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7th January 2012, 01:40 AM
#11
Senior Member
Senior Hubber
Like rprasad rightfully said a lot depends on the film situations and what the director wants.
He cannot give ragas of his choice. For that he needs to do his own albums ( which i wish he does a lot more).
I feel the scope should be created for him to venture into unknown ragas and stuff.
Tell me is it possible to expect a musical oriented subject like Sindhu Bhairavi in this day and time?
Thats all the more reason im excited about Padithurai. Not only is there a song in Saaranga , there is also one in Maand.
Whenever there's been a scope for him to dominate through his music , he has ruled reign and seldom has he fallen below expectations.
Talking about Raagas , Raaja did produce songs in quite a number of different ragas in the last yr
Who would have though he would come up with a Sallapam in Kalaya Nijama ?
And also a reverbrating hard hitting Revathi for the song Kaattu Vazhi from Thandavakone ?
Kalyani is his forte and yet again he came up with a stunning Amrithamayi
There was also a brilliant Brindavana Saranga for the song Mallar Villile from Thandavakone and an amazing Pantuvarali in Sri Rama Lera.
And Vel has already mentioned about bit songs in SRR being in Ragams such as Senchuruti and Saraswati.
I agree with you Aakarsh that there is no harm in expecting the genius to come up with all sorts of rare stuff , but sadly the problem lies in the filmmakers not being able to catch up with him and provide ample scope for him to wand his magic.
I have high hopes on Padithurai considering the director Mr Suka is musically very knowledgeable and would have created the ideal platform for Maestro to show his versatility and class.
The only problem being the film is not releasing and has been lying in the cans for more than a year.
Wish Arya does something to release the movie. Fingers crossed.
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7th January 2012 01:40 AM
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