"poo maalaiyE thOL sEra vaa"
Ok, Murali was there.(thakkaLi pazhathula thAr oothinA maadhiri...). Nevertheless, pretty evocative picturisation.
(and what a song!)
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"poo maalaiyE thOL sEra vaa"
Ok, Murali was there.(thakkaLi pazhathula thAr oothinA maadhiri...). Nevertheless, pretty evocative picturisation.
(and what a song!)
Maddy,
Just that jadhi part. Not the whole I think :roll:
Lot of interesting choices.
I'd be damned if someone comes up with "Mayya Mayya"(Guru). :yessir:
:shock: nalla vElai vaangi thuvaichi thuNiyai kizhichiruppEnQuote:
Originally Posted by MADDY
The lyrics remain incomprehensible till date.
Some snatches I understand seem interesting. Any help ?
What PR, you also like me started transliterating in mixed mode? :lol:Quote:
nalla vElai vaangi thuvaichi thuNiyai kizhichiruppEn
Agni Natchathram didn't just happen to be loudly lit, it was pretty much the central to the overall stylization. It is difficult to like the movie much without liking that.
:lol:Quote:
Originally Posted by MADDY
Actually andha padam release aana po indha paatu pudikkave illa...
Pasanga were complaining "Enna paaduraaingane purila!" etc
Dont remember perfectly but PAP was good too.
Theeram ThEdi from UNarU - natural and heartwarming. The matching flute prelude as Sabitha Anand and Lal Ettan hesitantly clasp hands(most likely composed first, and shots chosen aptly by Mani) to the Balu Mahendra-like picturisation in verdant Kerala sea shore locations. It must find a place in the poll for its uniqueness in the Manirathnam pantheon
(kid-glove, illainA, HUB gate-vaasalla dharNA dhaan solliputtEn :twisted: )
Sabitha Anand-A eroini-yA ! :shock:
Eroini-num sollalAm, main female protagonist-num sollalAm. remba kevalamA-llAm illa. idhu nadandhadhu early 80's-la. konjam time-wrap paNNi imagine paNNikkOnga. namma Rambha-vellAm thAngi irukkOm. idhellAm India thaangikkum, thanngiyadhu :-)Quote:
Originally Posted by Prabhu Ram