MAESTRO ILAIYARAAJA NEWS & TITBITS VER.2010-2011

மெல்லுறதுக்குக்கொஞ்சம் அவல் :

Quote:

---

இளையராஜா கெடுபிடி
அழகர் சாமியின் குதிரை படத்தின் கதையை கேட்டவுடன் முதலில் ஷூட் பண்ணிட்டு வந்திருங்க. அப்புறம் இசையமைச்சுக்கலாம் என்றார் இளையராஜா. இவரது கட்டளை படி ஷூட்டிங்கையும் முடித்துவிட்டு வந்துவிட்டார் சுசீந்திரன்.
முதலில் 50 லட்சத்திற்குள் இசையமைத்து தருகிறேன் என்ற இளையராஜா, இப்போது படம் நன்றாக இருக்கிறது. ஹங்கேரியில் இருந்து மியூசிக் கலைஞர்களை அழைத்து வந்து இசையமைத்தால் நன்றாக இருக்கும்.
அதற்கு தனியாக இருபத்தைந்து லட்சம் செலவாகும். தயாரிப்பாளரை கன்வின்ஸ் செய் என்று கூறிவிட்டாராம். ஆனால் தயாரிப்பாளரான கவுதம் மேனன், இதுக்குள்ளே என்ன வருமோ. அதை செய்ய சொல்லுங்க என்கிறாராம்.
இரண்டு பேருக்கும் நடுவில் சிக்கிக் கொண்ட சுசீந்திரன், யார் பேச்சை கேட்பது என்று தடுமாறிப் போயிருக்கிறார்.

---

Quote:

---

Originally Posted by app_engine

மெல்லுறதுக்குக்கொஞ்சம் அவல் :

Quote:

---

இளையராஜா கெடுபிடி
அழகர் சாமியின் குதிரை படத்தின் கதையை கேட்டவுடன் முதலில் ஷூட் பண்ணிட்டு வந்திருங்க. அப்புறம் இசையமைச்சுக்கலாம் என்றார் இளையராஜா. இவரது கட்டளை படி ஷூட்டிங்கையும் முடித்துவிட்டு வந்துவிட்டார் சுசீந்திரன்.
முதலில் 50 லட்சத்திற்குள் இசையமைத்து தருகிறேன் என்ற இளையராஜா, இப்போது படம் நன்றாக இருக்கிறது. ஹங்கேரியில் இருந்து மியூசிக் கலைஞர்களை அழைத்து வந்து இசையமைத்தால் நன்றாக இருக்கும்.
அதற்கு தனியாக இருபத்தைந்து லட்சம் செலவாகும். தயாரிப்பாளரை கன்வின்ஸ் செய் என்று கூறிவிட்டாராம். ஆனால் தயாரிப்பாளரான கவுதம் மேனன், இதுக்குள்ளே என்ன வருமோ. அதை செய்ய சொல்லுங்க என்கிறாராம்.
இரண்டு பேருக்கும் நடுவில் சிக்கிக் கொண்ட சுசீந்திரன், யார் பேச்சை கேட்பது என்று தடுமாறிப் போயிருக்கிறார்.

---

---

i hope this news is rumor - else it only gives credence to the widely-held opinion abt IR's recent intereferences with his directors!

irir123,
In the "post-NA" interview, IR himself talked about his insistence to PR director on his BSO preference.

(IIRC, it was like this - When the producer objected telling "already it's over budget", IR reportedly countered asking "Are you going to film another PR? Isn't it appropriate that we do all possible ornamentation this time?")

Also, it was claimed that IR recommended BSO technicians to visit Chennai for Nandhalala to have "grander" music.

In any case, anyone who follows IR's statements from HTNI times (and more so around TbI period) should know his frequent cribs about the quality of performers at Chennai.

So, I'm not too surprised at this rumor or to the possibilty of it being correct :-)

Having said that, I agree that such insistence could drive away some more producers / directors from him.

However, I'll be happy if he sticks to such demands - even if one or two producers agree, we get a real treat.

Everytime BSO is involved, the resultant score is extraordinary IMO!

But for movies like "ASG" which has lot of nativity, don't know what is relevance of BSO. In "PR" also, lot of fans mentioned about nativity missing. Atleast it involved British actors etc, which was fine.

