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Hey thanks maddy, that made me feel better. But still lets not compare other MDs to Rahman because Rahman is much better than other MDs, this does not include legends like IR and MSV (for me these 3 MDs are equal). Therefore his fans should also act much better than other MDs' fans.
here is SOK webstie
http://www.sillunuorukaadhal.com/
its established
True words Thinesh........... :yessir: count me in :yessir:Quote:
Originally Posted by thineshan54321
very true, but wat ARR is for us, YSR is for his fans..........we need to respect all d guys but appadi irukka vidu maatannunga sila silimisham pudicha dariyalgal.......Quote:
Originally Posted by thineshan54321
How abt mp3s ripped at 320 kbps and Altec Lansing 5.1 :wink:Quote:
Originally Posted by thineshan54321
J/K.... :roll:
Hey villain 007, isnt the audios stereo, so does it matter if you have 5.1? I have 5.1 also but its useless for stereo right? I am not too sure, please clarify. I have logitech 5.1 its awesome for DVDs
munbe vaa en anbe vaa
oone va uyire va
munbe vaa en anbe vaa
poo poovaai poo poovaai
naan naana? kaetten ennai naane
naan neeya? nenjam sonnathey
munbe vaa en anbe vaa
oone va uyire va
munbe vaa en anbe vaa
poo poovai poopoam vaa
rango rangoli
koalangaL nee poattaal
koalam poattavaL kaigaL vaazhi
jal jal
rango rangoli
koalangal nee poattaal
koalam poattavaL kaigaL vaazhi
sundara malligai sandhana malligai
sithira punnagai vannam intha
aaaahh ohhhh aaaah
poovaithai poovaithai
nee poovaikkoar poovaithai
maNa poovaithu poovaitha
poovaikuL thee vaithaai
Ohhhh…ohhhhhh
thaeney nee mazhaiyil aada
naan maan naan nanainthen vaada
en naaLaikkuL un ratham naadikuL un satham
Ho…
poarum oru sila naaLum
thaniyenaa aada tharaiyinil neendhum
(munbe)
nilavidam vaadagai vaangi
vizhi veetinil kudi vaikkalaama
naan vaazhum veetukul
veraarum vanthaley
thagumaaaa……
then malai thaekukku nee dhaan
unthan thoLgaliL idam tharalama
naan saayum thoaLmel vaeroruvar saainthaley…
thagumaa…
neerum sengula chaerum
kalanthathu poley kalanthavar yaar
(munbe vaa en anbe vaa)
http://prabhukrish.net/2006/08/04/munbe-vaa-lyrics/
நியூயார்க் நகரம் உறங்கும் நேரம் தனிமை அடர்ந்தது
பனியும் படர்ந்ததே
கப்பல் இறங்கியே காற்றும் கரையில் நடந்ததே
நான்கு கண்ணாடி சுவர்களுக்குள்ளே நானும் மெழுகுவர்த்தியும்
தனிமை தனிமையோ தனிமை தனிமையோ கொடுமை கொடுமையோ
(நியூயார்க்)
பேச்சு எல்லாம் தாலாட்டு போல என்னை உறங்க வைக்க நீ இல்லை
நிலவின் ஒளியில் முத்தம் தந்து காலை காபி கொடுக்க நீ இல்லை
விழியில் விழும் தூசிதன்னை நாவால் எடுக்க நீ இங்கு இல்லை
மனதில் எழும் குழப்பம்தன்னை தீர்க்க நீ இங்கே இல்லை
நான் இங்கே நீயும் அங்கே இந்த தனிமையில் நிமிஷங்கள் வருஷமானது ஏனோ
வான் இங்கே நீலம் அங்கே நீலம் அங்கே இந்த உவமைக்கு இருவரும் விளக்கமானது ஏனோ
ஓஓஓஓஓஓஓஓஓஓஓஓஓ
(நியூயார்க்)
நாட் குறிப்பில் தினம் நூறு தடவை உந்தன் பெயரை எழுதும் என் பேனா
எழுதியதும் எறும்பு மொய்க்க பெயரும் ஆனெதன்ன தேனா
ஜில் என்று பூமி இருந்தும் இந்த தருணத்தில் குளிர் காலம் கோடை ஆனது ஏனோ
வா அன்பே நீயும் வந்தால் செந்தணல்கூட பனி கட்டி போல ஆகுமே
(நியூயார்க்)
Song: Munbe Va
Lyrics: Kavignar Vaali
Music: Isai Puyal A.R.Rahman
Singers:Shreya Ghoshal,Naresh Iyer
Movie:Sillunu Oru Kadhal
[music ]
[ shreya ]
Munbe Vaa En Anbe vaa
Oone va uyire va
Munbe Vaa En Anbe vaa
Poo poovai poopom vaa
Naan naana kaytane ennai naane
naan.... neeya, nenjam sonnathey..
Munbe Vaa En Anbe vaa
Oone va uyire va
Munbe Vaa En Anbe vaa
poo poovai poopom vaa
[chorus]
Rango Rangoli
Kollangal nee potal
kollam potava kaigal vazhi
Jal jal
Rango Rangoli
kollangal nee potal
kollam potava kaigal vazhi
Sundara maligai sandhana maligai
sithira punagai vannam intha [or enna?]
[shreya]
Ah....
Poovaithai poovaithai
Nee poovai-kor poovaithai
Mana poovaithu poovaitha
poovaikul thee vaithai
Ohhhh...
[ Naresh ]
Theyney nee malaiyil aada
Naan maan naan nanainthen Vada
En nalathil un ratham nadikul un satham
Yeah..Ho...
[shreya]
Porum Oru Silai Naalum
thaniyana naal tharaiyinil neengum [Possible Error]
Munbe Vaa En Anbe vaa
Oone va uyire va
Naan naana kaytane ennai naane
[naresh]
Naan naana kaytane ennai naane
[shreya]
Munbe Vaa En Anbe vaa
poo poovai poopom vaa
[ music interlude]
[naresh]
Nilavidam vadagai vaangi
Vizhi veetinil kudi vaikalama
naan vazhum veetukul
verarum vanthaley
Thagumaaaa......
[shreya]
Then malai thaykathu nee thaan
unthna thozhgalil idam tharalama
naan saayum tholmel verorum saainthaley...
Thagumaa...
[naresh]
Neerum sengula cherum
kalanthathu poley kalanthavar yaar
[shreya]
Munbe Vaa En Anbe vaa
Oone va uyire va
Munbe Vaa En Anbe vaa
poo poovai poopom vaa
[naresh]
Naan naana kaytane ennai naane
Naan.... neeya, nenjam sonnathey
Munbe Vaa....
[shreya]
Munbe Vaa En Anbe vaa
Oone va uyire va
Munbe Vaa En Anbe vaa
poo poovai poopom vaa
[chorus]
Rango Rangoli
kollangal nee potal
kollam potava kaigal vazhi
Jal jal
Rango Rangoli
kollangal nee potal
kollam potava kaigal vazhi
Sundara maligai sandhana maligai
sithira punagai vannam intha
Rango Rangoli
kollangal nee potal
kollam potava kaigal vazhi
[vaimsathu?]
Jal jal
Rango Rangoli
kollangal nee potal
kollam potava kaigal vazhi
Sundara maligai sandhana maligai
sithira punagai vannam intha.
http://in2mind.blogspot.com/
SOK – Music review by and for dummies!!
Even before I start writing this review, let me declare with all certainty that I am a hardcore dummy as far as music is concerned. Let me also state that I am one of the millions who think that it’s a privilege to be born in a country that has given birth to a musical genius, Allah Rakha Rahman.
With a strong thought of encouraging each of its visitors to write about and review music, Behindwoods.com has come up with this new concept of ‘Music reviews by and for the dummies’.
I feel proud to be the first one to contribute. Hope everyone who feels passionate about music does chip in with their contributions.
