ARUNACHALA KAVIYAR
" RAMA NATAKA .........."
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ARUNACHALA KAVIYAR
" RAMA NATAKA .........."
wish to know the lyrics/translation of:-
YAROO IVAN YAROO
yArO ivar yArO. rAgA: sAvEri. Adi tALA.
P: yArO ivar yArO enna pErO ariyEnE
A: kArulAvum shIrulAvum mithilaiyil kannimADam tannil munnE ninravar
C1: paNNip-padittArp-pOl iru sthanamum kUDa pAngiyargaL innamum duraittanamum
eNNattAlum vaNNattAlum pangayap-peNNaip-pOl kaNNirk-kANum mangaiyar
2: bhAgyam enbadivar darishanamE adingE phalittenna puNNiyamO manamE mUkkum
muzhiyum dhIrgamAi innamum peNgaL pArkkap-pArkka nOkkam koLlumO kaNgaL
3: candra bimba mukha malarAlE ennai tAnE pArkkirAr orukkAlE
anda nALil tondam pOlE urugirAr inda nALil vandu sEvai tagugirAr
Meaning:
Pallavi: Who, Who is she? What is her name? I don’t know.
Anupallavi: In the city of mitilai (King Janaka’s capital) which is resplendent with glamour and glory, wherein clouds cast a beautiful transient canopy, who is this person who is standing at the front of the balcony of the kannimADam (gynoecium)?
Caranam: Her breasts appear as though they have been uniquely designed and installed in her body. She is surrounded by a band of friends with sweet chatter. In thought and appearance (complexion) she looks like the goddess seated on lotus, viz., Lakshmi. Who is she?
Caranam 2: One must have earned a lot of merit to have the audience of this woman. To have that opportunity right here is really significant. Her nose is long and eyes are wide. When other girls look at her they are so captivated by her charm and cannot take their eyes off her.
Caranam 3: She is glancing at me with her moon-like face. It appears that this is due to a past connection between us. It is because of such a primeval connection that she is appearing in front of me now!
dear ms.meena,
many thanks for the inputs.
may i ask for some more?
(1) do you have the english translation?
(2) i also need the lyrics / translation of :
(a) Ramanai Kannara Kandane (Mohanam)
(b) Kanden Kanden Sitayai (Vasanta)
(c) En paLLi koNDIrayyA
(d) rAmanaik kaNNArak kaNDAnE (mOhanam)
(e) ramanukku mannan muDi
(f) annai jAnaki vandALE (sankarAbharaNam
(g) enakkun iru padam ninaikka* (rAgamAlikA)
(h) srirAmacandranukku (madyamAvati)
(i) kaNDEn kaNDEn (bAgEshri or vasantA)
(j) caraNam caraNam enRAnE (saurAshtram)
i need the above info to complete a book i am writing since 2006. more details on this later.
regards,
chari
Ur welcome!
Missing kritis am sure Lji will post.
I have translations for only few.
rAmanaik-kaNNAra. rAgA: mOhana. Adi tALA.
P: rAmanaik-kaNNArak-kaNDAnE vibHISaNan kai mAmuDimEl vaittuk-koNDAnE
A: kAmanum shenkamala bhUmanum paNI parandAmanai Ayira nAmanaik-kOdaNDa
C1: veLLamAna vAnara varga naDuvE tambi mEru malai pOl arugE nirkka pUNillA mArbam
puLLivil pODAda mEgham okkat-tOL vaLai nIkkip-pUTTillA mandaram pOl shObhikka mUnru lOkamum
kaLLa arakkar dinam kiLLik- kiLLi arundak-koLLai koDuttamarar tuLLit-tuLLi varunda
vaLLalAgi murai uLLapaDi tirundap-paLLi aravaNaiyait-taLLi ezhundirunda
2: dharumam Agha rUpi karittAnaip-pracaNDa kOdaNDamum aNDamum parittAnait-tAmarai pUtta
karu mukhil pOl avatarittAnE maravuriyaik-kaccai pOla vaccu varittAnai janakan kanni
iru vizhiyilumuLLa karumaNI ena vanda tiru uruvinil oLi perugiDat-tAi munda
vratam koDutta muDi shirasinil koNDu sonda arashan koDutta muDi bharatanukk-anru tanda
3: bhUmi tanil aDikkaDi vIzhndu sUriyanaik-kaNDa pUmalar pOl mukha prabhai shUzhndu rAkSasakula
Anmai ellAm vara varat-tAzhndu sAmi kaDaikkaN Ananda samudram tanil Azhndu sundaram uLLa
kAmanai udaviya mAmanait-tuLasiyantAmanaittirumukha sOmanai bhujabala
vImanai jAnaki vAmanai dEvargaL Amanai varum paNi bhUmanai dasharatha
kaNDEn kaNDEn. rAgA: mukhAri. aTatALacApu.