IR did the same thing for Ramana, but the producer(I think Oscar Ravichandran) refused. Even if IR needs such setup, it should not be brought as surprise in a small budget movies like ASG. Well just my thought. He knows what he is doing.

Out of all this we some times see IR slipping away, while some time manage to give treat. In all of these surprise increase in expenditure will keep people away. As a result we will miss IR.

Quote:

---

Originally Posted by P_R

jaiganes, look at me
listen to the second version here.

Listen to the full song. edutha udanE Arunmozhi's voice will hit you as considerably less attractive than MGS's. But better results may obtain if you hang on till the end.

---

Thanks!!! very good singing by Arunmozhi.
Delightful indeed. The emotions are well brought out - no doubts.
I am not such a hater of Arunmozhi's voice and I always loved the songs he has sung for partheban and that vijay movie chandralekha. I rate his song "Amman kovil ellaame" from Raajavin paarvayile - his best..
Raaja also is his fan - agreed..
I agree on the mallu accent on "Gurunaatharin" - sticks out badly...
in spite of this, I will prefer MGS version - not out of vehmence of sticking to ones guns, but just for this one point (why dont u get to it fast?)

For a character which has underwent extreme training and tutelage in carnatic music, arun mozhi's voice is more "light music" while MGS voice is "Heavier" as it needs to be for classical carnatic singers. What i mean by heavy is that when micro variations of the tune are sung (gamakams), Arun mozhi navigates them rather too precisely, while MGS glides over them without "stopping" on them.
Thats my cupcake - just an opinion....

I didn't realize till P_R posted that the version that I have always heard is that of Arunmozhi!! I mean I knew but didn't realize when Jai had posted that the song was sung by Sreekumar. I haven't heard Sreekumar's version to give my opinion but in case of 'sollayo vaai thirandhu' I prefer the S.Janaki version than the male one.

'sollayo' is an amazing song. Based on Shanmukapriya. Many on Tamil screen have used this to convey joy, happiness and also a sense of energy. Including Raja. Think 'maraindhirundu paarkum', 'pazham nee appa', 'tham thananam', 'thakita thadimi'. Given this background I am always stunned by how Raja has tweaked this raga to so clearly convey the pangs of separation. The 'viraha' aspect is brought out wonderfully by this tune. This song definitely showcases the deep understanding Raja has of sound, wherein he is able to manipulate sound to his requirement, not caring how it was used earlier or how it is supposed to be used.

app_eng / irir123,

I also heard from a good friend in Kerala that some people producing a film were afraid to approach Raja because they felt he may insist on BSO musicians!!! Not sure if that is the general sentiment in the market. It may not be that Raja is interfering with the film but maybe he feels, as app points out, that the current lot of musicians here are not as talented as the BSO folks.

At the same time questions like what prasad_subbu asks about relevance of BSO type music for a village film will be raised. I would obviously have full confidence in Raja in this aspect. (Going by Nandalala's story we may have felt the same as what p_s asks but when I listen to that little clip of Nandalala I am blown away.) I think this is going to be a tug of war in general. With Raja probably wanting some top class musicians to execute his music and the producers feeling it is too costly. Need to see how this works out for 'Azharswami'.

Quote:

---

Originally Posted by Sureshs65

app_eng / irir123,

I also heard from a good friend in Kerala that some people producing a film were afraid to approach Raja because they felt he may insist on BSO musicians!!! Not sure if that is the general sentiment in the market. It may not be that Raja is interfering with the film but maybe he feels, as app points out, that the current lot of musicians here are not as talented as the BSO folks.

At the same time questions like what prasad_subbu asks about relevance of BSO type music for a village film will be raised. I would obviously have full confidence in Raja in this aspect. (Going by Nandalala's story we may have felt the same as what p_s asks but when I listen to that little clip of Nandalala I am blown away.) I think this is going to be a tug of war in general. With Raja probably wanting some top class musicians to execute his music and the producers feeling it is too costly. Need to see how this works out for 'Azharswami'.

---

Unfortunately our producers are not here to make music master pieces, they just want "moozik" for their movies.

இதுக்கு மேல நான் நினைக்கிறத சொன்னா அடிக்க வருவீங்க...ஹ்ம்ம்

Quote:

---

Originally Posted by genesis

Quote:

---

Originally Posted by Sureshs65

app_eng / irir123,

I also heard from a good friend in Kerala that some people producing a film were afraid to approach Raja because they felt he may insist on BSO musicians!!! Not sure if that is the general sentiment in the market. It may not be that Raja is interfering with the film but maybe he feels, as app points out, that the current lot of musicians here are not as talented as the BSO folks.

