The guy in browsing centre (DeMonte Colony) is Yogi Babu
The guy in browsing centre (DeMonte Colony) is Yogi Babu
did the other heroine (not kalpana) of chinna veedu act in any other movies?Quote:
Originally Posted by NOV
source: http://www.newtamilcinema.com/dhanshika-question/Quote:
Originally Posted by NOV
வெங்கட்பிரபுவை நிற்க வைத்து கேள்வி கேட்ட தன்ஷிகா படவிழாவில் பரபரப்பு!
விழித்திரு என்ற படத்தை மீரா கதிரவன் இயக்கியிருக்கிறார். ஏற்கனவே அவள் பெயர் தமிழரசி என்ற படமும் அவர் இயக்கியதுதான். முந்தைய படம் போலல்லாது இந்த படத்தை முழுவேக கமர்ஷியல் படமாக்கியிருக்கிறாராம் அவர். திரையிடப்பட்ட டி.ராஜேந்தர் பாடல் ஒன்றே அந்த கருத்துக்கு ஆமாம் சாமி போட்டது. அப்படியொரு குத்து அது. சமீபத்தில் நடந்த இந்த பாடல் வெளியீட்டு விழாவில்தான் தன் பங்குக்கு ஒரு சண்டையை மூட்டிவிட்டு கிளம்பினார் தன்ஷிகா.
பேராண்மை, அரவான் போன்ற படங்களில் ஹீரோயினாக நடித்த தன்ஷிகாவை இந்த விழாவுக்கு அழைத்திருந்தார்கள். மைக் தன் கைக்கு வந்ததும் அதே நிகழ்ச்சிக்கு வந்திருந்த வெங்கட்பிரபுவை பிடித்துக் கொண்டார். சார் நீங்க என் கேள்விக்கு பதில் சொல்லுங்க. நான் சுத்தமான தமிழ் பொண்ணு. நல்லா தமிழ் பேசுவேன். ஆனால் என்னை விட்டுட்டு ஏன் மும்பையிலிருந்து ஹீரோயினை வரவழைச்சு வாய்ப்பு கொடுக்கிறீங்க? ஏன் என்னை மாதிரி ஒரு தமிழ் பொண்ணுக்கு நீங்க வாய்ப்பு கொடுக்கறதில்ல? என்று நேருக்கு நேராக கேட்க, அவங்கள்லாம் அழகாயிருக்காங்க தாயீ என்று ஒரு வார்த்தையில் முடித்துவிட்டு பிரச்சனையை கை கழுவி விட்டிருக்கலாம் அந்த வெங்கட் பிரபு.
ஸ்மார்ட்டாக பதில் சொல்வதாக நினைத்துக் கொண்டு தனக்குத்தானே வைத்துக் கொண்டார் முள்ளை. இல்லங்க. நான் கொடுக்கறதுக்கு தயாராகதான் இருக்கேன். ஆனால் தயாரிப்பாளருங்கதான் மும்பை பொண்ணு வேணும்னு கேட்கிறாங்க என்று பதில் சொல்ல, அதே மேடையிலிருந்த தயாரிப்பாளர் சங்க செயலாளரும், இதே வெங்கட்பிரபுவை வைத்து சரோஜா படத்தை தயாரித்தவருமான டி.சிவா கடும் கோபத்துக்கு ஆளாகிவிட்டார். உடனே எழுந்து வந்து பதிலடி கொடுத்துவிட்டார்.
இங்கு மேடையில் இருக்கும் அருண்பாண்டியன் தயாரிச்ச பேராண்மை படத்துலதான் தன்ஷிகா ஹீரோயினா நடிச்சார். நான் தயாரிச்ச அரவான் படத்துல தன்ஷிகாதான் ஹீரோயின். நாங்க தமிழர்கள். தமிழச்சிக்கு வாய்ப்பு கொடுத்தோம். அது புரியாமல் பேசக் கூடாது என்றார் வெங்கட்பிரபுவை பார்த்து. நல்லவேளை நடுவில் புகுந்த தன்ஷிகா, என்னால உங்களுக்குள்ள சண்டை வேணாம். பிரச்சனையை விடுங்க என்றார்.
பிரச்சனை அதோடு முடிஞ்சுருமா? அல்லது வேறொரு மேடையில் வெடிக்குமா? ஆல் பிரஸ் ஆர் வெயிட்டிங் .