P: kaNDEn kaNDEn sItaiyaik-kaNDEn rAghavA
A: aNDarung-kANAda lankApurattilE aravinda vEdAvait-taravanda mAtAvai
C1: kAvi vizhigaLil un uruvELi minnak-kanivAi tanilE un tirunAmamE panna
AvittuNaiyaip-pirinda maDa annam anAL nAn sholluvadenna
pUvait-tirishaDai nittam nittam shonna buddhi vazhiyE tan budhi nilai mannap-
pAvi arakkiyar kAval shiraidunnap-panju paDinda pazhan-citram enna
2: panikkAla vArijam pOla nirangUship-paghal oru yugamAgak-kazhittALE pirayAshi
ninaittangE rAvaNan annAL varac-chIci nillaDA caNDLA enrEshi tanittuttan
uyirtanait-tAn viDa maharAji shArum pozhudu kANum samayamiduvE vAshiinit-
tAmadam sheyyal AghAdenriDar vIshi rAma rAma rAma rAma enredir pEshi
3: aDal shErum vAliyai vAnulagilE kUTTi avaniyai sugrIvan Ala muDi shUTTi
uDanE nI tUdu pO enra shol amudUTTi un ezhil …….. pArATTi
viDavanda anumantan nAn enru shIrATTi vivaram sholla uyir koNDirukkirAL shImATTi
diDamA lakSmaNan sheida parNashAlai vITTil dEvAdi dEvA un tiruvAzhitanik-kATTi
En paLLI koNDIrayya. rAgA: mOhana / rAgamAlikA. Adi tALA.
P: En paLLI koNDIrayya? shrI ranganAtharE nIr
A: Ambal pUtta shaya paruvata maDuvilE-yavadaritta iraNDATri naDuvilE
C1: kOshikan shol kurittadarkkO? arakki kulaiyil ambu terittadarkkO?
Ishan villai murittadarkkO? parashurAmanuram parittadarkkO?
mAshillAda mithilEshan peNNuDanE vazhi naDanda iLaippO?
dUshilAda guhanODattilE gangai turai kaDanda iLaippO?
mIshuramAm citrakUTac cikarak kalmishai kiDanda iLaippO?
kAshinimEl mArIcanODiya gati toDarnda iLaippO?
OdikkaLittO dEviyai tEdi iLaittO? MarangaLezhunduLaittO?
kaDalai kaTTi vaLaittO? lankai ennum kAval mAnagarai iDitta varuttamO?
rAvaNAdigaLai muDitta varuttamO?
2: maduraiyilE varum kaLaiyO? mudalai vAi magaLaittarum kaLaiyO?
edir erudai perungaLaiyO? Kanrai eDutterinda perugaLaiyO?
puduvai Ana mulaiyuNDu pEyin uyir pOkkiyaluttIRO?
adira Odivarum kuruvi vAyai iraNDAkkiyaluttIrO?
tudi shei AyargaLai kAkka vENDi malai tUkki yaluttIrO?
sati shei kAlinAl kALingan maNImuDi tAkkiyaluttIrO?
marudam shAittO? Adu mADugaL mEittO?
sakaDuruLait teittO? kanjan uyirai mAittO?
arjunanukkAga sArathiyAi tEr viDutta varuttamO?
pOrilE cakkaram eDutta varuttamO?
3: paDi tanilE mettavum nAnE ummai param enavE aDuttEnE
aDimai koLvIr ennaittAnE shempon aNi arangapperumALE!
taTam urainda karum pArai shApamadu taDuttu rakSittIrE!
viDa oNNAda kAkAsuranukkoru kaN viDuttu rakSittIrE!
koDumai koNDazhuda draupadaikkut tuyil koDuttu rakSittIrE!
maDuvil Anai mun ODi mudalaiyai maDittu rakSittIrE adupOl
vArum kripai kaNNAlE pArum manakkavalai tIrum
ninaitta varam tArum tArum en sAmi vaKSamEvum
(for the rAgamAlikA, the following rAgAs are used: pallavi, C1/mOhana;
C2/kApi; c3/not given)
Meaning:
P: Why are you reclining (lying down) my lord, Ranganatha!(of Srirangam)
A: You are resting (in the island) between the two rivers (branches of the river KAvEri) which originated from the pool, in the mountain, which is full of water lilies. (Ambal= water lily). Why?
