Full Song...
https://www.youtube.com/watch?v=TLop2gaKwhw
Full Song...
https://www.youtube.com/watch?v=TLop2gaKwhw
I said it in general..I never pinpointed US ;) It includes all over....Ajith's film publicity is driven mainly by we fans rather than the promotions by the production house....Quote:
Originally Posted by Freedom
Yennai Arindhaal 3rd week with daily 3 shows in NC..not usual.. :clap:
towards the end, ajit's moustache looks very thick..is that real? In KAAka kaaka, surya had ottu meesai in many scenesQuote:
Originally Posted by parthiru
'Yennai Arindhaal': Factors Working in Favour of Ajith's Film at Box Office
- Prakash UpadhyayaFebruary 21, 2015 11:36 IST
Ajith's "Yennai Arindhaal" has emerged as an above-average hit at the box office by the end of the second week. The Tamil movie has earned more than ₹80 crore in its two-week run in theatres.
"Yennai Arindhaal" stars Ajith, Trisha, Arun Vijay and Anushka Shetty in key roles. It is produced by AM Rathnam and directed by Gautham Menon.
It's time now to take a look at factors that are working in favour of the Tamil movie at the box office.
Factor 1: The biggest factor for "Yennai Arindhaal" is the presence of Ajith. Had he not been featured in the movie, it would not have done good business at the box office. He is the biggest attraction in the Tamil film.
Factor 2: Gautham Menon has built his own fan base over the years with his classy films. The director's movies attract both the youth and multiplex audiences. This is the second big factor in pulling audiences to watch "Yennai Arindhaal".
Factor 3: While the masses have enjoyed the action quotient in "Yennai Arindhaal", others are impressed by its good storyline, which also has the sentimental angle of father-daughter relationship.
Factor 4: Trisha's role has been well-written and her chemistry with Ajith has worked big time in "Yennai Arindhaal". Their romantic scenes have impressed both the youth and family audience.
Factor 5: Arun Vijay has got a big break with "Yennai Arindhaal" as a baddie. Indeed, he completely steals the show in the second half. His fans are thronging theatres to watch their favourite star sharing screenspace with A-list star Ajith.
Factor 6: Harris Jayaraj's good music, backed with Dan Macarthur's brilliant cinematography is another reason that is working for the box office success of "Yennai Arindhaal".
Link - http://www.ibtimes.co.in/yennai-arin...-office-624116
3 days munnale, YA was collosal flop , 15C loss nu oruthan potaan.
Innaiku theatre owners and distributors are happy nu podraan...... en intha asingam.
Haters are eating humble pie!
Many more haters will eat many more humble pies!!
Freedom - which news source are you referring to? Or is it the hub? :wink:
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Baradwaj Rangan
“Yennai Arindhaal”… A first-rate Ajith movie
Spoilers ahead…
Before we begin to discuss Yennai Arindhaal as a Gautham Vasudev Menon film, we need to discuss it as an Ajith film – because he’s the elephant and you can’t get a proper look at the rest of the room without regarding him first. On the surface, this is very much a mass-hero movie, with Ajith playing a cop named Sathyadev. The opening-credits sequence is filled with macho imagery – a knife, sticks of dynamite, a gun, bullets, one of those stars that cops pin onto their uniforms. But there are no action sequences where villains are sent flying into the air, and the fights don’t slow down for masturbatory slo-mo frames. There’s a comedian in Vivek. But he’s kept in check. He makes an audience-rousing crack about Ajith’s salt-and-pepper look, but he isn’t given a separate comedy track. There are two heroines – software engineer Thenmozhi (Anushka), and a dancer named Hemanika (Trisha; the character seems to have been styled after Shobana, especially when she’s called “naatiya peroli,” which is what Shobana’s aunt Padmini was called). But there are no duets, and one of the meet-cutes involves vomit while the other one features a woman in labour. Both these heroines speak fluent English. But the hero does too, and he isn’t apologetic about it. In fact, he doesn’t seem to care much about the kind of things that our filmmakers think audiences in the B- and C-centres care about. When we first see Sathyadev, he’s flying Business Class.
