Bollywood,
Hindi cinema,
hindi language,
hindi speaking common man,
hindi speaking ignorant people who think hindi is universal,
hindi speaking racist tards,
are all different things............pls dont confuse by putting all of the above in one umbrella........posting abt hindi films in tamil films section is nothing wrong, IMO......
Yes. She looked great in the first song. Ippo Namitha levelngirathu vera vishayam.Quote:
Originally Posted by ajaybaskar
Bhuavana oru kelvi kuri
- Late 70's TFI is peerless in inversion of screen registry
- Sivakumar's clean slate obviously helps build the false facade to get to his means, in a way, his shortcomings as an actor to suggest mean streak might have worked in him having some human dimensions despite his persuasion, both woman and money
- Rajini's subdued presence alone is enough to subvert his negative screen persona, the whole selfless streak seems convincing. But this again, is a man who has lost his woman and trying to reclaim/erase it, with this bit of martyrdom, the illusion of giving his life a meaning, seems OK
- Women far from being KB type i.e sacrificial machinations at play end up feeling empowered. It is okay to suggest it's all societal, familial and monetary pressures, but it's how the two letter acronymed filmmaker perversely repeats this theme without much nuance, sensitivity and fragility (Melodrama for all senses and purposes as immediate "consequence" of harmony, not a "comeuppance" as it's usually suggested, I'd accept the latter if it gives me other payoffs, which some KB films do) that gets my goat
- YGM's role. The economy helps.. mokkai pOdama sethu tholainjan. One nice bit of dialogue which closes with 'kaaranam illama dhaadi valartha.. Hippie'. I'd be amazed if it came off him..
Quote:
Originally Posted by app_engine
idhai reNdAvadhu dhadavai pArthuttu appO bore adichudhunA sollaNum. One of my all time favourites - evLo muRai vENA pAppEn. Lovely. That Amit-ji was worth watching - avar range adhu dhAn but andh rangela Kinggu - but they reduced him to a clown in bollywood (including the sheshappa iyer new age muyaRchchis)
Those songs are worth being placed as speed breaker. The Bengali original of Kahin Door (Amoy prashna kore) sung by Hemant Kumar(as against Mookkesh in indhi) is a collector's item.
It wasnt Amit-ji's first padam. He did bit roles in other movies (Including Sunjay Dutt's father's Reshma Aur Shera, Saat Hindustani, Mehmood's Bombay to Goa,not to mention flop ventures as villain like Parwana, before the intense roles here and Namak Haram gave him an address, and then Zanjeer/Deewar catapulted him to Bollywood glory)
Polimer?Quote:
Originally Posted by kid-glove
Yeah. Still going on..
Have to say, the conversation between Sumitra and Rajini in context of giving away of the child is done well.
'Naan yaaru'. Fragility... and therefore of more human dimensions than merely sacrificial. Sivakumar comparing the tidal waves to his situation, when it easily fits in to the reclaiming 'move' of Rajini in assuming this relationship subconsciously, but on outset, nalla kuththi kaatturaar, thavikkuraar kuda.. Indha SPM enga pOnaaru?
Last Lear naa paarththa varaikkin OraLavu sumArA nallAvE irunchch.
innum konjam detail'ah post pannalame..Quote:
Originally Posted by app_engine
atleast IR music paththi sollalame :)
that time i nominated & voted for Nayanthara in hub awards..Quote:
Originally Posted by 19thmay
why there are no hub awards these days :?: