Yudhdham Sei?
It is a pretty good film. It achieves what it sets out to achieve very very well.
The dry feel of a police procedural, mood-create paNNaNum (MMKR Manorama
) ellAm romba nallAvE vandhirukkum.
Most importantly: name one movie where one recalled the visuals and
camera movement being as central to the 'feel' of the film. adhukkE pArAttalaam.
Usually I am very resistant to concepts like 'cinematic language, camera is the pen' etc. "nee kadhaiyai sollu, kadhaiyai sollu"-nu adam pidippEn.
But this movie helped me get an idea of what they are talking about.
Even now I can think of frames, camera movements which were meaningful and enhanced the scenes.
"Gaze reversal" paththi kooda equa/k-g niRaiya pEsinaanga (naan vEdikkai pArththEn!)
In terms of plot, kadhai - nothing too extraordinary. But for the 'making' factors, it really made one sit-up and take notice of Myshkin.
For instance the watermelon stealing scene. He takes a tense moment and teases the audience. And the next shot is the exact same frame and it returns to something ghastly. "Oh!" oru cinema-la veRum camera position vachchu ivvaLavu seyya mudiyumA!! appadinnu yOsikka vachhcaapla.
Of course it got showy in many places and the edgy nature of acting showed quite funnily at times with Cheran - like the pen-knife fight Roshan mentions
Nondhalala pudikkalainnAlum, aduththa Myshkin padathukku kaNdippA ticket edukkap pOrEnnA adhukku YS dhAn kAraNam.
Originally Posted by P_R
Yudhdham Sei?
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