Neethane En Ponvasantham | Yeto Vellipoyindhi Manasu | Assi Nabbe Poorey Sau

[sakaLAKALAKAlaa Vallavar]

Neethaane En Ponvasantham - Music - Audio CD (Pre-Order and get a chance to win Passes for the Grand Audio Launch Event )

[KV]

Don't know for sure, Bala, but just guessing if it could be the rhythm guitars for this song.

[Bala (Karthik)]

Yeah, but I'm trying to 'get' 69 analogy here.

As KV has replied, Thala vayasu 69. Ooru aayiram sollum, velaikkaaha maattaar, appreciate panradhu kashtam aana reality appadiyilla....

Also the loopy way in which the song never seems to end, and yet, it has the pause.

Adhu Floyd's "The Wall" albuthukku sollalaam

[Bala (Karthik)]

Seri, kaippilla thoonga poraan. Pinne kanaam nanbarhale....

[San_K]

KV/Sanjeevi
Which part of this song? (teeplight)


Certainly San. Prelude audio ketteengala? enna difference. Andha quality la percussion and bass thella theliva thenpad(an)um

Ayyo naanum adhe light thaan, tunoda nalla oththupoguthunu adichu vitten, btw pallavi rthym-la varala antha bittu?

Where is the prelude? oh in the ursmusically blog? missed to check, will check now.

[kid-glove]

Cha, verum age'a thaan mean pannaara, KaayVeee..

But still think it's quite nice analogy, the other one, positional interloop.

[senthilv.com]

Doesn't quite do justice. The key question is, one is to look around to see if any contemporary song sounds like this. Or a song from the past? Maybe a part here and there reminds one of a Raaja song or three. Cliche of cliches, it's all those and yet nothing like those
Melody in such speed, a love melody that's not all mush, a touch of men-sogam adding depth, such densely packed parts through all the phrases...

100% agree Bala.

If another composer in India came up with this kind of composition and orchestration, he would hailed as the next best thing. Since it is Raja, this is what we expect from Raja. He delivers but we all want him to break a record, take us to enlightenment or something!!

It is like Sachin hitting a century. If a new kid on the block scores a century, the kid would be spoken highly but Sachin's century is *just* another century to his collection.

To me, NEPV music (so far) definitely feels different but there is a sameness because of Raja's touch. The more we listen to it, the more we will be able to pick the uniqueness of it.

Eye brows were raised when GVM took Raja to London but they stand vindicated. Their orchestral playing definitely gives new/different vibe to Raja's score. Even I had some doubt when Raja claimed instrument players in Chennai are a dying breed and the difficulty he faces with this situation. I now agree with him 100%. This is how Raja's score should sound. Well done GVM.

Waiting for the CD now.

PS: Suresh, thanks for the prelude. Raja had me at the prelude.

[kid-glove]

Isn't KV the man who also had 'hit the spot' filmmaker-audience analogy sometime back. This boy is good, I tell you. On face of it, it seems sloppy analogy, but then it goes deep...

[V_S]

Kittu, there's this dude called raasa who supposedly has been fluking his way through since 1976. He happens to be 69 years old and adamant enough to not pursue the advise of many learned folk who believe he should have hung his chappals up long back and be giving his grandson elephant rides at home.

Doesn't quite do justice. The key question is, one is to look around to see if any contemporary song sounds like this. Or a song from the past? Maybe a part here and there reminds one of a Raaja song or three. Cliche of cliches, it's all those and yet nothing like those

Melody in such speed, a love melody that's not all mush, a touch of men-sogam adding depth, such densely packed parts through all the phrases...

Brilliant! Nicely put!

[SoftSword]

overwhelming pOla...
all songs released?? any download link??