The first thing that I heard in the album was a mesmerizing music, something which I was listening for the very first time. I kept wondering what instrument was making such music, is it a natural one or is it one of those huge electronic gadgets that Rahman is so instantly identified by. I wanted to rewind to the start and listen to the music all over again, but the angelic voice of Shreya Ghosal kept me going on, and then I realized how stupid I would have been if I had gone to the beginning as its now the new melody kid, Naresh Iyer who is welding the megaphone. The combination is heavenly. The God’s music, the messengers’ voice and the pleasantly interlacing background chorus were a treat to my ears. Yeah, yeah, I am talking about Munbe va, easily one of Rahman’s master pieces. By now I had listened to the song three times and I am still pondering over the music instrument. Is it Santur, Sitar, Rabab or the Tarang, someone help me out!!!
Just for the sake of curiosity, has he played this tune earlier in any of his live shows???
I have read that the wizard starts with the central tune of the song and then keeps on adding these ‘Rahman’s elements of magic’ (REMs) to it till he gets satisfied. He keeps working on the song over a period of time adding and removing REMs at will. I think these REMs are the ones that strongly keep his music away from sticking on to our memory and force us to listen to it again and again till the tunes sink into us. How does he manage to create such tunes out of thin air?!!
Finally, I move on to the next clip, New York nagaram, with lots of expectation and with bated breath. The song does a perfect job of continuing the good work of Munbe va. The tune is definitely something new to Indian cinema. It’s refreshing, mellifluous and soothing. For someone who was sitting in a room all alone, it stuck the chord straight away. Rahman has got into this mode of grabbing the songs he feels very passionate about, for himself. The musician in him every time overshadows the excellent singer he is.
The ease with which he renders those high pitches will make any singer turn green. A song completely dominated by the guitar has its REMs too. The excellent chorus peeping out constantly, the key board coming into play after a while and the haunting sounds in the background add the vintage Rahman touch to the song. But the most interesting aspect of the song would be the subtle cop sirens added in the background, typical of the great New York City.
SOK – Music review by and for dummies!!
Even before I start writing this review, let me declare with all certainty that I am a hardcore dummy as far as music is concerned. Let me also state that I am one of the millions who think that it’s a privilege to be born in a country that has given birth to a musical genius, Allah Rakha Rahman.
With a strong thought of encouraging each of its visitors to write about and review music, Behindwoods.com has come up with this new concept of ‘Music reviews by and for the dummies’.
I feel proud to be the first one to contribute. Hope everyone who feels passionate about music does chip in with their contributions.
The first thing that I heard in the album was a mesmerizing music, something which I was listening for the very first time. I kept wondering what instrument was making such music, is it a natural one or is it one of those huge electronic gadgets that Rahman is so instantly identified by. I wanted to rewind to the start and listen to the music all over again, but the angelic voice of Shreya Ghosal kept me going on, and then I realized how stupid I would have been if I had gone to the beginning as its now the new melody kid, Naresh Iyer who is welding the megaphone. The combination is heavenly. The God’s music, the messengers’ voice and the pleasantly interlacing background chorus were a treat to my ears. Yeah, yeah, I am talking about Munbe va, easily one of Rahman’s master pieces. By now I had listened to the song three times and I am still pondering over the music instrument. Is it Santur, Sitar, Rabab or the Tarang, someone help me out!!!
Just for the sake of curiosity, has he played this tune earlier in any of his live shows???
I have read that the wizard starts with the central tune of the song and then keeps on adding these ‘Rahman’s elements of magic’ (REMs) to it till he gets satisfied. He keeps working on the song over a period of time adding and removing REMs at will. I think these REMs are the ones that strongly keep his music away from sticking on to our memory and force us to listen to it again and again till the tunes sink into us. How does he manage to create such tunes out of thin air?!!
Finally, I move on to the next clip, New York nagaram, with lots of expectation and with bated breath. The song does a perfect job of continuing the good work of Munbe va. The tune is definitely something new to Indian cinema. It’s refreshing, mellifluous and soothing. For someone who was sitting in a room all alone, it stuck the chord straight away. Rahman has got into this mode of grabbing the songs he feels very passionate about, for himself. The musician in him every time overshadows the excellent singer he is.
The ease with which he renders those high pitches will make any singer turn green. A song completely dominated by the guitar has its REMs too. The excellent chorus peeping out constantly, the key board coming into play after a while and the haunting sounds in the background add the vintage Rahman touch to the song. But the most interesting aspect of the song would be the subtle cop sirens added in the background, typical of the great New York City.