Inimey Ippadithan - totally unexpected climax and I liked it.. But very very predictable till the climax.. I could guess what happens next scene from scene 1.Quote:
Originally Posted by Movie Buff
watched Stonehearst Asylum over the weekend - very good recommended..
mundasupatti
one of the best comedy movie in recent time..mooda nambikaya eppadi ellam oru samoogatta muttalakuthungaratha suarisayama solli irukaru director..superb!!
Sema padam...comedy super ha work out agirukum..munishkanth ultimate...Quote:
Originally Posted by A.ANAND
Indru Netru Naalai (yet to see the movie)
Does any one remember other time travel movies in tamil? (no dubbed movies)
1. Adhisaya Ulagam (2012) - is the only movie I can find which has something to do with time travel.
This movie is a dark horse like Tamilukku En 1rai Alukkavum. I hope hubbers will watch this movie and post their views and review.
Indru Netru Naalai - a well-thought out plot that was executed well... screenplay and twists were good... they didn't linger on spl effects, concentrated on plot and no unnecessary songs... Another good film for Vishnu :)
Time travel concept was used well. It didn't seem so unbelievable.... konjam Back to the future types thaan... but nothing silly or jazzy... Is this the director's first film ??? I didn't notice any continuity errors/bloopers - but I wasn't looking for any !!!
Music by Hiphop Tamizha was good and suited the theme..
Yes. He is also from the Nalayya Iyakkunar group. He made a similar short film 'Zero Kilomters'Quote:
Originally Posted by srimal
https://www.youtube.com/watch?v=vY_gnvF5jaw
watched samsara, a documentary with visually stunning themes with no narration. absolutely loved it.
grab the dvd if you haven't seen it already. here is the trailer:
https://www.youtube.com/watch?v=HCkEILshUyU
I think Mundasupatti is debut movie of Intru netru Naalai director.
Mundasupatti first came as short film.
No. They are different. Both films were debuts.Quote:
Originally Posted by joe
Mundasupatti - Ram
Intru netru Naalai - Ravikumar
Indru Netru Naalai - Good one. Director used his short movie story with different concept (time travelling). Could have easily lost the plot if director concentrated only on time travelling concept but he did not and thats what got him the success. Predictable screenplay but always engaging.
Vishnu, Karuna and karthik have done a neat job. BGM from HipHop Tamizha was apt for the movie.
:clap: C.V Kumar for his consistency.
Not a Kakka Muttai type one but must watch entertainer.
Myshkin Sir, Padathula song illaenu yaarum complain pannala sir. Olunga eduthingana dialogu-ae illaena kooda nallrukunu sollura kootam Sir namma kootam.
Inimae Ippdithaan - Rightu vidu !!!
Kakka Muttai - Chinna Kakka Muttai super !!!
Indru Netru Naala i - time matters
Definately a movie worth watching. Vishnu made wise choices in his career opting for movies with different subjects. He knows clearly the story is the hero and doesnt try to become larger than life character. Mia George, I am not impressed with her looks, but acting is okay. Another character that stole limelight besides Vishal, Karunakaran is TM Karthik the scientist. A familiar nutty scientist type, who I feel director could have used more in the movie.
Where the movie becomes too clicheed is the Villain. A mad brainy Villain who ends up making the movie too cinematic. We are back at the good vs bad guy type of movie in 2nd half.
Another minus are the songs. I am dissapointed the nextgen directors doesnt dare to go away from songs in a movie. Aadhi's BGM was good, surprised me a lot, only his 2nd movie.
Mr Ravikumar can be proud for making a movie in tamil which deals with timetravel. This has to be best movie in summer so far, but the summer has just begun. Kollywood is certainly going places if more directors like him get chances in tamilcinema. I dont want 80yish, 90yish or 00yish type of movies, my request is make movies that gels with current type of moviegoers taste.
Placed an order for Blu-Ray Disc Version. Thanks for the recomendation. In the promo clip you see a Thailand beauty doing the Dance of Thousand Hands. Its a wonderful dance representing Thousand-Hand Guan Shi Yin [Guan = observe, Shi = world, Yin = sound]. Thus Guan Shi gets the name 'The Goddess of Mercy', as she sees over you, listens and responds to your call.Quote:
Originally Posted by mexicomeat
The interesting aspect of this legend or relegious belief in Buddhism (including in China & Tibet) comes from Buddha himself. In Bodhisattva (wisdom over the world), this form is known (in sanskrit) as Avalokitesvara. Closely connected to Saivism (no relegious talks, if you are interested, there are fabulous materials available, and don't forget to get the glimpse of the pictures of Thousand Hand Buddha), Avalokitesvara is the form of Buddha who vowed not to rest until he attained Samsara. He became so cautious to the sufferings of the human kind (mind), so starts to enlarge himself and with the help of Amitabha (the celestial Budhha) he gets more eyes, heads & hands. Now he's got 1000 ways to reach the struggling man.