You could point to Menon’s earlier cop films – Kaakha Kaakha and Vettaiyaadu Vilaiyaadu – and say that those heroes did some of these things too. But Suriya was just starting out when he did Kaakha Kaakha. The “mass” image he has today, that wasn’t there then. He was just an actor. As for Kamal Haasan, well, he can get away with playing the tray in the hands of the stewardess in Business Class. We expect him to be different. But for Ajith, at this stage of his career, with his kind of following, to play Sathyadev this way – it’s a surprise. An exceedingly pleasant one. It’s a surprise that he’s made a movie where his virility is on display in his professional life but not in his personal life. I’m talking about the plot point that extends – rather, extrapolates on – the one in Vettaiyaadu Vilaiyaadu that had the hero, Raghavan, fall for a woman with a young daughter from a bad marriage. (The track in Yennai Arindhaal is a what-if riff, as in: What if the Jothika character died and left Raghavan to raise her daughter?) Like the Jothika character in that film, Hemanika worries if this man who wants to be her husband will also be a father to her daughter. But unlike Raghavan, Sathyadev promises that there won’t be any more children, even if means frequent trips to the medical shop. This is a joke about sex, and it’s tossed off so casually, I missed it when I first heard it – it took me a couple of seconds to realise what he was saying. This is no small thing. Think back to Yejamaan, for instance – the entire film revolved around the Rajinikanth character’s ability to father a child. Or even consider Vettaiyaadu Vilaiyaadu. We are told that Raghavan’s wife was pregnant when she died. But this isn’t just an intimation of tragedy. This is also an indication that this cop wasn’t shooting blanks. There’s nothing like that in Yennai Arindhaal. I’m not saying that these considerations automatically make a good movie. I’m just saying that, given this star at this stage of his stardom, Yennai Arindhaal is practically Elippathayam.
Now to the Gautham Vasudev Menon film. By now, you’re either a fan of this director or you aren’t, and Yennai Arindhaal doesn’t try to make you change your mind. If you love his Ilayaraja worship, you’ll love the line that references Thaalattuthey vaanam. And if you hate Menon’s style of shooting songs where, within the same song, some of the lyrics are lip-synced while the others play over mood moments, you’ll find more to hate here. But even non-fans will see that Menon has evolved into a superb filmmaker. It isn’t just that the cinematography is terrific, with soft colours and the kind of texture that we rarely see in our big-hero films, where the cinematographer is mistaken for some kind of landscape artist and we applaud at shots of mountains and sunsets and flowers. The cinematography in Yennai Arindhaal is the kind we find in the films of only the very top tier of Tamil filmmakers – I’m not talking about the directors who deliver hits; I’m talking about the filmmakers. The fluidity of the filmmaking here is something to see. Actually, we shouldn’t be making a big deal about this at all. This is something we should be taking for granted, and in Hollywood, this would be taken as granted. But in the context of commercial Tamil cinema, it needs to be singled out.
There’s so much that’s so good in Yennai Arindhaal that I kept wanting it to be a better movie. I wanted it to be shorter. I wanted it to be less generic, especially towards the latter portions. I wanted villains (Ashish Vidyarthi, Arun Vijay) that this hero deserved. Arun Vijay (who plays Victor) has terrific presence – he’s looks like a character actor trapped in a leading man’s body – and towards the end, he conveys, thrillingly, not just danger but also desperation, but this is a good performance in search of a good role, the kind of role that Jeevan played in Kaakha Kaakha. He looked unhinged. There was no telling what he’d do. When you get that feeling from a villain, you begin to fear for the hero’s life. I didn’t feel that fear here. I wanted more to be done with the conceit that there’s a thin line between good and evil. It sounds grandly existential, but Sathyadev is so good and Victor so evil that the thin line is actually a chasm. I wanted to see more of Victor’s wife Lisa (Parvathy Nair). There are hints that she’s a fascinating character, and I wished a little more of the three-hour running time had been devoted to what she is, what she does. I wanted less déjà vu. I didn’t care to be reminded that the man-saving-a-friend’s-child angle here was something we’d seen in Vaaranam Aayiram. I wanted more surprise in the way Hemanika exits the story. The minute Sathyadev leaves her on the eve of their wedding, taking with him her daughter Isha, I knew she wouldn’t see the morning.