C1: Is it because you obeyed the order of the sage KOsikan (Viswamitra) (to protect his yagnA from the demons)?
Is it because you killed the demoness tATakai by striking her at her abdomen with your arrow?
Is it because you broke the bow of lord Shiva (to win Sita's hand)?
Is it because you subdued Parasuraman's (another incarnation of vishnu--prior to Rama) arrogance?
Is it due to your long tiresome walk with chaste Sita (the daughter of Janaka, mitilEsan, the king of the city mitila)?
Is it due to the arduous task of crossing the Ganga in the boat of blemishless Guhan?
Is it due to your long stay in the CitrakUTa mountain range?
Is it due to your tiresome chase of mArIcan (uncle of Ravana) (who took the form of the golden deer) all over the place?
Did you get tired after chasing him?
Is it because you got tired looking for your dear wife all over?
Is it due to piercing the seven trees with a single arrow (this refers to Rama's proving his valor to Sugreevan by sending an arrow through seven trees straight)?
Is it due to bridging the ocean (to cross into Lanka)?
Is it because you were sorry to have demolished the fortress of Lanka?
Is it due to your fatigue (or regret) from having destroyed Ravana and his gang?
C3: I have sought your refuge in this earth.
Please give me shelter by accepting my surrender, Oh gold-adorned Ranganatha! (arangam= Srirangam; perumAL= vishnu).
You delivered Ahalaya from her curse by stepping over the stone (to which she was cursed by her sage-husband Gautama after her illicit encounter with Indra).
You also protected KAkAsuran ( a demon). (This is an episode about which I am vaguely familiar but not competent to comment)
When Draupadi (in Mahabharatham) was humiliated, by getting subjected to disrobing in the assembly hall at Hastinapuram, you protected her by letting her garment grow beyond bounds (a reference to Krishna).
You also protected the elephant by killing the crocodile when the latter was dragging the elephant into the water by grabbing its leg.
Just like protecting all the above, please shower your grace on me, cure my misery, and give me boons. Please get up and protect me with your consort Mahalakshmi!
rAmanaik-kaNNAra. rAgA: mOhana. Adi tALA.
P: rAmanaik-kaNNArak-kaNDAnE vibHISaNan kai mAmuDimEl vaittuk-koNDAnE
A: kAmanum shenkamala bhUmanum paNI parandAmanai Ayira nAmanaik-kOdaNDa
C1: veLLamAna vAnara varga naDuvE tambi mEru malai pOl arugE nirkka pUNillA mArbam
puLLivil pODAda mEgham okkat-tOL vaLai nIkkip-pUTTillA mandaram pOl shObhikka mUnru lOkamum
kaLLa arakkar dinam kiLLik- kiLLi arundak-koLLai koDuttamarar tuLLit-tuLLi varunda
vaLLalAgi murai uLLapaDi tirundap-paLLi aravaNaiyait-taLLi ezhundirunda
2: dharumam Agha rUpi karittAnaip-pracaNDa kOdaNDamum aNDamum parittAnait-tAmarai pUtta
karu mukhil pOl avatarittAnE maravuriyaik-kaccai pOla vaccu varittAnai janakan kanni
iru vizhiyilumuLLa karumaNI ena vanda tiru uruvinil oLi perugiDat-tAi munda
vratam koDutta muDi shirasinil koNDu sonda arashan koDutta muDi bharatanukk-anru tanda
3: bhUmi tanil aDikkaDi vIzhndu sUriyanaik-kaNDa pUmalar pOl mukha prabhai shUzhndu rAkSasakula
Anmai ellAm vara varat-tAzhndu sAmi kaDaikkaN Ananda samudram tanil Azhndu sundaram uLLa
kAmanai udaviya mAmanait-tuLasiyantAmanaittirumukha sOmanai bhujabala
vImanai jAnaki vAmanai dEvargaL Amanai varum paNi bhUmanai dasharatha
rAmanukku mannan. rAgA: Anandabhairavi. aTatALacApu tALA.
