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15th September 2012, 12:05 PM
#891
Senior Member
Diamond Hubber
Bollywood,
Hindi cinema,
hindi language,
hindi speaking common man,
hindi speaking ignorant people who think hindi is universal,
hindi speaking racist tards,
are all different things............pls dont confuse by putting all of the above in one umbrella........posting abt hindi films in tamil films section is nothing wrong, IMO......
_________
Rahman's music is the ringtone on God's mobile phone
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15th September 2012 12:05 PM
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Circuit advertisement
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15th September 2012, 12:13 PM
#892
Senior Member
Diamond Hubber

Originally Posted by
ajaybaskar
She was lean and good looking then..
Yes. She looked great in the first song. Ippo Namitha levelngirathu vera vishayam.
Ponnu Vellai tholah? illai Karuppu tholah?
RE: Aennn.. Puli tholu..
Use short words, short sentences and short paragraphs. Never use jargon words like reconceptualize, demassification, attitudinally, judgmentally. They are hallmarks of a pretentious ass. - David Ogilvy
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15th September 2012, 03:56 PM
#893
Senior Member
Diamond Hubber
Bhuavana oru kelvi kuri
- Late 70's TFI is peerless in inversion of screen registry
- Sivakumar's clean slate obviously helps build the false facade to get to his means, in a way, his shortcomings as an actor to suggest mean streak might have worked in him having some human dimensions despite his persuasion, both woman and money
- Rajini's subdued presence alone is enough to subvert his negative screen persona, the whole selfless streak seems convincing. But this again, is a man who has lost his woman and trying to reclaim/erase it, with this bit of martyrdom, the illusion of giving his life a meaning, seems OK
- Women far from being KB type i.e sacrificial machinations at play end up feeling empowered. It is okay to suggest it's all societal, familial and monetary pressures, but it's how the two letter acronymed filmmaker perversely repeats this theme without much nuance, sensitivity and fragility (Melodrama for all senses and purposes as immediate "consequence" of harmony, not a "comeuppance" as it's usually suggested, I'd accept the latter if it gives me other payoffs, which some KB films do) that gets my goat
- YGM's role. The economy helps.. mokkai pOdama sethu tholainjan. One nice bit of dialogue which closes with 'kaaranam illama dhaadi valartha.. Hippie'. I'd be amazed if it came off him..
...an artist without an art.
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15th September 2012, 03:57 PM
#894
Senior Member
Platinum Hubber

Originally Posted by
app_engine
Anand (Rajesh Khanna, Amitabh, Hrishikesh Mukherjee direction, Salilda music)
Different movie...songs are nice but speed breakers... the wonderful female solo got reused by the MD in BM's azhiyAdha kOlangaL (nAn eNNum pozhudhu)...
Strictly one-time watch...(supposedly a super hit those days, AB's first film may be)
idhai reNdAvadhu dhadavai pArthuttu appO bore adichudhunA sollaNum. One of my all time favourites - evLo muRai vENA pAppEn. Lovely. That Amit-ji was worth watching - avar range adhu dhAn but andh rangela Kinggu - but they reduced him to a clown in bollywood (including the sheshappa iyer new age muyaRchchis)
Those songs are worth being placed as speed breaker. The Bengali original of Kahin Door (Amoy prashna kore) sung by Hemant Kumar(as against Mookkesh in indhi) is a collector's item.
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15th September 2012, 03:59 PM
#895
Senior Member
Platinum Hubber
It wasnt Amit-ji's first padam. He did bit roles in other movies (Including Sunjay Dutt's father's Reshma Aur Shera, Saat Hindustani, Mehmood's Bombay to Goa,not to mention flop ventures as villain like Parwana, before the intense roles here and Namak Haram gave him an address, and then Zanjeer/Deewar catapulted him to Bollywood glory)
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15th September 2012, 04:03 PM
#896
Senior Member
Diamond Hubber

Originally Posted by
kid-glove
Bhuavana oru kelvi kuri
Polimer?
I learned long ago, never to wrestle with a pig. You get dirty, and besides, the pig likes it.
- Bernard Shaw
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15th September 2012, 04:14 PM
#897
Senior Member
Diamond Hubber
Yeah. Still going on..
Have to say, the conversation between Sumitra and Rajini in context of giving away of the child is done well.
'Naan yaaru'. Fragility... and therefore of more human dimensions than merely sacrificial. Sivakumar comparing the tidal waves to his situation, when it easily fits in to the reclaiming 'move' of Rajini in assuming this relationship subconsciously, but on outset, nalla kuththi kaatturaar, thavikkuraar kuda.. Indha SPM enga pOnaaru?
Last edited by kid-glove; 15th September 2012 at 04:16 PM.
...an artist without an art.
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15th September 2012, 05:03 PM
#898
Moderator
Platinum Hubber
Last Lear naa paarththa varaikkin OraLavu sumArA nallAvE irunchch.
மூவா? முதல்வா! இனியெம்மைச் சோரேலே
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15th September 2012, 07:59 PM
#899
Senior Member
Diamond Hubber

Originally Posted by
app_engine
ok, watched a garam masAlA...
Captain Prabhakaran...lengthy but impressive!
innum konjam detail'ah post pannalame..
atleast IR music paththi sollalame
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15th September 2012, 08:03 PM
#900
Senior Member
Diamond Hubber

Originally Posted by
19thmay
Boss E Baskaran - After watching OK OK this movie is like a classic. Apart from Santhanam- Arya and Nayanthara

, Panchu Subbu, that VJ sister, Chitra Lakshmanan all equally played their part unlike OKOK.
Special credit to Nayanthara, her facial expressions in the first half, dialogue delivery 
that time i nominated & voted for Nayanthara in hub awards..
why there are no hub awards these days
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