Year 2013, I visited an Asian Art exhibition at the Guimet Museum Paris. It was one of my memorable visits, where the expositions included arts/sculpture from India, China, Japan, Tibet & Thailand. Watched in marvel those ancient structures standing strong and tall even after about 2K years. Back to the subject, I had a chance to see the 800 year old Chinese representation of the Bodhisattva Avalokitesvara. Below is the photo :
http://4.bp.blogspot.com/-q7IVDm615Q...uimet+Arms.jpg
(Also witnessed several other representations of the same seperated by several years, culture & dynasty.)
Eagerly waiting to see Samsara on Blu-Ray.
I am now watching Baraka, samsara's predecessor.
https://www.youtube.com/watch?v=ZSfFHxyYJJA
after you finish watching samsara, tell me which scene left it's mark on you.
for me it was the tiredness in the eye of the women working in the electronics factory.
I have ordered the double disc 2014 edition (ASIN: B009D509QI). Samsara & Baraka directed by Ron Fricke.
The tongue is like a sharp knife, kills without drawing blood
- Buddha
https://pbs.twimg.com/media/CIkYCZLWUAA7Sit.jpg
Four Friends ... wait, let's restart ... A mysterious man lands up in Mumbai, gets a gun from the black market and looks for Mudhaliar, the Mumbai God-Father. Soon, an attack puts Mudhaliar wounded in the hosiptal, but he will live. The mysterious man watches Mudhaliar who is now waving to his devotees from the Hospital terrace. Thus begins a tale of the hunters and the hunted - how their roles mingle and make them stand before each other without a clue who is hunting and who is chasing.
Yagavarayinum Na Kakka (YNK), a home production from Adhi Pinisetty-the actor, is a Thriller. Written & Directed by his brother Sathya Prabhas Pinishetty, the film locks itself inbetween Suspense, Mystry & Drama and rides on with it's wonderful title. YNK is loaded with awesome cast - Mithun Chakraborty [Nariyal Wala from Agneepath (hindi)] & Pasupathy (who jointly played with Adhi in the film Aravan), including Adhi taking the prime spot by narrating the story of Saga (meaning Friend), the character he is playing in the movie. There are several artists playing brothers & sisters, parents, friends, goons, side-kicks etc., making the whole story crowded with characters who are vital to the sub-plot.
Satya Prabhas uses fragmented narrative style in a very convincing manner. He juggles with the ample sub-plots, takes in or out the events, when and where he finds suitable, without hindering the flow and allinging them well with the flash backs & forwards. Its a complex narrative structure and when the suspense is releaved, it gets riveting - the way its visually told is gripping. The mystry and the way its gaurded thru memory bits, makes the movie interesting as the writer jumbles up various sub-plots and arrange them in an order that slowly extracts the story.
For some reason I was reluctant to watch 'Mirugam', but when I did I was glad to see a promising artist, Adhi. Eeram was under my favourite genre, so I liked it instantly. In YNK, Adhi remided me of a gangster character called 'Baby Face' from a spanish film. If anyone out there looking to make a gangster film, just put Adhi inside and make him do nothing terrifying, he will still look terrific. His physique bends well in the two well choreographed stunts. He looks massive at the same time like 'a rabbit before the headlights' whenever the respective moment demands. Pasupathy casually plays the 'Don with a heart'. Still love his awesome accent. Mithun Da as Mudhaliar is pacific at the same time undisputed, that mix is a terror and when you include his sunken eyes, he immediately becomes the only one to be dreaded. His short dialogues folds the screen into darkness. It's sad that these guys don't do much films anymore, but at the same time glad that they are still rocking.
The director should have kept away from romance. How many more films are going to be made where a female is going to get slapped or been given a moral lesson on how she should lead her life ... or with all these clichιs. Not going to rattle much on that, think the message is passed. As for the technics, you cannot miss any of them as all the work was so neat including sharp cuts, sets & the way each scene was filmed. 'Oozhi Koothu' song is pulsating & 'Thozha Thozha' is gloomy.
YNK is a 'non-hasty' film, well stuffed with thrills and twists.
Yagavarayinum Na Kakka : 'Ab Tera Kya Hoga Saga'*
*Adapted from Hindi Cult Film Sholay dialogue 'Ab Tera Kya Hoga Kalia' meaning 'What will happen to you now, Saga?'