P: rAmanukku mannan muDi tarittAlE nanmaiyuNDorukkAlE
A: pAmaramE unakkennaDi pEccE pazham nazhuvip-pAlil vizhunArp-pOlAccE
C1: inda vArtai shonnAi enakkevar nEraDi brahmAdiyargaLum varuvAraDi iduvE nalla shIraDi vAyADAdE pAraDi AraDi enakku sari
2: parashurAman garvam tIrttavaNDi nammai ellAm kAttavanDi paTTam kaTTa nAlu pEril mUttavanDi avanDi en kaNamaNi
3: bharatan paTTam kaTTAviTTAl naTTiyO avan sharkkaraik-kaTTiyO en piLLai rAma eTTiyO nAn tAnenna maTTiyO veTTip-pODuvEn unnai
annai jAnaki. rAgA: sAvEri/shankarAbharaNam. Adi tALA.
P: annai jAnaki vandALE rAjAdhi rAjar anaivarkkum kATSi tandALE
A: kannimAr enrum tArA kaNattil candranai nErA poNNin oLiyum pU
maNamum koNDu toDarndu mannan janaka maNI maNTapattil naDandu
C1: sundarap-pAdam vaikkavE rattina shilambin jyOti nilattil moikkavE bhUmiyAghiya
tandAi maghaLukkennavE virittadE mAn-taLir pOla engum minnavE
anda amrtam koNDa indran pOlE dAgham Aghiya rAmar munnE tOghaiyar naDuvAgha
gandha malark-kai vaLai jyOtiyinAlE raNDu kaDaikkaN koNDu rAman vaDippangaL kaNDu koNDu
2: vIra rAman kai tINDiyE iDum pOdavan men kai piDikka vENDiyE amman kaiyAn
vArIca malar virittuk-kATTum sUriyan pOl mANikkak-kankaNam tarittu
shOra naDai kaNDu nErAghAmal mettaduvaLum annangaL pOlak-kavari mangaiyar shuTra
shrI rAmanai viDuttu Ar Arukkum tuyya deivam ivaL enreNNik-kaigaL anjali sheyya
3: shIviya kUndal mElE pUrNa candran pOl terindiDa oruk-kAlE mAlika shUDi
taravillAmal munnAlE dEvargaL sheida tavam veLi vandArppOlE mUvulagum
sheluttum rAvaNanukkup-paNDu mukti koDukka vanda cittira vaDivaikkoNDu
dEvi ivaL enrAl rAghavan inda cinna shilaiyO oDippAn Ezhu malaiyum oDippAn enna
4: darishanam kANap-pOghumO sholla enrAlum shESanAlEyum AghumO indrANi mudal
arivayarkkum mei nANumE rAmanum kANa anantam kOTik-kaN vENumE
brahman mudal eduvum peTravaLukku nalla uruvinnil ini vEru uDaimaigaL enna sholla
arumaiyA ulagirk-kalyANattirp-peNgaL tirumangilayattil iDum tiruvAghiya engaL
Meaning:
This composition describes sItA as she comes to the marriage hall.
annai jAnaki. rAgA: sAvEri. Adi tALA.
P: annai jAnaki vandALE rAjAdi rAjar anaivarkkum kATSi tandALE
sItA (annai jAnakI – mother jAnakI) entered (vandALE) the kalyANamaND(T)apam, and gave (tandALE) all (anaivarkum) the kings (rAjAdi rAjar) assembled there a glimpse (kATSi) of her ethereal beauty.
A: kannimAr enrum tArA gaNattil candranai nErA
poNNin oLiyum pU maNamum koNDu toDarndu
mannan janaka maNI maNTapattil naDandu
Surrounded by her companions (kannimAr – young maidens) who were like (enrum) a group of stars (tArA gaNattil), she shone like (nErA) the full-moon (candiranai). Carrying (koNDu) the luster (OLiyum) of gold (ponnin), and with the fragrance (maNam) of flowers (pU) following (toDarndu) she walked (nadandu) into the pearl-bedecked (maNi) marriage-hall (manTapattil) of her father, the mighty king (mannan) Janaka.
