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5th November 2008, 04:25 PM
#431
Kb's heroines are incredibly masochistic, and handling of such characters is devoid of sensitivity. We have exceptions. But if you watched most of 'em in his oeuvre, you get the feeling the he is subverting "mores" and normality at expense of their characters.
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5th November 2008 04:25 PM
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Circuit advertisement
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5th November 2008, 04:27 PM
#432
Moderator
Platinum Hubber
Originally Posted by
thilak4life
Reading between the lines,
dancing in the night was all unbelievably thrilling to watch. It was extremely make-believe, where was there that kind of 'independence' in the real world.
This reminds me of Revathy in Mouna Raagam, except that she's not a kid.
Yeah, instead she was this young lady whose heart torn apart due to a personal tragedy :P
மூவா? முதல்வா! இனியெம்மைச் சோரேலே
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5th November 2008, 04:29 PM
#433
Originally Posted by
Prabhu Ram
Originally Posted by
thilak4life
Reading between the lines,
dancing in the night was all unbelievably thrilling to watch. It was extremely make-believe, where was there that kind of 'independence' in the real world.
This reminds me of Revathy in Mouna Raagam, except that she's not a kid.
Yeah, instead she was this young lady whose heart torn apart due to a personal tragedy :P
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5th November 2008, 04:36 PM
#434
Senior Member
Diamond Hubber
Originally Posted by
Prabhu Ram
Yeah, instead she was this young lady whose heart torn apart due to a personal tragedy :P
my dad always raises this point to criticise this movie........i mean, she could have just moved on in other aspects in life.....
_________
Rahman's music is the ringtone on God's mobile phone
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5th November 2008, 04:40 PM
#435
Moderator
Platinum Hubber
Maddy, the whole movie was about her not being able to move on.
"ukkArdA sOmbEri" and all sit oddly. I like that film too, but it i will have to say MR was still cutting his teeth.
Regarding Nayagan v Iruvar debate.....I would pick Nayagan twice over.
மூவா? முதல்வா! இனியெம்மைச் சோரேலே
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5th November 2008, 04:44 PM
#436
PR, Nayagan is a great film. But personally speaking, Iruvar is seminal work in Tamil cinema to-date.
I don't know if I could do justice to the film. But once again, Mr.Rangan's review is simply stunning. You should have read it by now.
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5th November 2008, 04:45 PM
#437
Senior Member
Seasoned Hubber
Maddy,
Mani is very much worth discussing .. My problem with him is, he repeats his own stuff again and again.. Hence i got bored..
infact, i like Thiruda THiruda very much.. its a cool movie ..
Top glamorous heroines, top comedian, Oscar winning MD, commercial Director, expensive wig and other big list of commercial items irunthum thaathaa padam flop .. itha vida enna asingam venum ..
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5th November 2008, 04:47 PM
#438
He wrote Story and SCREENPLAY for CAPTIAN's SATHIRYAN. It was one of the best movies of Captain till date
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5th November 2008, 04:59 PM
#439
Originally Posted by
Scale
For Mani, on how to exploit kids appropriately make a sequel on KP, Father & Mother smooching live in front of their childrens. Why MTV, FTV. Great concept for Mani Sir! Kalaachara seerkedu. I can quote many.... <Move to sticky topics>
as u have deliberately brought kamalhaasan(kurudhipunal) into this thread.here are the similar roles which are sketched by kamalhaasan.
kids in kamal movies:
mahanadhi - shobana and the boy (before going to jail and after released from jail.)
avvai shanmugi - the girl charecter
sathileelavathi - 3 kid charecters are there.
kurudhipunal - the kid charecterization(u dint watch only the smooch right?)
aalavandhan twins - flashback
ask mani to watch these movies to know how kids really are in earth!...not as his kids who are from venus.
I think u r so obsessed with that kiss that u have mentioned only that particular scene among kamals movies!
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5th November 2008, 05:08 PM
#440
Senior Member
Veteran Hubber
Originally Posted by
Vivasaayi
ask mani to watch these movies to know how kids really are in earth!...not as his kids who are from venus.
r u from venus , if no, hw r u able to know abt venus kids
Seven social sins:
1.Politics without principles
2.Wealth without work
3.Pleasure without conscience
4.Knowledge without character
5.Commerce without morality
6.Science without humanity
7.Worship without sacrifice
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