I like nenjil dhil dhil too. Simmi version was slightly better. Maddy was very rigid.
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I like nenjil dhil dhil too. Simmi version was slightly better. Maddy was very rigid.
This song can compete with 'mainA mainA mAman pudichcha mainA' of pagal nilavu for MR's WORST picturizations :-(Quote:
Originally Posted by app_engine - old post
When people're discussing BEST - please, please, don't even mention "pani vizhum iravu" - horrible :-(
Yeah, kadaisi pagudhi namakku thala valikkum/suthum, paavam andha Manisha ponnu :(Quote:
Originally Posted by Vivasaayi
Aana, what ya picturization ma! Fantastic landscape (Leh/Ladhak), visuals almost managing to match Rahman's fantastic score.
I meant "Andhi Mazhai" :lol:Quote:
Originally Posted by Prabhu Ram
Margazhi Dhaan - is that the song sung by Arun Mozhi/Napolean, (which was cut in the film except the beginning? If yes, thats a wonderful song)
When it comes to picturization (w.r.t IR-ARR), its a no contest IMO. Mani-ARR anyday....
Anyone up for a "As Mani's visual's got better his screenwriting got worse" diskassan? :lol2: The apex of this parabola would of course be Iruvar.
kuzhanthaiya kiLLiyAchchu, yArAvathu vanthu thottila aatungappA!
Do you expect someone to come and fight for 'pagal nilavu' as the best screenwriting by MR? I don't think so :-)Quote:
Originally Posted by complicateur
பகல் நிலவு Vs திருடா திருடா?
:thumbsup:Quote:
Originally Posted by complicateur
That said, it's more of a Full-wave Rectified Sine wave. So far the (two) peaks would be "Nayagan" and "Iruvar". 8-)
Neenga nallavaraa kettavaraaQuote:
Originally Posted by Nerd
I used to think the answer to this question is screaming obvious till Plum came along yesterday.