But I loved the way the aftermath of this tragedy is depicted, with Sathyadev breaking the news to Isha as she stares into the distance – only, he says Hemanika has “gone away.” We get the feeling that Isha knows he’s lying, that “gone away” is a euphemism for what’s really happened, but she just won’t admit it to herself… yet. And then we slip into one of the strangest, most satisfying passages ever in a star vehicle of this magnitude, the stretch that shows how a little girl grieves for her mother, comes to grip with this tragedy, and then, only then, begins to call pa the man she’s so far been calling Sathya. The word slips out in such a matter-of-fact manner, it made me tear up – there’s no epiphany, the background score doesn’t erupt into an orgasm, the moment just is, she just decides it’s time she called this man pa. And how exquisitely Sathyadev recedes into the background in these portions, knowing that Isha comes first, that for a while, his journey has to take a backseat to hers, even if it takes four years. (Unakkenna venum sollu, beautifully composed by Harris Jayaraj , plays over this portion.) Anikha Surendran is wonderful as Isha. There’s a rawness in her that contrasts well with the hyper-sheen that coats the Gautham Menon heroine, who can come off, at times, as too perfect, too idealised. Look at the scenes where Thenmozhi comes to live with Sathyadev and Isha. There are no clichés, no weeping when Isha points out Hemanika’s picture to Thenmozhi, no drama about Isha fearing the arrival of a new “mother.” Sathyadev asks her, simply, if Thenmozhi can stay with them for a while. Isha smiles and says, “Of course, appa,” and the faintest bit of impatience in her voice tells us what she leaves unsaid. (“Do you even have to ask?”)
I suspect that the film Menon really wanted to make had to do with Isha and Sathyadev, and that the macho posturing of the cop-movie is what he needed in order to sell that film to this star’s audience. The soul of Yennai Arindhaal, if you will, is in the scenes between father and daughter. The fathers in Menon’s movies are supercalifragilistic creatures – kind and loving and supportive and full of great advice (they’re, in a way, as much idealised as the heroines are) – and here we see the tough cop’s natural progression into being that kind of father. In Kaakha Kaakha, the tough cop resisted relationships, and we saw him grow into a lover, a husband. In Vettaiyaadu Vilaiyaadu, the tough cop went a step further. In Kaakha Kaakha, the heroine had to convince the hero about embarking on a relationship; in Vettaiyaadu Vilaiyaadu, it was the other way around. And as he entered this relationship, he found himself a father, though the fatherhood angle was never explored. That exploration occurs in Yennai Arindhaal, where the hero doesn’t need a great father-figure, as in Vaaranam Aayiram (though he does get one, briefly, in the form of Nasser) – the hero himself is that great father-figure. And at least a part of the film is about how such a man would deal with these responsibilities. He tries to give up being an active cop and opts for a desk job, but he finds he just cannot do it. The fact that he’s back on active duty makes it great news for those who walked in for an Ajith movie, but the fact that he even tried to give it all up, for the sake of his daughter, is what makes this a Gautham Menon movie. Sathyadev’s father tells him that he needs to find himself – hence, “yennai arindhaal” – and this metaphorical journey is juxtaposed with a literal journey when Sathyadev and Isha take off, impulsively, on a long trip. Thereon, the film constantly stresses on what it takes for a cop to be a father. When Sathyadev finds his friend’s kidnapped child in six days, we hear his thoughts in a voiceover: “Aaru naal… aarey naal.” The former could be the anguished father speaking, that it took six days. The latter could be the supercop speaking, that it took just six days.