At the same time questions like what prasad_subbu asks about relevance of BSO type music for a village film will be raised. I would obviously have full confidence in Raja in this aspect. (Going by Nandalala's story we may have felt the same as what p_s asks but when I listen to that little clip of Nandalala I am blown away.) I think this is going to be a tug of war in general. With Raja probably wanting some top class musicians to execute his music and the producers feeling it is too costly. Need to see how this works out for 'Azharswami'.

---

Unfortunately our producers are not here to make music master pieces, they just want "moozik" for their movies.

இதுக்கு மேல நான் நினைக்கிறத சொன்னா அடிக்க வருவீங்க...ஹ்ம்ம்

---

We all are quite thick skinned around here...
kanna pinnaannu pesuvom, adiyellaam inge available illai.

http://ragamanjari.blogspot.com/

Nice song.. NIce write up.........

I saw Isai aruvi awards and saw IR praising Shruthi Hassan..pavam IR had to do it for the sake of Kamal..all of us know shruthi hassan's tamizh is horrible...

Shruthi illamal isai undo....IR......podu vizhakkal apperance vendame
Prasad studios is ur world..

Can anyone throw more light on this album: http://expressbuzz.com/entertainment...es/218305.html

light a .. the MD was Vijay Antony , guess it was a mistake !

http://tamil.galatta.com/entertainme...ber_44100.html

Quote:

---

Originally Posted by raagas

Can anyone throw more light on this album: http://expressbuzz.com/entertainment...es/218305.html

---

MD for YY is Vijay Antony. Art director of this move is Ilaiyaraja.

A snippet of #Ilayaraja's "Jagadaananda kaaraka' (Sri Rama Rajyam, @shreyaghoshal, SPB) http://www.youtube.com/watch?v=jjDAqxsSbDs#t=3m34s

Thanks Teja. Surprised that they (dont know if the producers or Tv9) got hold of movie sound track to play for the program :). The veena bit impressed. Tune sounds pleasant as well.

thanks,

Krishnan

Here's the full song: http://bit.ly/g7pEKw

Totally in love with this song. What a melody!

http://www.images.behindwoods.com/ph...-thanu-10.html

Interesting..Raja Finds time to attend Kalaipuli Thanu's son wedding and looks like thanu showed some special "Ubasarippu" for him...

In today's Times Of India review, Nandalala rating is 4.5 /5

It further adds that it is the best movie of the year

Raaja :D 's movie is big plus including songs

It is true- the ASK story of Raaja suddenly asking for more budget because he wants to bring in musicians from Budapest.

He agreed to a total package of Rs.50 lacs. And this whole film has to be sold only on the name of Suseendiran. And it is an experimental film with no star cast. And natually it will have a limited business prospects. Hence our man suddenly hiking the music budget is some thing this project can not bear.

More over, what is the need for insisting on these few players from Budapest even when the budget does not permit? After all, you have done 99.9% your movies with local musicians, right?

In fact recently, he lost another movie to GV Prakash because of such going back on his words.

There is a movie produced by Punnagai Poo Geetha, a new lady is the director, forgot her name. Originally Raaja agreed for 40 lacs as a package. Then he slowly started brain washing the director that the story is too good, and to make it a good finished product, he needs another 20 lacs bla bla...the usual story. That director tried her best and finally gave up and went to GV and who has agreed to do it for 30 lacs.

Now don't tell me, that GV can not be compared with what Raaja could have done. At the end of the day, it is business. And all elements of the costing should be in relation to the possible business of the finished product. That lady director and the producer know very well that Raaja will add more weight to the RR. But then they will be finishing the product with a table loss, which they can not afford.

Even for Nandalala, the original package was for Rs.40 lacs. Then mid way thru he increased to Rs. 60 lacs because he brought in four players from Budapest.

Now the question is, whether what he achieved with them, is some thing he could not have done with available talents here, right?

karlkalyan,
When you ask "what he achieved with them ? " - It is very difficult to explain . The effect of Background score in a film is very subtle and can be appreciated where the background score was bad , as if its good, the effect is pronounced on the viewing of the film rather than on the music .

