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Thread: UlagaNayagan KAMALHAASAN in ||"PAPANASAM"|| Directed by Jeethu Joseph

  1. #1131
    Senior Member Devoted Hubber dell_gt's Avatar
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    #KamalHaasan's #Papanasam "SUCCESSFUL 5th Week!" - Thanjavur, Tiruchy & Tirunelveli.
    #UttamaVillain#

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  3. #1132
    Senior Member Devoted Hubber dell_gt's Avatar
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    #KamalHaasan's #Papanasam Chennai & Suburban Current Theatres List & Showtimes (July 31st - August 6th, 2015)

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  4. #1133
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    Papanasam well into its 4th week of US release/run!!

    http://pragathi.com/movies/Papanasam...ets-schedules/




    படம் utterஒ utter flop - மிக பெரிய தோல்வி.

    படத்தோட மொத்த budget 350 கோடி (Oscaraவிட பெரிய award வாங்கின உலக புகழ் கிப்ரனுக்கு மட்டும் 50 கோடி சம்பளம், படத்தை இயக்கிய ஜீத்து ஜோசெப்க்க்கு 75 கோடி சம்பளம், கலாபவன் மணிக்கு 30 கோடி, மீதி நடிச்ச அத்தனை பேருக்கும், தலா 20-30 கோடி சம்பளம் - கமல்/கௌதமி இவங்க ரெண்டு பேருக்கு மட்டும் daily bata of Rs.300 - அதுவும் அவங்க கேட்டதுக்காக - மணியாச்சி வரைக்கும் போற ரயில்ல செகண்ட் கிளாஸ் two way ticket)..

    அந்த 350 கோடில இப்ப தான் 100 கோடி முக்கி முனகி தாண்டிச்சாம் - பாவம்!

    Rumor is that both North Carolina and California states were secretly bribed by Sripriya and co, to keep it in theaters even if they were totally empty…thus overshooting their budget of 350 crores by another 100 crores..

    This movie is NOT even break even - are you kidding me?!
    Last edited by irir123; 31st July 2015 at 08:42 PM.

  5. #1134
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    Quote Originally Posted by irir123 View Post
    Papanasam well into its 4th week of US release/run!!

    http://pragathi.com/movies/Papanasam...ets-schedules/




    படம் utterஒ utter flop - மிக பெரிய தோல்வி.

    படத்தோட மொத்த budget 350 கோடி (Oscaraவிட பெரிய award வாங்கின உலக புகழ் கிப்ரனுக்கு மட்டும் 50 கோடி சம்பளம், படத்தை இயக்கிய ஜீத்து ஜோசெப்க்க்கு 75 கோடி சம்பளம், கலாபவன் மணிக்கு 30 கோடி, மீதி நடிச்ச அத்தனை பேருக்கும், தலா 20-30 கோடி சம்பளம் - கமல்/கௌதமி இவங்க ரெண்டு பேருக்கு மட்டும் daily bata of Rs.300 - அதுவும் அவங்க கேட்டதுக்காக - மணியாச்சி வரைக்கும் போற ரயில்ல செகண்ட் கிளாஸ் two way ticket)..

    அந்த 350 கோடில இப்ப தான் 100 கோடி முக்கி முனகி தாண்டிச்சாம் - பாவம்!

    Rumor is that both North Carolina and California states were secretly bribed by Sripriya and co, to keep it in theaters even if they were totally empty…thus overshooting their budget of 350 crores by another 100 crores..

    This movie is NOT even break even - are you kidding me?!
    Typo - 4 weeks has already elapsed .. on its 5th week run. Had happened only during VR. Only difference is that VR made more than a million which is strange.

  6. #1135
    Senior Member Diamond Hubber sakaLAKALAKAlaa Vallavar's Avatar
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    Chennai #Luxe Cinemas Add Special Morning Show For Family Blockbuster #Papanasam On Saturday (30th Day) & Sunday (31st Day) ! #Suyambulingam
    Vishwaroopam is a 220+ Crores Record breaking Blockbuster!
    https://twitter.com/KamalHaasanFans

    Uttama Villain Reviews Collection - http://goo.gl/MSBVxv

  7. #1136
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    South Indian superstars always have an upper edge over Bollywood actors in South remakes!

