UlagaNayagan KAMALHAASAN in ||"PAPANASAM"|| Directed by Jeethu Joseph

[sakaLAKALAKAlaa Vallavar]

while dasa was in shoot, there was no kalaigner tv. So Kamal kept a dialog - "ஆ சன் டிவி, புடிச்சிக்கிடுங்க!" but when it released, kalaigner tv has born and dasa was brought by them! but that dialog was not removed. in a way he has praised bun tv even without they not giving much respect. even after that, sun tv didnt give much attention to him

Then the scene started slowly changing. Vijay TV raised top and sun tv kind of sinked except for aluaachi serials. so now recent years they suddenly show ot of respect on him, make kamal mashup etc.. but still, their partiality on kamal did NOTHING to him! not even a bit he was affected! now see, for buying one movie papanasam, they made almost half dozen shows based on it and are both cashing on it and also nw giving the right respect!

but, personally i feel sun group shud feel the bad heat. since PN release got over, i hope its banned for some time to teach a pukka lesson to KD bros

[pushpak]

He is a star in the industry for 56 years !! No one has even been a star attraction for more than 50 years anywhere in the world ..

KH will survive come what may ..

I would say "survive" is a wrong word. He will continue to rule.

[sakaLAKALAKAlaa Vallavar]

He is a star in the industry for 56 years !! No one has even been a star attraction for more than 50 years anywhere in the world ..

KH will survive come what may ..

Anban, what Raajjaa wrote, thats known to all of us, i mean, that kamal has successfully surpassed most tough of the toughest barriers and not only that, reached top and stays there!

Survive, Sustain, Succeed, in this survival is the last step. He is in1st step, Succeeding! That and all ok! He faced barriers, he trashed most of them, he now stays much top! agreed. but ppl are worried about the media constantly not giving him his place wrt BO. wrt other things, its undeniable, no media has the guts to put him down even by a bit!

But as a kamal fan iam worried that one side media plays this dirty game, and in spite of he getting new new producers none of them are telling the truth of his success. Aascar was the man! he openly told the figures, praised KH's BO to sky high which is true. Other producers keep mum. For roopam, it was somewhat better. he atleast took effort to announce the numbers indirectly. We hope that continues in his forthcoming films...

[Adox]

Anban, what Raajjaa wrote, thats known to all of us, i mean, that kamal has successfully surpassed most tough of the toughest barriers and not only that, reached top and stays there!

Survive, Sustain, Succeed, in this survival is the last step. He is in1st step, Succeeding! That and all ok! He faced barriers, he trashed most of them, he now stays much top! agreed. but ppl are worried about the media constantly not giving him his place wrt BO. wrt other things, its undeniable, no media has the guts to put him down even by a bit!

But as a kamal fan iam worried that one side media plays this dirty game, and in spite of he getting new new producers none of them are telling the truth of his success. Aascar was the man! he openly told the figures, praised KH's BO to sky high which is true. Other producers keep mum. For roopam, it was somewhat better. he atleast took effort to announce the numbers indirectly. We hope that continues in his forthcoming films...

Ok, the media intentions are mostly political driven. That looks mostly the case and KH does not fight back or seem to care .. But lets look at it from the producer's viewpoint.

It is entirely up to the producer's discretion to put out figures and are not obligated to do so either for the media or fans. In this case of Papanasam, Sripriya, his yesteryear heroine is one of them. And there were even talks that he was actually going to help her out from her loses in her previous production by taking up this movie. It is not likely that there's malice toward KH by either of them to not put out the numbers. Why should they if they have to part with nearly 30% of their profits ? Would you for the sake of appearing a good producer ?

What Aascar did then was to bolster his image which may not be a priority for Papanasam producers.

[Amarshiva]

Ok, the media intentions are mostly political driven. That looks mostly the case and KH does not fight back or seem to care .. But lets look at it from the producer's viewpoint.

It is entirely up to the producer's discretion to put out figures and are not obligated to do so either for the media or fans. In this case of Papanasam, Sripriya, his yesteryear heroine is one of them. And there were even talks that he was actually going to help her out from her loses in her previous production by taking up this movie. It is not likely that there's malice toward KH by either of them to not put out the numbers. Why should they if they have to part with nearly 30% of their profits ? Would you for the sake of appearing a good producer ?

What Aascar did then was to bolster his image which may not be a priority for Papanasam producers.

Completely agree with this..

SA

[Chikatiloan]

Opposite camp la கடவுள் பேர் வச்சிருக்க ஒருவர் தான் நேர்மையானவர், நல்லவர் மாதிரி சீன் போட வேண்டியது ..
இதுல dr இல்லாத போது அங்க கிண்டல் அடிக்குராங்களான்.. ஆளு இல்லாத போது அவுங்கள பத்தி பேசுறவங்களுக்கு ஒரு பேர் உண்டு.
தந்திரம்மா நிறைய வேலைய செஞ்சிட்டு ஒன்னுமே பண்ணாத மாதிரி சீன் போட வேண்டியது ..

வித்துவான் ஒருவர் நமக்கு சலிப்பு தன்மை இல்லைன்னு சொல்றார்..கூத்த பாரு dec மாசம் அவுங்க threadla படத்த பத்தி 1 வார்த்தை பேசுனதுக்கு தமிழ் இலக்கியம் என்னமோ hub ae அவுங்களுக்கு தான் சொந்தம் மாதிரி get out,get lost nu சொல்லுவாங்க..
அப்ப மௌனம்மா இருந்து support பண்ணிட்டு இப்ப பேச்ச பாரு ..