You can see the effect in Heyram, Pazassi Raja, Lajja and many other movies : The grandeur can never be accomplished with the small sized orchestra here .

As far as GV/IR stuff , one has to see what IR would have done with the hungary muscians if budget allowed . Merely finishing a project on budget doen't ensure that the resultant quality is the best !
And above all , Raaja's suggestion was more for making the movie better and not for pocketing ( i hope so ) .

karlkalyan,

From what I saw last year, Raja has done lot of music for films like 'Kannukulle', 'Madhiya Chennai', 'Jaganmohini', 'Valmiki' etc where no foreign artists were involved. He probably saw the movie and decided that such music was not necessary. Whereas when he saw 'Nandalala' he had asked for foreign musicians and we can feel the impact even in the trailer. And if you go by all the reports coming in, music is a major highlight of the film. My feeling is that Raja is probably sure that Suseendran has done a good movie and deserves high quality BGM. Maybe if 'Nandalala' is successful, it may inspire Gautam Menon to go in for such orchestration?

Boss,

You have to do music with the available resources, which the budget can permit. Just because you feel like that, you can not say only an addition from Budapest will add to the weight of the RR music. That is not fair. Particularly when you have accepted the assignment for a particular budget.

Gautham has said that for this film ASG, he can not afford, and so they are sticking to the orginal budget. More over this film has just three songs. And the RR. Just because you feel some thing, you can not keep on asking for more in the name of enhancing the quality of your RR. I will say, please do your best with what is available here. And that is what you have been doing till now, right?

Even considering that addition, what difference that would have made?

For Nandalala, he had a solo violin, oboe, and a Brass player. This is not some thing that he could not have managed here with his regular resources. Don't tell me that quality of the live Oboe would have been better than a Oboe from his synthesizer. But then that is where your strength comes right? Producing the best with available resources. And the skill set available is not that bad. They may not able to play the kind of score played effortlessly by Budapest gang continously. Because those guys are trained in WC and mostly for concert performances. But our guys, who are all trained WC musicians but mostly working in studio session works, can play that also but with breaks. That is all. So please don't under estimate the skill of our home crowd.

Quote:

---

Originally Posted by karlkalyan

Boss,

You have to do music with the available resources, which the budget can permit. Just because you feel like that, you can not say only an addition from Budapest will add to the weight of the RR music. That is not fair. Particularly when you have accepted the assignment for a particular budget.

Gautham has said that for this film ASG, he can not afford, and so they are sticking to the orginal budget. More over this film has just three songs. And the RR. Just because you feel some thing, you can not keep on asking for more in the name of enhancing the quality of your RR. I will say, please do your best with what is available here. And that is what you have been doing till now, right?

Even considering that addition, what difference that would have made?

For Nandalala, he had a solo violin, oboe, and a Brass player. This is not some thing that he could not have managed here with his regular resources. Don't tell me that quality of the live Oboe would have been better than a Oboe from his synthesizer. But then that is where your strength comes right? Producing the best with available resources. And the skill set available is not that bad. They may not able to play the kind of score played effortlessly by Budapest gang continously. Because those guys are trained in WC and mostly for concert performances. But our guys, who are all trained WC musicians but mostly working in studio session works, can play that also but with breaks. That is all. So please don't under estimate the skill of our home crowd.

---

Lol... If movie doesnt demand IR, go to GKV or even come to me. I will do it for 2L!

If movie demand IR, 40 or 60L is not a matter at all. Remember, we are in the world where the scams have reached 17trillion rupees (probably biggest scam in the world)... so 60L is nothing these days.

business or no business - if one needs quality, then one has to shell out money - when artistes are making crores doing unartistic game shows, what is wrong in a genuine artiste asking for 20 lakhs to enhance the quality of a 'product' ?

we have production houses spending lakhs for an audio release function somewhere overseas, when the quality of the audio being released itself does not demand such a hype, right ?

so why not spend a few more lakhs for quality that will stand the test of time ?

karlkalyan,

Whether the producer agrees or not, it is his / her prerogative. The music director can tell his preference and later I guess it is upto the producer. So why jump on the music director for having suggested it. As you say, Gautham Menon wants to stick to his budget and maybe Raja will do the movie as per the budget. And there ends the matter.