    Whenever a South Indian film starring versatile actors like Kamal Haasan, Rajnikanth, Mohanlal or Mahesh Babu is remade into Hindi with top notch Bollywood actors, it is frequently observed that the South Indian superstars have always stolen the action and have had an upper edge over their Bollywood counterparts.

    Remember Vinod Khanna in DAYAVAN, remake of Kamal Haasan’s NAYAKAN; Anil Kapoor in EESHWAR, remake of Kamal Haasan’s SWATHI MUTHYAM, Arjun Kapoor in TEVAR, remake of Telugu film OKKADU, starring superstar Mahesh Babu etc. The recently released Ajay Devgn starrer DRISHYAM is also the best example.

    DRISHYAM which is a remake of the South superstar Mohanlal’s Malayalam blockbuster by the same name, written and director, Jeethu Joseph. The same movie has also been remade into Tamil as PAPANASAM by Jeethu Joseph with Kamal Haasan in the lead role.

    While both Mohanlal and Kamal Haasan have won the hearts of the cine buffs and critics alike by their mindboggling poignant performances alas Ajay Devgan fails to recapture the versatility of his South equivalents.

    What is amazing is that these so-called Bollywood Superstar candidly acknowledge too that the South Stars are better than them.

    In an interview Ajay frankly accepted, “Mohanlal and Kamal Haasan are fabulous actors and veterans. I'm not scared if people come and tell me that they're better actors because I know there are.”

    However what is painful is that instead of learning from them Ajay Devgan has just discarded these veterans quoting, “I am not afraid of Mohanlal and Kamal Haasan because I have no fear from them. They are not my not my contemporaries and I'm not competing with them.”

    Ajay Devgan makes this statement so effortlessly that as if Mohanlal and Kamal Haasan would have been his contemporaries and if he had to compete with them then he would have sharpened his skills and easily outscored the two legendary maestros with his histrionics!!!

    One wonders why these Bollywood stars make such lame excuses if they do not have the ability to stand in front of such legends.

    http://www.indiaglitz.com/south-indi...ws-138985.html

  8. #1137
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    Credit: Ulaganayagan Fans FB

    I BET THAT YOU WILL BE ASTONISHED TO SEE THIS BOX OFFICE REPORTS

    Total hits ( 100 days&25 weeks ) % - 70.27% (104 FILMS)

    25 weeks or more % - 25.68% (38 FILMS)

    100 days or more ( excluding 25 weeks or more films ) % - 44.59% (66 FILMS)

    --------------- ---------------- -----------
    as HERO : 148 FILMS ( upto DASA )
    --------------- ---------------- -----------
    Tamil - 91
    Hindi - 13
    Telugu - 12
    Malayalam - 27
    Kannada - 4
    Bengali - 1
    --------------- ---------------- -----------
    25 weeks or more : 38 FILMS
    --------------- ---------------- -----------
    Tamil - 21
    Hindi - 7
    Telugu - 6
    Malayalam - 3
    Kannada - 1
    Bengali - 1
    --------------- ---------------- -----------
    100 Days or more : 66 FILMS
    --------------- ---------------- -----------
    Tamil - 40
    Telugu - 10
    Hindi - 9
    Malayalam - 7
    Kannada - 3
    --------------- ---------------- -----------
    5 Mega Hit Films In a Year (1982)
    --------------- ---------------- -----------
    26 jan - Vaazhve Maayam - 220 days
    19 Feb - Moonram Pirai - 329 days
    15 may - Sanam Teri Kasam (Hindi) - 25 weeks
    14 Aug - Sakalakala Vallavan - 25 weeks
    29 Oct - Yeh To Kamaal Ho Gaya (Hindi) - 25 weeks
    --------------- ---------------- -----------
    Tamil ( As Hero ) - 25 weeks or more
    --------------- ---------------- -----------
    16 Vayadhiniley - 25 weeks
    Ilamai Oonjalaadugirad -hu - 25 weeks
    Sigappu Rojakkal - 25 weeks
    Kalyana Raman - 25 weeks
    Meendum Kokila - 182 Days
    Vaazhve Maayam - 220 days
    Moondram pirai - 329 days
    Sakalakala Vallavan - 25 weeks
    Thoongathe Thambi Thoongathe - 253 days
    Oru Kaidhiyin Diary - 192 Days
    Punnagai Mannan - 25 weeks
    Naayagan - 25 weeks
    Pesum Padam - 25 weeks
    Aboorva Sahodarargal - 229 days
    Michael Madana Kamarajan - 200 days
    Devar Magan - 25 weeks
    Mahanadhi - 200 days
    Sathi Leelavathi - 25 weeks
    Indian - 25 weeks
    Avvai Shanmugi - 25 weeks
    Thenali - 25 weeks
    --------------- ---------------- -----------
    Telugu ( As Hero ) - 25 weeks or more
    --------------- ---------------- -----------
    Marocharitra - 1000 days@Kavitha Theatre in Bangalore
    (Source : filmchamber.com -), 596 days@Chennai

