Whoa!! That's good news. Indha hub his-story laye indha padam enaku mattum dhan pudichirunduchu.
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Whoa!! That's good news. Indha hub his-story laye indha padam enaku mattum dhan pudichirunduchu.
insightful...AMC kills it with their compression :banghead: if only it was on HBO :neutral:Quote:
Originally Posted by kid-glove
ASC did a two part podcast about Slovis's work on BB
http://www.theasc.com/podcasts/ac_po...matography.mp3
http://www.theasc.com/podcasts/ac_po..._Directing.mp3
more ASC podcasts here
http://itunes.apple.com/us/podcast/a...ts/id259748235
I'll never forgive AMC for pulling the plug on Rubicon..
http://anygoodshow.com/wp-content/bl...v_dexter27.jpg
Was watching some episodes of Dexter - Season 6 on Star world. Not bad at all. Mike'y still holds the show on his shoulders. Always liked the conversations between him and Bynie.
http://billwardwriter.com/wp-content...rison-baby.jpg
Hope season 7 has more confrontations and they do a killer trailer like they did for S6 last year.
'kaali ADHU :smokesmirk:
From kg's linkQuote:
The next day, the first season arrived, and I sat down to watch it, and watched all seven episodes in a row. Literally, before the teaser of the first episode was over, I turned to [my wife] and go, "Oh my God. I want to do this show!" I was recommend by my friend Adam Bernstein, who directed episodes two and three of the first season, and even since then, I’ve been integrated -- sucked in, if you will -- by Vince Gilligan.
Quote:
"The silhouette of the fly on the hellish red-orange light of the smoke alarm. It's the very last shot of "Fly." So haunting. It echoes perfectly Walter's admission that "everything's contaminated." I think if I forgot the whole rest of the show I would remember that shot." —dfault, commenter
http://pixel.nymag.com/imgs/daily/vu.../a_560x375.jpg
VG interview from Rolling Stone..connect the dots :)
http://www.rollingstone.com/movies/n...eason-20120906Quote:
You've said that Walt really got out of his meth operation at the end of the episode – but do you know how he did it?
We are oddly still working that out. In my mind, Walt is out, but the exact specifics of how he extricated himself – basically, the boss coming in one day in to the boardroom, so to speak, and saying to his inner circle, "Well, this is it for me. I'm retiring." The specifics of that, so to speak, are something that's still a bit of a work in progress, and six writers and myself are back now in the room working out the final eight episodes. That is one of the things that I hate to even admit how many hours we spent talking about, just dozens of hours already talking about how Walt extricates himself. At the point of the end of that last episode, it's already happened, but we're talking about, "In the final eight – do we need to show that moment of him quitting? Do we not?" I don't feel like I'm giving anything away to say that we still don't know ourselves. We're still talking all that through.
In my cover story, Bryan Cranston mentioned that he asked you a bunch of questions about the flash-forward. When he asked, "Why am I back?" you told him, "To protect someone." Is that an answer that you're gonna stick with?
I wouldn't shy away from sticking with that, just because it's been in print, but we really are – we're questioning everything at this point. It doesn't give me great pause to have that out there. But having said that, we're not, at this point, afraid to change it, either. Our prime directive here – our mandate – is to make the ending as satisfying and as dramatic as possible. To that end, we've got a lot of good ideas, I feel, but any minute that a better idea comes along, we'll jettison the good idea for the better idea, no matter where it may take us. So could go either way. Could wind up being exactly that, or could be something different.
There's a scene in the finale of Walt being scanned for cancer. Have you decided whether it's back?
The best way I can put it, not to be overly coy, but we're gonna do our best to address everything there is left to address in the final eight episodes, and the cancer is probably chief amongst those items on the list, because it is the plot device that got the show going in the first place. So we definitely have not forgotten about it and, yeah, there's a scene at the end of – in act four of that last episode that speaks to something. Definitely left for the audience to interpret.
Isn't it back again? He also gazes over the punched steel box in the loo.
Parade's end. - Few years after Jane Eyre, Susanna White gets the dynamics of man-woman relationship spot on again
http://pbs.twimg.com/media/A2SUhlUCYAAHzEY.jpg:large
And of course, like Jane Eyre, the detailed landscape and production values.
http://pbs.twimg.com/media/A2SVns8CUAAbRFh.jpg:large