I think lot of people may not be in agreement with you that the Oboe that emanates out of the synthesizer is equivalent to an acoustic one. So I guess we will disagree here. similarly, I would think that Raja knows a thing or two about the playing of the Hungarian musicians vis-a-vis our musicians. As I had said earlier, he is using our musicians wherever he can and wants to bring in top quality foreign musicians only when required.

irir123 has hit the nail on the head. I read a joke in Anantha Vikatan today. The director is telling someone, "This is a complete village subject film. The music release will be held overseas." The amount of money being spent on marketing is enormous nowadays. The motto seems to be "Forget the quality of the product per se. Lets get some good marketing tamasha going on." Raja asking for better musicians is akin to a cameraman asking for better lens. The impact on quality is bound to be high. If the producer chooses not to, as I said it is his / her right. The ultimate losers is people like us.

@karlkayan - To give you a history trip...
Raaja is the most whimsical egoistic person on this whole planet earth. He is in fact Darth Vader incarnate. This has been already established in "the hub". So try finding new evidence that can elevate his position in history of villains even more. The accusations you are making are much too soft on him. Try something harder.

Quote:

---

Originally Posted by jaiganes

@karlkayan - To give you a history trip...
Raaja is the most whimsical egoistic person on this whole planet earth. He is in fact Darth Vader incarnate. This has been already established in "the hub". So try finding new evidence that can elevate his position in history of villains even more. The accusations you are making are much too soft on him. Try something harder.

---

hahahaha.. Nice reply..... hahahahahahhahahahaha......

:thumbsup: :bluejump: :bluejump: :bluejump:

First I should thank for my friends who analyse and support Raja in good faith in this hub.

Now , Again in Nandalala , Raja Sir proved single handed that he is ultimate in flim music. I was worried that may 2010 go without any jewels in his crown , but it is wrong. Happy to see the movie reviews.

Here is the one from Behindwoods.com

"In all these portions the words that are left unsaid are magnificently conveyed by Ilaiyaraja’s notes. Mysskin had said during the making of the movie that Ilaiyaraja’s score will be one of the characters of the movie; how true. Each and every sound from the master elevates the movie to a new level. Oscar or not; he is the ultimate genius when it comes to creating soulful music that enhances the viewing experience"

I am trying my luck to watch the movie in theatre ,,,, in middle east.

Long live Raja sir :cheer:

நண்பர்காள்,

வம்பு இருக்கட்டும். 20 லட்சச் சண்டைக்குப்பிறகும் அழகர்சாமி குதிரைக்கு இசையமைப்பாளர் ராஜாதானே? ஐயா முறைச்சுகிட்டு வெளியே வந்துடலியே? அவங்க இவரை விட்டுட்டு தேவிஸ்ரீபிரசாத்கிட்ட ஓடிடலியே? அதைமட்டும் யாராச்சும் உறுதி செய்யுங்க ப்ளீஸ். ரொம்ப டென்ஷனாக்கீது! :)

NagaS

Quote:

---

Originally Posted by Sureshs65

karlkalyan,

Whether the producer agrees or not, it is his / her prerogative. The music director can tell his preference and later I guess it is upto the producer. So why jump on the music director for having suggested it. As you say, Gautham Menon wants to stick to his budget and maybe Raja will do the movie as per the budget. And there ends the matter.

I think lot of people may not be in agreement with you that the Oboe that emanates out of the synthesizer is equivalent to an acoustic one. So I guess we will disagree here. similarly, I would think that Raja knows a thing or two about the playing of the Hungarian musicians vis-a-vis our musicians. As I had said earlier, he is using our musicians wherever he can and wants to bring in top quality foreign musicians only when required.

irir123 has hit the nail on the head. I read a joke in Anantha Vikatan today. The director is telling someone, "This is a complete village subject film. The music release will be held overseas." The amount of money being spent on marketing is enormous nowadays. The motto seems to be "Forget the quality of the product per se. Lets get some good marketing tamasha going on." Raja asking for better musicians is akin to a cameraman asking for better lens. The impact on quality is bound to be high. If the producer chooses not to, as I said it is his / her right. The ultimate losers is people like us.

---

at the risk of sounding judgemental, I must say that most of the desi makkals I have encountered here in the US have very superficial preferences regarding anything - there is no deep-rooted passion to learn/understand/appreciate things - be it art, science or sport - IMO, a substantial percentage of the 'see-it-now-forget-it-thereafter' makkals get very easily swayed by glitzy marketed products rather than objectively looking at things and deciding for themselves whether they like it or not!