Yennai Arindhaal breaks new ground in its use of the voiceover (first-person narration, really), though this technique hasn’t been employed all that much in our cinema. We’ve heard it in Menon’s own films, of course – say, in Vaaranam Aayiram, where the son kept calling out to his dead father, remembering this, remembering that. But here, we hear all kinds of voiceovers, and they pull us into the world of the characters – we end up inside their heads. We get voiceovers from Thenmozhi, as she first runs into Sathyadev and drools over his appearance. (She slips into a sophisticated version of the super-figure-machi reverie that we usually get from the hero or his best friend.) We get voiceovers from Victor, when he bastardises the lyrics of the song Engalukkum kaalam varum into some kind of scummy philosophy. We get voiceovers from Sathyadev as a child, when he says this is the last time he’s seeing his father. (What a difference it makes when such a thing is conveyed to us through internal monologue rather than as part of a dialogue delivered to, say, Thenmozhi or Hemanika.) And from the adult Sathyadev we get voiceovers that speak about the nature of his profession (98 % of cops never take their guns out of the holster; he belongs to the other 2%), or hint at existential thoughts (looking at the pregnant Hemanika while on a dangerous mission, he muses about life and death), or reveal his emotions (he feels like a 17-year-old whenever he sees Hemanika). Sometimes, the dialogues segue into voiceovers, as in the scene that begins with Sathyadev at a hearing and goes on to show the workings of an organ-trafficking gang. (A nice pulpy touch, that.) At one point, Sathyadev even uses one of Thamarai’s lyrics for this film in a voiceover: Ulagenum paramapadham, vizhundha pin uyarvu varum…
Even if Yennai Arindhaal is somewhat disappointing as a Gautham Menon movie, it’s a first-rate Ajith movie. (The actor is in pretty decent form too. He still cannot pull off emotional scenes convincingly, but I totally bought his righteous explosion when someone tries to bribe him. It’s an honest man’s explosion.) The false notes are very few. I didn’t care for the director’s cameo as an intelligence officer. This sort of thing is distracting – we think, “Oh look, there’s Gautham Menon.” And I winced at a few lines, as when Sathyadev says, “Miga periya thappu.” That word, miga, just seemed wrong. I didn’t think Sathyadev would use it here. He’d say romba. But the film is entirely one of a piece – despite the familiarity of the Gautham Menon heroines or the Gautham Menon moments. And these are still done very well. The cautious, formal nature of the initial sms-es between Hemanika and Sathyadev; the notion that you need to respect the person first if you’re to fall in love with them (a galaxy apart from all the love-at-first-sight scenarios); the little narrative sleights of hand, like the fact that we’re primed for Victor’s flashback when he mentions meeting Sathyadev in prison, but the actual meeting is shown in Sathyadev’s flashback; the song picturisations that continue to define the characters, as when we cut back and forth between Sathyadev beating up goons and Hemanika teaching her students dance; the long courtship between Sathyadev and Hemanika, with its implication that “people are talking”; or even the fact that Thenmozhi isn’t some random person who’s there just because a second heroine is needed, but that she ends up the heroine because of the part she plays in the plot – in another filmmaking culture, it may be possible to view all this dispassionately, from a distance, but in the context of commercial Tamil cinema orbiting around the gravitational pull of a giant star, it’s enough to leave you weak-kneed with gratitude.
https://baradwajrangan.wordpress.com...-06798-045576/
Yennai Arindhaal in nigeria, with that YA released in 34 countries, a new record for Tamil films :clap: :clap:
https://pbs.twimg.com/media/B-XBm-MCEAALD6Q.jpg
Who said it? It is always better to quote, right? Hope freedom is not referring to me as I haven't posted anything like that. :-)Quote:
Originally Posted by selvakumar
YouTube la movie ya Pottu kili kili kilichaan. Nethu varaikum twitter la AMR ku 15c loss nu loosu maathiri tweet pannittu irundhaaru.Quote:
Originally Posted by selvakumar
Ippo ellame 'thalai' keezh! You know who I was referring to!
Oh Avanah :lol:Quote:
Originally Posted by Freedom
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isitprashanth?