    Anthuleni Katha - 25 weeks
    Saagara Sangamam - 300 days
    Swathi Muthyam - 200 days
    Indrudu Chandrudu - 25 weeks
    Drohi - 25 weeks
    --------------- ---------------- -----------
    Hindi ( As Hero ) - 25 weeks or more
    --------------- ---------------- -----------
    Ek Duje Ke Liye - 52 weeks
    Saagar - 50 weeksGeraftaar - 50 weeks
    Sanam Teri Kasam - 25 weeks
    Yeh To Kamaal Ho Gaya - 25 weeks
    Pushpak - 25 weeks
    --------------- ---------------- -----------
    Malayalam ( As Hero ) - 25 weeks or more
    --------------- ---------------- -----------
    Madanolsavam - 200 days
    chankyan - 25 weeks
    yeetta - 25 weeks
    --------------- ---------------- -----------
    Kannada ( As Hero ) - 25 weeks or more
    --------------- ---------------- -----------
    Kokila - 25 weeks
    --------------- ---------------- ------------
    Bengali ( As Hero ) - 25 weeks or more
    --------------- ---------------- ------------
    Kabita - 25 weeks
    --------------- ---------------- -----------
    Tamil ( As Hero ) - 100 Days or more
    --------------- ---------------- -----------
    Manmatha Leelai
    Sathyam
    Moondru Mudichu
    Nizhal Nijamaagiradhu
    Sattam En Kaiyil
    Neeya
    Thaayilamal Naanillai
    Ninaithale Inikkum
    Guru
    Varumayin Niram Sivappu
    Ram Lakshman
    Raja Paarvai
    Kadal Meengal
    Savaal
    Tick Tick Tick
    Maria My Darling
    Ellam Inbamayam
    Simla Special
    Sattam
    Salangai Oli
    Kaakki Chattai - 150 days
    Kaathal Parisu
    Sippikul Muthu
    Per Sollum Pillai
    Sathya
    Soora samharam
    Vetri Vizha
    Guna
    Singaravelan
    Nammavar
    Kurithipunal
    Kaadhala Kaadhala
    Pasavalai
    Aalavanthan
    Pammal K Sambantham
    Pancha Thanthiram
    Anbe Sivam
    Virumaandi
    Vasool Raja MBBS
    Vettaiyaadu Vilaiyaadu
    --------------- ---------------- -----------
    Telugu ( As Hero ) - 100 Days or more
    --------------- ---------------- -----------
    Sommokadidhi Sokkadidhi
    Andhamaina Anubhavam
    Idhi Kathakadhu
    Aakali Rajyam
    Prema Pitchi
    Amavasya Chandrudu
    Guru
    Oka Radha Idharu Krishnalu
    Andarikante Ghanudu
    Subha Sankalpam
    --------------- ---------------- -----------
    Hindi ( As Hero ) - 100 Days or more
    --------------- ---------------- -----------
    Zarasi Zindagi
    Sadma
    Yeh DeshEk Nai Paheli
    Yaadgaar
    Raj Thilak
    Karishmaa
    Hindustani
    Chachi 420
    --------------- ---------------- -----------
    Malayalam ( As Hero ) - 100 Days or more
    --------------- ---------------- -----------
    Raasaleela
    Nirakudam
    Anandam Paramanandam
    Vayanadan Thamban
    Allauddinum Albhutha Vilakkum
    Viratham
    Daisy
    --------------- ---------------- -----------
    Kannada ( As Hero ) - 100 Days or more
    --------------- ---------------- -----------
    Kokila
    Maria My Darling
    Benkiyalli Aralida Huvu
    Rama Shama Bama
    Posted by kamalhaasan 1 comments

    Interesting Notes :-

    As I had mentioned earlier this is not an exhaustive list.