C1: sundarap-pAdam vaikkavE rattina shilambin jyOti nilattil moikkavE bhUmiyAgiya tan tAi magaLukkenavE virittadE mAn-taLir pOla engum minnavE anda amritam kaNDa indran pOlE dAgam Agiya rAmar munnE tOgaiyar naDuvAga gandha malark-kai vaLai jyOtiyinAlE reNDu kaDaikkaN koNDu rAman vaDivangaL kaNDu koNDu
As she placed (vaikkavE) her beautiful (sundara) feet (pAdam) on the ground, the light (jyOti) from precious stones (rattina) in her anklet (Silambin) was reflected (moikkavE) off the ground (nilattil). It looked (pOl) like her (tan) mother (tAi), this earth (bhUmi Agiya), had spread (virattadu) a carpet of tender mango (mAn) shoots (taLir) that shone (minnavE) everywhere (engum), just for (enavE) her daughter (magalukku) to walk on. She finally arrives in the midst (naDuvAga) of her beautiful companions (tOgaiyar) in front (munnE) of rAma who looks like (pOlE) a thirsty (dAgam Agiya) indra (indran) who has caught sight (kaNDa) of a pot of that (anda) nectar (amritam) of immortality. While very becomingly keeps her eyes downcast, she is watching/appreciating (kaNDu koNDu) rAma’s features (vaDivangaL) from the corner (kaDai) of both (reNDu) her eyes (kaNN koNDu) as they are reflected in the sparkle (jyOtiyinAlE) of the bangles (vaLai) that adorn her fragrant (gandha), delicate (malar – flower-like) arms (kai) [1].
[1] This could also mean, arms (kai) bearing the varmAlA of fragrant (gandha) flowers (malar).
enakkun irupadam. saurASTa/rAgamAlikA. tripuTa tALA.
(rAgA: kalyANi)
P: enakkun irupadam ninaikka varamaruLvAi
shrI rAmacandrA enakkun irupadam ninaikka varamaruLvAi
C1: enakkun irupadam ninaikka varamaruL initta dasharathan tanakku maghan
enum manattinuDan avatarittu munivaran maghattil arakkiyai avaditta arasE
(rAgA: bhairavi)
2: naDakkaiyilE ahaliyak-krpai sheidu naDattij-janakan vil oDittu jAnaki kai
piDittu parashurAmanukkum mamataiyaip-pirittu nagaril vandirukkum ayyanE
(rAgA: kEdAragauLa)
3: tarikkum muDi bharatanuk-kudavi nadit-taTattil guhanuDan aDuttu citrakUTa-
varaikkuL jAnakiyODirukkat-tuNaivan nal vaNakkam sheya magizh gunak-kunjaramE
(rAgA: tODi)
4: tuDitta bharatanum oDukkamuDan vara toDuttamidiyaDi koDuttarasu sheya
vaDakkil avanaiyum viDuttu naDuvilE vanattil varum vIrATanaik-konravanE
(rAgA: mOhana)
5: viDukkariya jaTAyuvukk-kuravu sholi viDuttuk-koNDu pancavaTikku shenravuDan
aDutta shUrpaNaki koDutta kharadUShaNat-tirishirar muDi tuNitta rAghavA
(rAgA: dhanyAsi)
6: tanittu varu mArIcanaik-konroruga vandanukkaruLi hanumanaik-koNDoru
sugrIvanuk-kudavi vAli tanaip-porudi vAnarap-paDaiyai Adaritta duraiyE
(rAgA: shahAnA)
7: irukkum hanumantan turaikka nishicarar irukkai arinda pin eritta kaDalilE
perukka aNai sheidu varukkam varukkamA pelatta arakkanait-tolaitta deivamE
(rAgA: SaNmukhapriyA)
8: koDiya indajittan bhrahastan mudalAghak-koLLum mUla bala veLLa arakkar tam
muDiyum kumbhakarNam muDiyum rAvaNan muDiyum poDiyAga viDu pungavanE.
(rAgA: madhyamAvati)
9: ninaittapaDi vibhISaNark-karashu pera nirutti oru puSpa rathattil Eri vandu
dhanattil uyar tarum ayOddhiyilE simmAdanattir-irukkum raghukulak-kumaranE
Meaning:
P: Give me the boon to think about your two feet, Oh Ramachandra, give me the boon to think about your two feet.
C1: Bless me so that I can dwell on your feet. You were born to the king Dasarathan, and in the (sylvan)abode of the rishis you slew the rAkshasi. (I don't know who the rAkshasi is in this context. Also the word that appears in the text is "avaditta"--but I think it could be "vadaitta" meaning slaying).
C2: While walking through the forest you gave life to Ahalya (who was turned into a stone by a curse from her sage-husband Gautama (?)). You broke the bow (siva dhanus) of the MithilA king Janakan and married Janaki. You brought Parasuraman to his knees by subduing him.
C3: You gave up your crown in favor of Bharathan. You crossed the river with Guhan and went into the forest range of CitrakUTam with Janaki in the company of your brother, Lakhsmanan.