Aduthathu yenna nadakapokuthu nu theringita vazkha swarisiyama irrukadhu. Sagura naal theringiduchi na, Valra naal naragam ayiudum.
- Rajinikanth
http://www.ytalkies.com/illusionzmed...-Naalai-12.jpg
2065 to 2015 to 2012 to any millenium year is just 30 seconds away, thanks to the time machine designed by Scientist Arya with flashing specs. Demo goes wrong only when the initiator is in trouble, but its a sucess if the end user could manipulate the demo material. Ilango & Puli are typical youngsters who wish to make easy money. When they stumble upon the device which could make them rich, they use every possible way to correct and re-correct their lives suiting to their materialistic desires. But everything comes with a price tag with it, and the charges they pay are heavier than what they earned using the Akshayapatra (inexhaustible vessel).
Death can be funny. One guy knew when and how he is going to die. So he traveled through time, corrected few things and returned. Happy, he went forward but was shocked to see him dead but in some other way. He tries to recorrect, but each time only the ways he died were gruesomely different, but he never escaped death. Adding horror to his over enthusiam is that he died all the gruesome deaths several time. And then there was another guy, who tried to cheat death thinking that the death operates on the time discovered by man. He knew the minute exact, so he hid in a time zone where either that minute is past or yet to arrive. What a fool, he got stuck in the new time line eventually, where everyone are strangers, a suituation more dramatic than death itself.
Indru Netru Naalai (INN), treats Death in a similar manner on a Sci-fi background using Time Machine concept. A bad guy who escapes death is the potential danger to the one assosiated with Ilango. Correct it, but remember one must die. The humoristic narration gives a 'light-vien' experience to such a dark tale, very well adapted for TFI audience.
The beauty of INN is that the whole episode is just 40 secs long, where all the events starts and stops within 10 secs. In that 10 secs, the medling with time by Ilango and Puli triggers other events and it gets into a long chain reaction within time itself. Just like the Newton's Cradle (you could see that under the Title Logo in posters), when time in its equilibrium position - suspended straight, is distubed by the force from the Bob's trajectory, impact on the other side known as Massive Bob, as the name suggests, would be massive. Thus, from present, our Duo travel to the past which in return changes the future which is actually the present time they initated the travel. This basic concept of time travel is well handled in INN, eventhough its nothing original in the making, but certainly a grand Sci-Fi film from TFI loaded with tingling drama & smart suspense mingled with comical events.
Ravi Kumar writes & directs INN for C.V.Kumar (What a Man !). Thirukumaran Entertainment streak for proposing and delivering quality films is going unstoppable. They are a threat to my PS3 Headshot Kills Streak, as they are closing in with 9 released films and 5 more filming. Ravi Kumar & team's writing is extrodinary. They have tabulated the events with the characters and they played to their strength. For exemple, the complexity is when more Ilango & Puli are in the same time zone, and handling them with the occured events with respect to the occurence which eventually turns into an incident, is not that simple. There was another man who embarks to change the present, by altering the past. Each time he went he wanted to perfect it more. But eventully he finds more than 5 other selfs in the same time zone, and he could not take it anymore. So he deciedes to go to the 'time-spot' when the first event was triggered and tries to kill his oneself there, so that he can stop once and for all the entire alteration of events. Funny guy ! But in INN, they have it limited, and don't complicate to make them meet in not more than 2 or 3 sequences - the wandering in the alley was funny. By this strategy, the film gets neat else it would have become nasty.
There is a 'over-show' of the Time Machine. All the flashes and disappearences in the begining were excessive. Similarly, all the 'stolen-found' episode were funny but turns out hazzardous for the concept on hand. See you change the past, you alter the present. The variated time of the victim & the stealer is crossed by Illango who directly affects both their lives. There are consequences. If they do many, it just gets multiplied. Similarly the Stock Market episode. Could have avoided such (too much) elaborations, but I don't think anyone is going to raise their eyebrows over it as they all are carefully masked. And the romance is the only tragedy in the film. Kind of felt that the movie had a rushed ending - could have taken the time from the inutile romance and added few more thrills to the climax. But the ending suits the mood of the film. The film is visually appealing, catchy and with a neat musical score makes it look brighter and more beautiful.
To understand INN, we got to see what concept of Time Travel Ravi Kumar has used. There are 3 categories of time travel - Fixed, Dynamic and Multiverse.