இன்னொருவர் இங்க UV thread la meta analysis நம்ம பண்ணும் போது பெரிய அறிவாளி மாதிரி as a fan உங்களுக்கு அப்படி தோணும்னு சொல்லிட்டு இப்ப கண்மூடி தனம்மா எல்லாம் படத்துக்கும் meta analysis பண்றார்...பண்றது தப்பு இல்லை but அதுக்கு முன்னாடி பேச்ச பாரு ..

No one is perfect!!

[jaypeenattu]

KamalHaasan's Box Office Prowess - An Analysis
This analysis of Kamal Haasan’s BO successes over the years is to serve as an eye opener for not only fans of Kamal Haasan but also other actors, people that calls themselves ‘industry trackers’ and analysts.
1971 – 1980
Kamal Haasan first established himself as the major star in the Malayalam Film Industry (MFI) with major hits like Madanatsavam, Eeta and others. Following his successes there, he planted a firm foot in the Tamil Film Industry during this period with monster hits like 16 Vayathiniley, KalyanaRaman and Sigappu Rojakkal were sandwiched by other major hits like Sattam En Kayil, Illamai Oonjalaadugirathu, Guru, Thayilamal Naanillai and Ram Lakshman amongst others.
In the same period, KH established himself as a major star in the Telugu Film Industry (TeFI) with the blockbuster hits like Sommakoduthi Sogakoduthi and Marocharitra. Aside from straight Telugu films, KH carved a huge market for himself with his dubbed Tamil films doing roaring business in AndhraPradesh.
KH was really riding the BO wave in 2 industries at the same time while continuing with his assault on MFI.
Other aspect of his BO successes was the emerging fan following for KH in Karnataka. Industry insiders used to wonder at his BO prowess that was truly spread across the whole of South India and admit that it was bigger than any other star had to that point including the legendary MGR.
His exalted star status during this period can be exemplified by these 2 instances –
1. KH was supposed to act in the remake of Yaadon Ki Baarat as one of the brothers and the initial ad said “Makkal Thilagam MGR and Kathal Ilavarasan Kamalahasan” inianthu nadikkum “Naalai Namathey”. For reasons not required now, it didn’t happen.
2. One more proof of his star status and fan following in the state of TN was the way MGR wooed KH to join the AIADMK. Their association grew from that and KH even had a song featured in late MSV’s Mangala Vaathyam, which referred to MGR and his party’s 2 leaves symbol (Vandina athu vandithaan, vaathyaru vandithan)
1981 – 1988
With South India truly conquered and under his domain, KH set his sights on the North of Vindyas and expanded his empire through the blockbuster Ek Duuje Ke Liye. For the first time ever, Indian cinema truly had an All India SuperStar in Kamal Haasan. As though the producers of Allavudeen and Arpudha Vilakku were prescient, they had advertised 1 year earlier in the popular Trade Guide magazine (featuring real box office numbers) saying “All India Super Star KamalaHasan in AAA”. It came true in 1981.
1982 started with the romantic tearjerker Vaazhvey Maayam. He topped VM in his next movie Moondram Pirai and even though both were super hits at the BO critics were claiming that KH might not command major success at BO. They were truly made to shut up with the astounding blockbuster that was Sakalakala Vallavan. TFI had never seen a movie become such a monstrous hit and that broke all previous records held. There was no questioning KH’s Super Star status anymore. He followed that with one of the classiest movies ever made in India with Sagara Sangamam, which turned out to be a monster hit in AP. More than any other movie, this gave KH the confidence that a classy movie can also set the cash registers ringing in a big way.
Blockbusters and Super Hits flowed like the river Cauvery of a bygone era across all languages in the form of Sanam Teri Kasam, Kakki Sattai, Swathi Muthyam, Saagar and whole host of others.
1989 – 1999
KamalHaasan broke all paradigms of commercial movie making with blockbuster hits like Aboorva Sagotharagal, Devar Magan, Indian, Avvai Shanmughi. Be it the use of available technology, novel way of story telling, retaining nativity KH showed his true mastery over the film medium which nobody before or after could achieve. For the first time, since KH took over the mantles from MGR and Sivaji, a true competitor emerged during this period with Rajinikanth having his first blockbuster hit in 1994 (Baasha).
Given the changing political trends in the state and KH avoiding politics like the plague and turmoil in his personal life sort of took a toll on his movie career in the next phase.
2000 – 2015
KamalHaasan made some memorable movies during this period like Hey Ram, Aalavandaan, Anbe Sivam and the recent Uttama Villain which did not achieve its potential at the BO. But he delivered stunning blockbusters with Tenali, Vettaiyadu Vilaiyadu, Dasavatharam, Vishwaroopam and Papansam.
To put all this into perspective, let us look at his contemporaries from different industries.
Tamil – Rajinikanth was a late bloomer at the BO and owed his success to the media but has been struggling massively to succeed on his own terms since his last genuine hit in 1999 (Padayappa)
Telugu – Chiranjeevi has long been forced into retirement
Malayalam – Mammooty and Mohalal are still around but they are limited in both what they can do on screen and their box office clout
Even though KamalHaasan started on his film career well before the above-mentioned contemporaries, he is still on top of his game calling the shots and making movies on his own terms while delivering hits at the BO.
This is the true story and extent of KamalHaasan’s BO potential that our present day “analysts” refuse to acknowledge while followers of younger stars is unaware.

[jaypeenattu]

this i read somewhere

[dell_gt]

Sidhu ‏@sidhuwrites 9h9 hours ago
#Papanasam is a quiet winner. The film is holding on despite the waves from other biggies. Sadly, media has no time to talk about this.

[dell_gt]

trichy movies
‏@trichymovies
Coming Week Also No New Releases at LA Cinemas . #Baahubali and #Papanasam Continues http://www.trichycinemas.in/