What is the source ? I have the CD version and this seems better, actually awesome.
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ragam patdeep!
DOORATHIL NAAN KANDA UNMUGAM......
80S ILAYARAJA'S YEARNING MOOD!:musicsmile:
WOW! VIOLIN, VEENA, CHORUS HUMMING & FLUTE with tabla jadhi & Janu's humming!
http://www.youtube.com/watch?v=YKH47Tiwgs4
Prelude is Ragam BOOPALAM
http://www.youtube.com/watch?v=qEKNtwqN1as
வழிமேல் விழியாய் ....ராகம் பந்துவராளி...( ஸ்ரீ.யேசுதாசுடைய சிவ சிவ என... ரொம்ப நன்னா நீண்ட ஆலாபனையுடன் பாடியிருப்பா!)
anyway ..
ராஜா has used chenda melam, mirudhangam !
Janu's viraga dhabam!:musicsmile:
Ok, people!
When did you lastly enjoyed NINAITHAL INIKKUM......JANAKI!
mysterious janu's call, ullasamaana flute melody, mayangum janu's silirppum, wariness in strings
ILAYARAJA'S KALYANA RAMAN!
http://www.youtube.com/watch?v=Ygphl2yOrrU
Close your eyes...feel Ilayaraja's erotic mood!:musicsmile:
baroque - Thanks for Vazhimel Vizhiyaai, beautifully sung by SJ, the sound quality is very nice in the youtube clip.
:)
80s Ilayaraja!:-D
Now listening to this beauty of an album. I just tweeted that if such movies do not occupy the top tier in Raja's canon, it shows the depth in Raja's music.
http://www.thiraipaadal.com/album.ph...R00135&lang=en
app,
Lovely songs those two. Also 'engirundho azhaikkum' and 'mouname mounamen' are wonderful melodies. Wish the later was sung by SPB.
EJP is one of the best IR albums.. engirundhO azhaikkum - both versions :notworthy:
btw, who was the lyricist ?
RR,
Unfortunately my tape does not have the details of lyricist or singers. Luckily raaga.com has the details. Illayaraja and Panju Arunachalam it seems.
http://www.raaga.com/channels/tamil/...p?mid=t0000298
Revisited this marvelous composition after about 5 years: http://www.thiraipaadal.com/tpplayer...2'&lang=en
Erettu Padinaaru from Raaja Raajathaan! The beginning of the song, all through the end of pallavi - can match the kickawesomeness of Ninnu Kori Varnam probably, in terms of the guitars and the fusion. Not that I dont like the song later - its a melodious composition. A beautiful bhageshree/sri ranjani like melody that probably deserved more appreciation. I dont know if this song was famous or not. The interludes explore the raaja in full splendour with amazing arrangements - typical raaja.
if I have one grudge against this song - it is Raaja's surprise that he DOES NOT come back to the groovy western arrangements - which he normally does. Raaja should have atleast done two versions of this song - one on western arrangements and one with indian arrangements.. you know.. like it is the norm these days to label "Desi Mix", "Radio Mix" etc., it would have been amazing. Stunning composition!
Baroque - Doorathil Naan Kanda i guess is the same raaga, melody and music is very much similar to Kanna Varuvaya from Manathil urudi vendum. https://www.youtube.com/watch?v=kCDvHVTnNbA
yeah:musicsmile:
For the past 24 hrs, my heart constantly lap dap lap dap 'OMG! Raja coming to my town!' though I have concentrated on my other important chores! :-D
oru kaaviyam arangerum neram......ARUVADAI NAAL!
Patdeep Gazal!
http://www.youtube.com/watch?v=1p9h8WbdbqA
I will be very happy if Raja picks DEVANIN KOVIL.... as his duet with Chithra in our town's - San Jose concert!
Forever I meditate with the longing pathos!
Sloga & chorus, bass guitar with flute!
Second interlude with Raja's folk humming!:musicsmile:
http://www.youtube.com/watch?v=q9pE6gSN7ic
NEPV still takes most of my listening time, whatever albums I listen I keep coming back to NEPV. No album (except TIS) has been this addictive for me in recent times.
Been listening to Fire Star: Electro Synth compilation, the quality is god awesome (thanks Nerd for recommending it to buy). Oh baby, Pavala Malligai, Paattu Engey, Disco King are most played ones for me apart from the other extremely popular numbers like Valayosai, Ninnukori, Vikram, Punnagai Mannan themes.
http://www.youtube.com/watch?v=XQ-SZ...layer_embedded
sensational bass guitar scintillating & lilting violin, melodic flute from tabla Ilayaraja for S.P.B with Sushela!:musicsmile:
THIRUTHERIL VARUM SILAIYO.... to energize me this afternoon to continue my rest of the day....:redjump:
IMMORTAL LATE 70S ILAYARAJA! :thumbsup:
baroque,
Aaha. Two outstanding number there. 'devanin kovil' and 'thirutherila varum'. Both of this property of being very melodious and at the same time touching your heart. 'devanin kovil' right from the beginning has that melancholic feel and when Chitra goes 'naan enna seiven deivame' you can feel her helplessness. Amazing tune. As for 'thirutheril', it sheer joy right from the guitar strumming which starts the song.
devanin koil - one of my all time favourites. It was introduced to me by violinvicky few years ago. I remember having a 30min discussion with him soon after he played this song for me at his place. That 2nd interlude is something which only Ilaiyaraaja can do! ofcourse, the whole song.
Nee Illaatha pOthu from Ilamai kOlam
http://www.thiraipaadal.com/tpplayer...090%27&lang=en
Aruvadai naal is a masterpiece!:musicsmile:
Nerd - I got the CD and its a wonderful compilation. Been listening in my home theater speakers and car audio, bass is superb and the drums sound fantastic in most the songs. I bought K.S.Chitra's compilation as well which I haven't heard yet. Will post about it later.
