining owners have looted lakhs and lakhs when Vijay delivered series of hits by setting high ticket fares, selling tickets in black on their own and providing poor facilities at high ticket rates.
Vijay is indeed the most profitable hero than any others in current generation and this was also said only by their fellow Theatre owners and also Producers and Distributors. All these media stunt looks clearly like a drama to create a negative image in the minds of people by keeping ahead false claims and provoking statements. Before pleading on basis of humanity they should have some gratitude for the person who has laid them Golden eggs when everyone else were delivering duds. When in future a time comes and Vijay delivers hits, let us see what these humanitarians speak about him and atleast lets see if they have a heart to thank him for their profits!
The fourth estate called Media is a powerful tool in a democratic country. We respect their power to either construct or destruct with the power of their words. But are they doing justice to the articles they write? Definitely not always. Especially almost never when it comes to what they write about Vijay. Those who are their eye candies get hailed every other day and if they are biased about someone, we are sure to see double standards in their articles on them. The hatred or bias which media has been showing oflate towards Vijay is really shocking and this article poses a few questions to them on this:
1. Many websites wrote that Vijay will be banned following the recent uproar about Sura from few theatre owners. Anyone with commonsense knows banning an actor directly lies within powers of NAdigar Sangam or Producers council and not Theatre owners who are empowered to issue red cards to an actor¡¯s films and not bans. This itself is a clear example of their attitude towards Vijay and what they really expect to happen. We wonder if they can write with same cruelty about any other hero in similar situation.
2.Every now and then we see articles criticising Vijay to the lowest levels of even abusing published in websites and few magazines using unparliamentary language. Aren¡¯t journalists required to have some amount of professional ethics and maintain some levels of discipline when writing about celebrities?
3.Every Vijay movie is degraded with the tagline of ¡°Only for Vijay fans¡± or by giving the lowest possible star rating with all negatives highlighted. Similar type of films from their eye candy actors or those who are influential will come with a totally different tone from same reviewers, and the star rating would be unbelievably high, not worthy of its value. And the review will definitely have a line which says all negatives are overcome by the performance of so and so actor. They can instead term themselves as fan sites of particular actors which would be more justified on their part.
4. When Sun Pictures, the distributors of Vettaikaaran themselves declared it as their biggest collection grosser, these media still try to project it as a flop. When Vijay movies that have been super hits were termed as just average, average movies are termed as flops and washouts by these media. Why cant they maintain the same scale of box office analysis for their eye candy actors or influential actors?
5. Oflate, there has been a new trend to write letters and requisitions for Vijay claiming it as from the point of view of a fan which are nothing but injecting negatives in the form of sugar coated words when his movies are not received well. Why can¡¯t there be articles from the same fans¡¯ point of view when Vijay delivers superhits, and that time, we can see only ¡°average¡± and ¡°nothing new¡± kind of reports which has no meaning when most fans like a film.
6. Why can the media offer free advice for actors who claim themselves as family entertainers yet act in bedroom and exposing scenes, actors who does one movie every two years and yet everytime comeup with similar story of one song millionaire concepts and many others who commit blunders in the name of movis which neither benefits fans nor the people in business? Why do they have to turn their fake attention to Vijay when he has already planned for the change wanted from him?
7. As for Vijay, we have to notice the first and foremost thing that he has avoided any protest that¡¯s against Media in the past as he feels a gratitude that they are ones who strengthed his position to what he is today. Other actors who attend these protests and speak abusive things on the press and media just because they were handed over the mic, as still treated as favourites by media.
8. Vijay is always an easily approachable media friendly hero who has readily agreed for many interviews to even those magazines in the past even when he was hurt by their comments on him and his films. A recent example is his interview to Kumudham inspite of their worst review for Vettaikaaran.
9. If Vijay doing commercial movies is a sin as projected by media, why can¡¯t they offer some guidance to actors who have been acting in similar kind of stories for past 18 odd years or those who miserably fail to deliver bankable movies in a consistent manner and doesnt even speak openly to media?
10. The festival editions, special editions of magazines will feature an interview of Vijay. They put up series about him to boost up ther sales. Yet when it comes to writing about him, it is in the most inhuman way which readily buildsup a negative impression in the minds of the readers. And even when their articles are least related to Vijay they use his face on posters to draw attention. Is Vijay a commodity to boost up their sales and then thrown away when they don¡¯t need him?
This article is not intended to ask media to support or come up with articles that always shower praises on Vijay. We want to condemn their worst attitude towards Vijay and being unmindful of the fan power he has. Its high time they stop spreading rumors and publish wrtings degrading him and his films. They should try to do justice to their profesion in whatever they do. Least, they need to posses some humanitarian traits and give respect for everyone¡¯s feelings.
Again written by KSR the founder of OVFC, vijaynet.com etc etc..
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Kids Love him... Ladies love him..
In fact just not only Thals's daughter, but also his wife's favourite too... This man is too classy and charming.
When comparing with him... other actor's status "adi vaankinathu naan than.. cup-u enakku than"
‘Vijay is the next superstar’, Kumudham survey poll results
The weekly Tamil magazine Kumudham has declared the results for ‘Who is the next superstar in Tamil cinema?’ survey which it conducted recently. Ilayathalapathy Vijay has emerged as the clean winner and the results are decisive. He has received 12,80,300 votes in total. It is equal to approximately 36% of the total votes polled (34,98,650). Trailing by 62,650 votes, Ajith stands at the second position with 12,17,650 votes polled.
Surya(5,47,050), Dhanush(1,58,900) and Vikram(80,500) occupy the third, fourth and fifth places respectively followed by Simbu(70,350), Arya(46,200) and Jeeva(32,250) in sixth, seventh and eighth ranks. With only four days to go for Vijay’s birthday, this news adds to the delight of his ardent fans.
http://www.onlykollywood.com/vijay-n...-poll-results/
Thalaivar interview in Kumudham - LATEST!!
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