C4: When Bharathan came to you with folded hands to offer the kingdom back to you, you refused and finally gave your slippers to him as a substitute for you to be put on the throne and sent him away back to Ayodhya. You also killed the demon VirATan in the forest.
C5: You met JaTAyu and established the relationship with him (Was Jatayu the grandfather or some such relation to Rama?) and then went to PancavaTi. There you slew Kara and Dhushana who were sent by Surpanaka to win you over to her.
C6: When MArIsan (uncle of Ravana) came in the guise of a golden deer, you not only killed him but also blessed him afterwards. Through the intervention of Hanuman you helped SugrIvan by killing vAli and supported the army of monkeys.
C7: After Hanuman set the city of Lanka on fire (after his tail was set on fire by Ravana's assistants) and also burnt part of the ocean, you got a bridge built across the ocean and then destroyed the legions of the demons in Lanka.
C8: You also destroyed Indrajit, Brahstan and other demons in addition to beheading Kumbakarnan.
C9: As promised, you crowned Vibhishana as the king of Lanka, got on an aerial chariot, reached Ayodhya and occupied the throne-- Oh, the gem of ragu dynasty!
Give me the boon to dwell on your two feet!
In caraNam 1 the rAkshasi AK's referring to is probably tATakA, the demoness rAma & lakshmaNa encountered as they accompanied sage viShvAmitrA en route to his hermitage to protect his yAga.Therefore, the word should be "vadaitta," which corresponds with MSSs'rendering(BTW, the rAgas are: kalyANi, bhairavi, kEdAragauLa, tODi, mOhanam, dhanyAsi, sahAnA, shaNmugapriyA & madhyamAvati).
In C2, sage gautama cursed ahalyA for her supposed cheating on him, turning her into a stone (AFAMU, Indra was said to have set his eyes on ahalyA and the Moon supposedly was an accomplist), but did specify that Lord vishNu in the his rAmAvatAr will liberate her (nIlA rAmamUrti, pApanAsam Sivan's daughter, describes this in her rAmAyaNa tAlATTu: "pAdayilE oru kalluruvAy nindRa pAvaikkaruL Sheyda bAlanEt tAlO").
C8: IIRC, prahasta was killed by nala. There are different interpretations and I am open to read others' understanding.
shrI ramachandranuku. rAgA: madyamavati. adi tala.
P:shrI rAmacandranuku jaya mangaLam nall divya mukha candranukku shubha mangaLam
(shrI)
A:mArAbhirAmanukku mannu parandAmanukku IrAru nAmanukku ravikula sOmanukku
(shrI)
C1:koNDal manivaNNanukku kaNNanukku mangaLam kOshalai kumAranukku vIranukku mangaLam
puNDarIkat-tALanukku bhUcakra Alanukku taNDuvaLa tOLanukku
jAnakI maNAlanukku
C2:kOvai maNi vAyanukku mAyanukku mangaLam kOdaNDa kaiyanukku meyyanukku mangaLam
tAvu guNashIlanukku sattiya vishAlanukku dEvar anukUlanukku
dasharathan bAlanukku
(shrI)
C3:bhagIraNDa nAthanukku vEdanukku mangaLam bharatanAm anbanukku munbanukku mangaLam
sakala ulhAsanukku taru mandahAsanukku akhila vishAlanukku ayOdhyA vAsanukku
(shrI)
sharaNam sharaNam enrAnE. rAgA: saurASTra. ATatALacApu tALA.
P: sharaNam sharaNam enrAnE kAvAdE viTTAl tiraNam allavO nAn tAnE
A: ariya vibhISaNan angE arakkanAlum ingE iru shevi kETka vAi viTTu rAghavA enru kUppiTTu
C1: ravi kulattil vandEnE daNDakAraNya davashigaTkurai tandEnE jivirAjan puravAlE
dEham IndAnE maNmElE kavalaiyAl ivan EdO nondu kadarik-koNDingE vandu
2: peTra jaTAyuvum pAindAnE marumaghaTkAi uTra pOril ODi mAindAnE
kattum yAnai Oshai kaNDu kAttAnE mAyan paNDu shatru rAvaNan tambi tAnAnAlum ennai nambi
3: shankarA abhayam enrAnE mArkaNDan avan pongiya kAlanai venrAnE vangaiyO Idenna
vIriyam mAruti shonnadE kAriyam angavan vandennai mEva azhaittu vA nI sugrIvA