Freedom, he is fine as we know his character. At least, he didn't date hurricanes Sandy or Katrina to 2010.
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-self deleted-
Freedom - sreedhar pillai has two fb profiles. I think his Twitter is the only one that appears to be genuine.
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That's a fake profile freedom...
// were these guys regularly updated about teaser/trailer views and likes ? 1M, 2M, 3million boys we are, now suddenly all these are nonsense, desperation, obsession, congestion, oppression :rotfl: Ada ungalukkum likes vizhumba
the patrons do all these things are missing/banned and the vaazhum mahatmaas are the one in obsession you know with what
//
When is the telegu version releasing Siv? Do they have any trailer launch or songs launch function for telegu?
No idea george, many telugu dubbed tamil films are in the queue...
Yennai Arindhaal scheduled till 04 March in Dubai, in recent times only iMovie managed to cross 4th week here... :clap: :clap: Anegan going to be removed in this week.
http://uae.voxcinemas.com/
CHENNAI BOX OFFICE
Home > Chennai Box Office Rankings
2. YENNAI ARINDHAAL
Ranking based on Chennai Box Office Collections from Feb 16th 2015 to Feb 22nd 2015 Week : 3
Total collections in Chennai : Rs. 5,71,79,325
Chennai city verdict: Above Average
No. Shows in Chennai (Weekend): 132
Collection in Chennai (Weekend): Rs. 30,76,837
No. Shows in Chennai (Weekdays): 300
Collection in Chennai (Weekdays): Rs. 50,51,568
Ajith's Yennai Arindhaal settles in the Above Average league. We have to see if the film can sustain and get a 'Hit' upgrade in the coming weeks.
http://behindwoods.com/tamil-movies/...ce-feb-22.html
LoL, not only him that kollybuzz guy also changed his verdict, disappointed his loyalties.Quote:
Originally Posted by Freedom
and this is the outcome from the Vettri theatre ownerQuote:
Many distributors in TN are happy with the collections
but still some guys tried to get a favorable answer for them, but what they got wasQuote:
@VettriTheatres #YennaiArindhaal is definitely a profit making movie for us. Only that its not huge hit like #Mankatha or #Billa
Quote:
" @VettriTheatres #YennaiArindhaal definitely a hit with #Vettri. Gud profitable one but not the best of #AjithSir
Vetri la profit lam enna bro,athan sathyam cinemas la ticket vikalanu padatha thukitangale..:-DQuote:
Originally Posted by Siv.S
is that news from Vetri true?
why do they try to downplay YA?Quote:
Originally Posted by Siv.S
koncham clearaa solunga...I can't correlate anything :(Quote:
Originally Posted by selvakumar
:) does anybody remember some section saying Anegan doing better than YA and saying it got equal share etc etc...Quote:
Originally Posted by Siv.S
Ranking based on Chennai Box Office Collections from Feb 16th 2015 to Feb 22nd 2015 Week : 3Quote:
Originally Posted by leosimha
Total collections in Chennai : Rs. 5,71,79,325
Chennai city verdict: Above Average
No. Shows in Chennai (Weekend): 132
Collection in Chennai (Weekend): Rs. 30,76,837
No. Shows in Chennai (Weekdays): 300
Collection in Chennai (Weekdays): Rs. 50,51,568
Ajith's Yennai Arindhaal settles in the Above Average league. We have to see if the film can sustain and get a 'Hit' upgrade in the coming weeks.
verdict out
Losers, All
With release after release tanking at the box office, what strategies are exhibitors employing to cope with this extended dry spell?
After abysmal box-office collections last year, the film industry forged into the New Year with an air of optimism, hoping that 2015 would bring better luck. However, almost two months into 2015 and cinema owners are already reeling under the pressure of films tanking at the box office. And this, despite some big-ticket Hindi releases hitting the marquee. Here’s more bad news – things might go further downhill, what with examinations about to begin and the cricket season tempting audiences away from cinemas.
In fact, barring a few odd films, there are no big films slated for release in the next few months, up until Piku, which features Amitabh Bachchan, Irrfan Khan and Deepika Padukone, and will release only on April 30.
