Internet comments'lam avalo kevalama pOchu ivanukku.. Ivan padatha vida youtube comments 'la neraiya kaththukkalam.. Poda Dei.
Internet comments'lam avalo kevalama pOchu ivanukku.. Ivan padatha vida youtube comments 'la neraiya kaththukkalam.. Poda Dei.
nani (@NameisNani) 18/08/12 5:53 AM
Off to chennai .. Last schedule of yeto vellupoyindhi manasu
Gautam Vasudev Menon: internet commentslAm kEvalamA irukku
Internet commenters: appuRam edhukku adhai padicha?
app,
True. The retro feel is both due to the instrument sound as well as the tune.
Gowtham would not have really been honest on his "hubbers" comments.
I strongly feel he just commented that way , because he was with IR and had a fear that IR can always shoot back saying "Yaar enna sonnaal enakkenna kavalai ?". So Gowtham should have thought of adding a pacifier in his question itself.
This interview is notable in ways more than what is obvious.
We all think that Gowtham has been clever in handling "fragile" IR in a "careful" way. Yes, that is true, but only partially.
The fact is that IR has become less sensitive and more "wise" about the way media, showbiz and interviews work.
Thalaivar mattum "Hey Ram" time-la irundha form-la irundhirundhaarnaa Gowtham enna pambiyirundhaalum fireworks thaan..
Even in this interview, there were some trigger points which IR just ignored and passed. See Gowtham...Even when he shows good respect he has for IR, he never missed a chance to proclaim "I decided this..I decided that...Naan thaan London polaamnu sonnen...naan thaan pesuvennu nenaichen..." etc.
Though he seems to appreciate IR for "bold decisions", we can see a hidden uncomfort when he says "Engalukku aavanga paadinathu okeyaa thaan irundhudhu...budget pottu thaan avangalai kooppittirundhom" etc..
IR even says "...Did I not ask you Gowtham when you faced some difficulties, ' Why did you come to me ? why did you not go to youngsters like Yuvan etc ?" .
So All has not been well, but if both of them are happy at the end of the day then we are happy :)
raja_fan,
Very pertinent observations. I have been saying here that Raja (or someone close to him) is finally understanding the power of his brand and trying to monetize it in multiple ways. I don't say this as something wrong but as something which is quite natural to most professionals around the world. In India, stars like Tendulkar and Rahman have shown how to create and maintain a brand and how to monetize it. Raja has a humongous brand and only now some effort is going into monetizing the brand. Good for us as we can look forward to more of Raja's music.
This is also one reason why Raja is being more tolerant towards media, towards public functions and now realizes the changed business climate of film and film music promotion. He is still the man of the 70s so you see a clear discomfort when he is talking. He definitely is not as media savvy as the younger generation. Yet, the fact that he understands the current climate bodes well for fans like us. Because if he adjusts to the business climate, there is chance of more music coming from him which will reach a larger audience. (That he will not compromise on his music is a given.)
Thanks for sharing!
App_engine,
Nice observation on ABBA connection. I remember Raja has one song inspired from ABBA's Money, Money. (btw, ur from Pollachi? It is my hometown)
Like several others pointed out, Ennodu Vaa Vaa has a retro feel. Personally, the moment I tried to sing the song, "kalangalil aval vasantham" song popped in my head, I don't know if there's any connection. I'm sure it is my horrible way of singing the tune and tempo wrong!
Some initial observation about the interview.
1. Wonderful interview by GVM. He seems like a hardcore raja fan. Although raja fans would be familiar with the content, still there are some very good nuggets. Should appreciate GVM for trying to document and show the workings to general public. I wish more directors do it. More I hear Raja speak, more enlightening it is.
2. 9:30 Raja asks if the situation is happening in the evening. I think for Raja it is one of the key factors in coming up with tune. Setting, environment, mood, character's emotion are extremely important for him and inspires his compositions. I think, if they were not confined sitting inside the car as GVM narrated, the song tune would be different. (say, if it is outdoor or if the scene transposes to swtizerland or something)
3. @9:37, Raja slightly feels restricted by voice & guitar set up fixed by GVM. "So you fixed with guitar to start with so I cannot go anywhere". I think Raja likes directors to give him a free hand at these things. IMHO, it is like acting out and showing to Sivaji sir how to approach a scene. It immediately restricts a himalayan artist like Raja.
4. @ 12:51 Raja explains such restrictions coming from film directors and format of the current film. He likes to be inspired by the situation and characters. Just asking him to come up with "hit" song is terribly boring for him.
5. @ 15:48 Raja got the freedom and he transposes "Saindhu Saindhu" by slowing the meter down. I guess this is the bit he plays in the piano at the end of the interview (41:30) I found this version more soulful and loved it more than the Yuvan's version. Take away for me is, If you go with a fixed notion to Raja, you get a standard song, if you go with a bloody open mind, I think he surprises himself and everyone.
6. @ 23:30 This is the reason, Raja songs will always retain his strong signature no matter which orchestra plays it. As GVM calls it Raja genre. He is pretty much doing sound designer's work in his compositions itself. Not an easy thing to do in cinema music. I think Raja's BGM could be sound designer/mixers nightmare. Would love to see Resul Pookutty (Slumdog millionaire - Sound designer) work on Raja's film and see how he approaches it.
7. LOL @ Jaya TV BGM during interview.
Overall, I like it. The more you listen, the more you feel it is different.
Got to run. may be more later.
PS: I put the time marker on youtube comment section for interested ppl.
s usual, excellent writeup senthilvc! :D Adikkadi vaanga!