    Continuous houseful shows – It means the movie shows have gone houseful in a row. Some movies which are super hit might run for 200 shows as continuous houseful and then register houseful shows intermittently while still doing well

    On the number of days I have erred on the lower side and will provide the exact number of days later when I get my hands on my record sheet which unfortunately is back home.

    Where I have mentioned 175 days in Madras, it does not mean that the movie did not run for 175 days in other cities in TN.

    There are several other movies that have broken box office records but do not figure in this list becoz they did not make it to 175 days or I just missed them and will add to this list later
    Upto the mid to late 80’s one of the most popular way to judge the star power of an actor was by the length of the queue for advance booking in Madras. When it came to advance booking there was and there is no other actor/ -star who can hold a candle to Thalaivar. Some of the queues for advance booking for Thalaivar’s movies like Sakalakalavallavan, Ek Duuje Ke Liye, Tik Tik Tik, Thoongathe Thambi Thoongathe, Raja Paarvai, Devar Magan (2nd week), Kuruthipunal were just astounding and cannot be matched by anyone

    During MGR’s rule his cronies, even though they were also fans of Thalaivar, did not want anyone to break MGR’s record especially Ulagam Sutrum Vaaliban’s record in Madras. Just to give you all some background on Ulagam Sutrum Vaaliban –
    Was the biggest box office record holder in Tamil films until Sivaji’s Tirisoolam
    Ran for 25 weeks (regular shows) and 227 shows continuous houseful in Devi Paradise – Madras
    For the advance booking during its release the queue started at Devi Paradise counter on the top floor (those days) and came winding down the ramp on to the car park, spilled on to Mount road and extended into neighbouring Shanthi theatre.

    The movie was booked in advance for 28 days which was matched by Thalaivar’s Raja Paarvai (100th Movie)

    Whenever a movie threatened Ulagam Sutrum Vaaliban’s record in Devi Paradise and failed the fans of MGR will celebrate by printing some notices or posters till Thalaviar’s Aboorva Sagodharagal broke that record by registering nearly 300 continuous houseful shows

    Proof for all the points mentioned above:

    https://plus.google.com/photos/+Kama...59505245736753
    Last edited by USV; 1st August 2015 at 11:48 PM.

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  10. #1138
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    உலகநாயகன் தவிர உலகில் வேர எந்த ஒரு நடிகரும் ஒரே வருடத்தில் 5 வெள்ளி விழா கொடுத்ததில்லை.

    இதில் ஹிந்தி இரண்டு

    5 Mega Hit Films In a Year (1982)
    --------------- ---------------- -----------
    26 jan - Vaazhve Maayam - 220 days
    19 Feb - Moonram Pirai - 329 days
    15 may - Sanam Teri Kasam (Hindi) - 25 weeks
    14 Aug - Sakalakala Vallavan - 25 weeks
    29 Oct - Yeh To Kamaal Ho Gaya (Hindi) - 25 weeks

    மொத்த எண்ணிக்கையிலும் வேர எந்த ஒரு நடிகரும் உலகநாயகன் ஐ போல் வெள்ளி விழா, 100 நாள் படங்கள், வெற்றி பெற்ற ஹிட் படங்கள் கொடுத்ததில்லை.. எண்ணிகையில் பல்வேறு மொழிகளில் ஹிட் கொடுத்ததில் உலகநாயகன் ஐ மிஞ்ச ஆள் இல்லை ..
    Last edited by USV; 1st August 2015 at 11:35 PM.

  11. #1139
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    How is Hindi Drishyam?

    It seems that it has lot of negative reviews.

  12. #1140
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    Quote Originally Posted by nsv View Post
    How is Hindi Drishyam?

    It seems that it has lot of negative reviews.
    I was just watching the box office update and review for Bollywood in a Hindi Channel.

    The review was very negative about the casting of Shriya Saran and Tabu BUT very positive about Ajay's acting and the second half.

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