How will cinema owners sustain during these tough times, facing not only lack of content but also having to deal with fixed costs such as rentals, projection costs, salaries and so on? .......
http://www.boxofficeindia.co.in/losers-all/2/Quote:
Kamal Gianchandani, President, PVR Pictures
Despite the fact that no Hindi film has done exceptional business at the box office, we as a chain haven’t been affected all that much. The movie business is a cyclical one and the last quarter is no different from any other year. Thanks to PK, which ran across several weeks and the business of the film spilt over to January, we didn’t face any decrease in footfalls. Our cinemas cater to the urban audience and they appreciated a film like Baby, which generated good business at our cinemas. Besides, we also released a lot of Hollywood films and had a special release of Oscar-nominated films which attracted a lot of people. Regional cinema too kept the shows alive. Yennai Arindhaal, which is Ajith’s Tamil film, and a few Bengali films have done well so our admits have not been affected at all.
http://www.behindwoods.com/tamil-mov...ce-nov-16.htmlQuote:
Originally Posted by maniram_1234
this is kaththi after 4 wks.
total collections= Rs. 7,48,34,774 and it's blockbuster
and YA after 3 wks= Rs. 5,71,79,325 and it's above average???
i thought it should be atleast a hit
Yennai Arindhaal' Box Office: Ajith Starrer Grosses ₹100 Crore Worldwide
By Prakash Upadhyaya February 23, 2015 15:46 IST
98 139
98 139
Ajith Kumar's "Yennai Arindhaal" has finally managed a century at the box office. The Tamil movie has grossed over ₹100 crore worldwide.
A movie still from "Yennai Arindhaal".IB Times India
As per the trade buzz, "Yennai Arindhaal", by the end of its third weekend, has grossed about ₹102 crore. The response for the movie has been good despite the World Cup fever gripping the nation.
Especially, the turn-out for the Tamil movie in multiplexes has been good. "Yennai Arindhaal", which is Ajith's Tamil film, and a few Bengali films have done well so our admits have not been affected at all," Box Office India reports Kamal Gianchandani, president, PVR Pictures, as saying.
At the domestic box office, "Yennai Arindhaal" has earned close to ₹75 crore. It has earned about ₹28 crore from international circuits. According to trade reports, the film has earned about ₹60.5 crore in Tamil Nadu, ₹6.3 crore in Karnataka, ₹5.30 crore in Kerala and the remaining business from rest of India.
When it comes to overseas, "Yennai Arindhaal" is doing well in the US, UK and a few other centres. But the breakup of the business made by the film at different centres is yet to be revealed by trade analysts.
At the Chennai box office, "Yennai Arindhaal" has raked in about ₹5.75 crore so far. The film had above 425 shows in the past week and the occupancy had been good. During the weekend, the response was exceptionally well in some theatres.
Currently, "Yennai Arindhaal" is considered as an above-average film at the box office. The Tamil movie should have a decent run for a few weeks to become a hit movie.
"Yennai Arindhaal" is a romantic-action movie directed by Gautham Menon. AM Rathnam produced film has Trisha Krishnan, Anushka Shetty and Arun Vijay playing key roles along with Ajith Kumar.
Ramesh @rameshlaus 6h6 hours ago
#YennaiArindhaal WW Feb 5th - 22nd BO Gross:
#India - ₹ 73.30 Crs
Overseas - ₹ 28.50 Crs
Total - ₹ 101.80 Crs
4th week in malaysia!! satyadev still rocks..
GSC - Terminal 1, Seremban
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GSC - Berjaya Megamall, Kuantan
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Lotus Five Star - Capitol Selayang, Batu Caves
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Lotus Five Star - Shaw Centrepoint, Klang
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Lotus Five Star - Bukit Jambul Penang, Penang
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Lotus Five Star - Seri Kinta Ipoh, Ipoh
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Lotus Five Star - Cineplex Perling Mall, Johor Bahru
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Lotus Five Star - Skudai Parade, Johor Bahru
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Superstar Cinema - Today's Mall Ulu Tiram, Ulu Tiram
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Pawagam Sun - Rawang, Rawang
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Suara Screens - Soon Seng Plaza, Malacca
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Suara Screens - Federal, Kuala Lumpur
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Pandan Capital - Pandan Capital, Kuala Lumpur
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‘என்னை அறிந்தால்’ – 100 கோடி வசூல்…
Posted On : February 24, 2015
Yennai Arindhaal - 100 cr clube news‘என்னை அறிந்தால்’ படம் கடந்த 5ம் தேதியன்று உலகம் முழுவதும் வெளியானது. கடந்த 18 நாட்களில் இந்தப் படம் 100 கோடி ரூபாயைத் தாண்டியிருப்பதாக கோடம்பாக்க வியாபார வட்டாரங்கள் தெரிவிக்கின்றன.
படம் வெளியான முதல் வாரத்தில் அபாரமான வசூலையும், அதன் பின் சராசரியான வசூலையும் பெற்ற இந்தப் படம் உலகம் முழுவதும் வசூலித்த தொகை 100 கோடியைத் தாண்டியிருப்பதாக தகவல்கள் தெரிவிக்கின்றன.
தமிழ்நாட்டில் மட்டும் இப்படம் சுமார் 61 கோடி ரூபாயையும், கர்நாடகாவில் 6 கோடி, கேரளாவில் 5 கோடி, உலக அளவில் 29 கோடி ரூபாயையும், மற்ற மாநிலங்களில் 2 கோடி ரூபாயும் வசூலித்திருப்பதாகச் சொல்கிறார்கள்.
இது திரையரங்குகள் மூலம் வந்த வருமானம் மட்டுமே, படத்தின் தொலைக்காட்சி உரிமை, வேற்று மொழிஉரிமை ஆகியவற்றைச் சேர்த்தால் மேலும் ஒரு 20 கோடி ரூபாயையும் கணக்கில் சேர்த்துக் கொள்ளலாம் என்கிறார்கள்.
அஜித்தின் முந்தைய படங்களான “ஆரம்பம், வீரம்” படங்களை விட ‘என்னை அறிந்தால்’ வசூல் அதிகம் என்று அவர்கள் தெரிவிக்கிறார்கள்.
somebody wrote to Danmac
"Truly wonderful work in #YennaiArindhaal. U've shown Ajith sir so beautifully in the movie. U've captured his eyes like neva b4."
i completely agree....his eyes were different in this movie :cool2:
though many of websites report that YA has grossed over 100Cr there is a section of the media giving mixed news saying we will have to wait for the announcement from the producer...if that is the case then why at all simply give figues each week and weekend and give figures for other films but don't add a disclaimer to wait for the announcement from the producer...these double tongued media...
Selva, did you get/read my message? can reply? :)
Malayalam Films 2015
The Kollywood films like I, Yennai Arindhaal received a positive response all around the globe; including the South Indian Film Industry.
Malayalam Films 2015
Though these films are getting a warm welcome in Kerala also; Malyalam films are continuing its state of crisis.
Reaching to the last few days of February; M-Town saw the release of about 20 films within; where most collapsed in box office.
Prithviraj starrer Picket 43; directed by Major Ravi and Rajesh Pillai directed Mili (starring Nivin Pauly, Amala Paul), received a positive response; emerging as a decent hit in box office.
At the same time, Mammootty starrer Fireman, directed by Deepu Karunakaran, which released on 19th February; is looking forward to emerge as the first super hit in 2015.
The film, which saw Mammootty doing the role of a Fireman, received positive response all around; with a collection of 3.20 crores within the 4 days of release (according to reports); which is maintained by the all round positive reviews on social medias and mouth publicity, by the common audience.
The film was also well applauded by the critics; as the story telling on the basis of a crisis management along with a thriller is not common to Indian Film Industry.
Since the exam season is reaching; there will not be a mass release, in order to compete with Fireman.
http://muyals.com/malayalam-films-2015/