Originally Posted by MusicIsLife
Maddy
Let us be realitic, If you consider any business (though Movie is an art form, baseline it is a business-> show business), bottom line is to make money, there are only a few people/production houses who could afford that kind of money/time, and there are those perfectionists and people who think different. ARR does take a big amount of time that lot of producers might not afford, hence they might turn out to others who could do the same job, if not the best atleast good. in that case U1 has been very good giving some good music, if not the best, his background scores are way improved and the songs are mesmerizing in some of the movies. If you see failure-2-success-# of films ratio, it is kind of low-2-high-high in case of U1. That might be one of the reasons why ARR has accepted less movies and production houses are involving him in select movies. It does not always correspond to caliber, it is hard to sell only one section of diversified culture that might suit a different trend/different tone in music.
This does not undermine anybodys talent, it is just situationally better suited for some of the musicians out there, but U1 stems out to be the best of the creed in TFM at least right now.