Jai, not so fast. Everything raja was targetted for, people are defending their own idols on the same count now :lol:
You feel the mosquito only when it pinches you.
The established norms for humility etc are gettting broken now.
Mainstream media will continue to be conservative but what of that? We have our small victories

irir123,

Forget people coming to US. It is exactly the same here. As I wrote in a brief review of one recent album / bgm of a famous film, "Technology at his disposal, money at his disposal and the music director creates disposable music." How to recover the money over the first weekend is the general problem now, for Bollywood, Kollywood or Tollywood. So the quality is looked into only if it adds to the sales. Else you can always have a great launch!!!

Quote:

---

Originally Posted by irir123

very superficial preferences regarding anything - there is no deep-rooted passion to learn/understand/appreciate things - be it art, science or sport

---

<digression>

Thats the definition of "desi", be it here in US or in India. Desi world start and end in "Bribe/Money-Movie-Sex-Cricket".

Happened to be in TN last week, OMG. Here I am, fighting to remove a T-Mobile tower near our area (risk to child and nervous system in general), there in Chennai, there is a huge marketting going on to install CellPhone tower in your own home (motta maadi) for Rs 5000. Next page, there is an ad for reversing the effect (towerukku thaayaththu kattidaraangapa!). Unfreaking believable.

God only save our people from such madness!

</digression>

To all the doubters, a very nice interview of Raja by Myskkin. Same questions as asked here asked and answered. Gives a clear idea of Raja's understanding of cinema and of BGM.

Our Sanjeevi posted the link in twitter. Here it is:

http://tamil.techsatish.net/file/illayaraja-3/

Quote:

---

Originally Posted by Sureshs65

To all the doubters, a very nice interview of Raja by Myskkin. Same questions as asked here asked and answered. Gives a clear idea of Raja's understanding of cinema and of BGM.

Our Sanjeevi posted the link in twitter. Here it is:

http://tamil.techsatish.net/file/illayaraja-3/

---

Yes, that's an excellent interview. The most interesting part to me, especially when Mysskin tells that for a scene he wrote 4 pages of dialogue when a son comes to meet the mother. He even tried taking that shot some 20 times and admits that he failed as a director and writer and decides only music can talk at sub-text level, not the dialogues, for such scenes. :clap:
And the whole background score prior to above discussion (for the same scene, I think, which they were talking about), scintillating :2thumbsup:

IR listed in Shah Rukh's Ra.One in which Sukhwinder sings a song. Onnum puriyaliye...!

http://en.wikipedia.org/wiki/Ra.One lists IR and Hans Zimmer... :omg:

Sukhwinder sings in Ra.One under IR.. http://www.hindustantimes.com/Sukhwi...e1-582118.aspx

Am I late in these news? Indhiyavukku sudhandhiram kedachaachaa?

Quote:

---

Originally Posted by kingvj

IR listed in Shah Rukh's Ra.One in which Sukhwinder sings a song. Onnum puriyaliye...!

http://en.wikipedia.org/wiki/Ra.One lists IR and Hans Zimmer... :omg:

Sukhwinder sings in Ra.One under IR.. http://www.hindustantimes.com/Sukhwi...e1-582118.aspx

Am I late in these news? Indhiyavukku sudhandhiram kedachaachaa?

---

incorrect news reports.
no need to worry.

http://urssimbu.blogspot.com/2010/11/blog-post_28.html


இந்தப் பாடலைக் கேட்கும்போது நம்மையறியாமல் கண்கள் குளமாவதைத் தடுக்க முடியாது, அந்தளவுக்கு நெகிழ்ச்சியும் உணர்வுகளும் கலந்து நம்மை
உருக்கமாய் உணர்வுகளூடே பயணித்து கரைய வைத்திருக்கிறார் ராகதேவன் பாடல்களுக்கு இடையே வரும்( interlude) இசை கூட நம்மை ஏதோ செய்கிறது,மற்றொன்று ராகதேவனின் குரல்,இந்தப் பாடலை ராஜாவைத்தவிர வேறு பாடகர்கள் பாடினால் இந்தளவுக்கு நம்மை உருக்கமாய் நெகிழவைத்திருக்க முடியுமா என்பது சந்தேகம்தான், அந்தளவுக்கு ராஜாவின் குரலும் ஜீவனும் நம்மை கட்டிப்போடுகிறது.