Fixed - The point of time they start the travel cannot be altered. How ever the past is altered, the present adopts to give the same result.
Dynamic - You alter the past, you pay or reap the consequences in the present. It may land yourself non-existant.
Multiverse - Lost in time as there is a new time line created where returning to the original time line is impossible.
Then there are various theories using which materails for entertainement are made be it novels or films.
Time Travel and multi-dimension were present in our tales (and Puranas) even before anyone talked or wrote or made a film. Everything co-extits, the floor on which one is walking could be a bed of water in another dimension where one is swiming at the given point of time. The great architect Mayasura who constructed Indraprastha (from Mahabaratha) is still a mystery that one can awe at. It is said (or beleived) that the Siddhars, the Saivaite Saints, had the ability to walk through time. Thiru Gnana Sambandhar once met up with a rich merchant. Sambandhar listened to his pain and could understand the agony of a father who witnessed his 12 years old daughter Poompavai's death by snake bite. Sambandhar made him bring the ash pot, and prayed. Before him now stood a pretty woman Poompavai - she was 12 years old when she died, and now several years after Poompavai has become a lady when Sambandhar brought her back. This is the best and the most ancient Time Travel episode.
INN takes the Dynamic Time Travel and adds its own theories and laws to narrate an interesting story that is span across several years and mixed with major interlocking events.
Indru Netru Naalai - Matram Ondru Thaan Marathathu
Kaaval - Dissapointment all the way.
Interesting movie...Thanks for recommendationQuote:
Originally Posted by PR218
Masss - :thumbsup: Nice Attempt :) Sri Lankan Tamil :thumbsup: Suriya :) Comedy :) Duke :) Yuvan :bow: :bow: Why the Hell Nayan was included.... No reason ! Pranitha was :slurp:
Bottomline - Things which are meant to be twist of the tale don't seem to be like one.
Meegaman - Liked it. IMO Vishal would be the right choice for the lead role. Arya was the only negative in the movie. His dialogue delivery was terrible as usual.
Magizh Thirumeni should learn how to project himself in TCC. Even after two good films he has not seen the limelight. Look at Mr.Atlee.
Salim - Time pass. Nothing new but never boring.
What is TCC please ?
yes, Maass was very good...... for a change Premji was one of the strength of the movie.....it is a good thing that certain serious things were narrated in a lighter vein and not made fun of.....good intentioned movie.....Quote:
Originally Posted by ilayapuyalvinodh_kumar
It's a typo. * TC - Tamil CinemaQuote:
Originally Posted by mappi
Magizh has made 3 good films.. His first was mundhinam partheney.. Started following his films after watching mp
:exactly:Quote:
Originally Posted by ilayapuyalvinodh_kumar
Same here ... one of best attempt from regular ghost movie :bow:
addicted to U1's BGM & Songs (Therikuthu Mass, Piravi & Naan Avanillai) after watch movie :thumbsup:
An engaging storyteller...Quote:
Originally Posted by Mahen
District 9 & Elysium - :clap: Neill Blomkamp... 1st one made me move to tears !
I didnt know that. Thanks for the info, Mahen. I have herd only songs of Mundhinam Paarthaenae. That too because of Thaman and his then recent album Ayyanaar.Quote:
Originally Posted by Mahen
Premam
A very simple story told in such a manner that the audience laugh,smile,cry from start to end. The plot is quite similar to Autograph but the making is much different and genuine. Nivin Pauly has the knack of picking the right scripts and Premam is no different. The surprise package is Sai Pallavi as Malar, who steals the show with a splendid performance. Everything else is good about this film so that we forget the length of the film which is slightly on the higher side.
A must watch!!
Did not like it that much, ok for a one off watch ...Quote:
Originally Posted by ilayapuyalvinodh_kumar
Tomorrowland was quite good.
Jurassic World except the graphics , did not like it much
Kakka muttai- brilliant..surprisingly its very much engaging as well
Indru netru nalai-brilliant...kudos to Vishnu and CV Kumar for selecting these kind of scripts...can easily tell Tamil cinema is in safe hands
Nice chat between @karanjohar & @ssrajamouli on the making of #Baahubali & its expectations https://t.co/5tUxxnJoNn
Wen rajmouli says Tamil cinema is good in commercial as well as experimenting... Karan johar face reaction shows tat he is not happy with tat comment and tries to deviate the topic...rascal... This guy rajmouli is calm, composed,genuine nevertheless brilliant director
Have to appreciate arya..in most of the films he doing cameo without any so called ego...yentha banthavum illa...cool and sportive guy