Looping this gem for past one hour, thanks Kamesh!
http://soundcloud.com/kameshratnam/a...ayaraaja-hindi
http://www.youtube.com/watch?v=bIaTB4r-FkM
Keyboardist மிகச் சிறப்பாக பணியாற்றியிருக்கிறார். ஆரம்ப மற்றும் இரு இடையிசைகளும் - முயற்சி ரொம்ப சிறப்பா வந்திருக்கு. பாராட்டுக்கள் மயூரா ஆர்கெஸ்டிரா!
Same Mayoora Archestra.. Difficult song to demonstrate...but here too the keyboardist's work - impressive.. read Vicky's comment.
http://www.youtube.com/watch?v=UFkm-7Rtb-s
ராஜாவின் ரசிகர்கள் என வரும்போது... முப்பது நாற்பது வருடங்களாக இதுபோன்ற ஆர்கஸ்டிராக்கள் வழி ராஜாவின் இசை மூலம் நித்தமும் மக்களை மகிழ்ச்சிக் கடலில் ஆழ்த்திக்கொண்டிருக்கும் நூற்றுக்கணக்கான திறமையான இசைக்கலைஞர்கள்..முதல் தட்டில் இருக்கிறார்கள். மரியாதை கலந்த பாராட்டுக்கள்! :notworthy:
Panneer Pushpangal is the music for me this foggy morning in San jose!
How perfect is that!
Raja rules with guitar-voice pattukku pattu/counterpoint composition. vintage ilayaraja's orchestration!
through out the song either chorus and or guitar goes counterpoint.
POONTHALIR AADA......http://www.mayyam.com/talk/images/sm...musicsmile.gif
BALA
BALA
BALA
I LOVE BALA:redjump:
Raja's girl is cool!:musicsmile:
http://www.youtube.com/watch?v=bLVLWa1mrJQ
I am in AWESOME MOOD whole day after this morning jillendra weather with cool ilayaraja's earlier treasure!
superb bass guitar goes counter with chorus humming! thenininum iniya Vasu!:musicsmile:
http://www.youtube.com/watch?v=yFnHN...eature=related
Raja enchants with his guitar & flute pattukku pattu, chitra's humming!
bewitching veena and violin!
ENDEARING 80S ILAYARAJA'S MALARE PESU.....lovely forever!
Look at him when he walks up to her, gentle, pleasant!
subtle romance to the girl's heart ...Actor Murali's touch!:swinghead:
Unassuming sweet smile, an element of beauty in Murali! :)
http://www.youtube.com/watch?v=ouJ1ypHlP5A
Got hold of the precious Meenakshi Stothram LP today. It was in a pristine condition. After a brief wash, scrub and vacuum clean, it went straight to the player. No words to describe the feeling. I felt very special to have this LP in pristine condition with me.. Here is a sample... http://soundcloud.com/raja4ever/meenakshisthothram
Hearing this now..Malai sooda kanne radha
http://www.youtube.com/watch?v=UbQHMyuDN8U
The interlude between 1.28 - 1.40...Mind blowing really
Sober singer (vijaytv) has this round going on for the last two days called 'strings melody' - a bunch of 6-8 violins, an acoustic guitar and a bass. All contestants have been singing (quite poorly) IR songs so far. While all this might seem too beautiful and romantic, the horror and unintentional comedy has to be seen to be understood! A myriad of ROFLMAX stuff! A bloody slaughter of the man's intricately woven orchestration! Firstly they've not been playing the original notes but have been doing some kinda ad-lib stuff, which to me reeks of lack of dedication to the art (you could play whatever crap you want, but play the original properly once at least). And it doesn't just stop there, the violins are playing such high quality crap that can put even SAR violins to shame! (the "ohhmygoddhowbyooodiful" comments they get from the 'judges' - :rotfl3:)
Sample - uravugal thodarkadhai
Vocals: iniyellaam (arguably the most goosebumby portion of the song)
violins: todadoin-pause-todadoin
vocals: sugamE
violins: tididoin-pause-tididoin :rotfl2: :hammer: :ungongongong:
Moral:
hariharization + SARization = deadliest double whammy. Run for cover!
http://www.youtube.com/watch?v=r9wv6CBZ0wk
NOW, IT'S NAVRATHRI! :-D
Vinatha.
ha ha.. I know what you mean - Hariharization = improvization, SARization = silly strings !! how very appropriate :-) . Yes, I watched this yesterday. Some of the kids are surely very talented though.. to sing like that at that age. but they are nowhere near the original. One of the good things that came about with IR using the same singers is .. they got very good at their art. We get variety/diversity in music these days but the depth is missing. I hope we get over this fascination with various genres and start sticking to some idiom and make serious music.
Devathai
Raja and Janaki
http://www.youtube.com/watch?v=2scG9...&feature=share
imagine this song with London orchestra......
Brindhavana saranga - distilled - sweetened and delivered in precise doses to convey the mood and melody..
http://thiraipaadal.com/tpplayer.asp...955%27&lang=en
I have previously heard only the hariharan version - sadhana version is so haunting and so clean - that it stands shoulder to shoulder
in its mood and feel to "Vanaville" from Ramana.
As raja told shreya sometime back - you dont have to learn my language to bring the mood into the song - it is all there in the tune - every single aspect that connects mere sa re ga ma s to the emotion of the character - all encoded neatly. if anything else the interludes complete the effect . Singers can just sing, musicians can just play the note. nothing else is required - the completeness is in the composition.
http://thiraipaadal.com/tpplayer.asp...923%27&lang=en