Scintillating Seventies - Folk
Scintillating Seventies - Light & Semi-Classical
Scintillating Seventies - Advent of WCM Technical Depth
Exhilirating Eighties - Early 80's fusion
Exhilirating Eighties - Mid 80's Auto-Pilot Smooth orhcestration
Exhilirating Eighties - back to folk in the late 80's(Ramarajan etc)
New Age Nineties - Early 90's classics(Devar Magan, Ejamaan etc)
New Age Nineties - The Malayalam Majesty
Maestro's Magic - 2000's
Apparently, a democracy is a place where numerous elections are held at great cost without issues and with interchangeable candidates.
- Gore Vidal
Aiyiram MalargalE malarungal amutha geetham padungal - wow what a tune, Jency maam's voice , IR 's compostion , with yester year beauty Rati Agnihotri! In fact I loved all the songs in the film.
Iru paravaigal malai muzhuvathum inge again by Jency maam ! and a commical 'Muthul muthulaga kadhal duet' by Balu sir and Janaki amma!
Om Namaste astu Bhagavan Vishveshvaraya Mahadevaya Triambakaya Tripurantakaya Trikalagni kalaya kalagnirudraya Neelakanthaya Mrutyunjayaya Sarveshvaraya Sadashivaya Shriman Mahadevaya Namah Om Namah Shivaye Om Om Namah Shivaye Om Om Namah Shivaye
Parking lot listen this morning :
சங்கீத மேகம் தேன் சிந்தும் நேரம் ஆகாயம் பூக்கள் தூவும் காலம்
நாளை என் கீதமே எங்கும் உலாவுமே நாளை என் கீதமே எங்கும் உலாவுமே
என்றும் விழாவே என் வாழ்விலே
(படு ஜோரான எஸ் பி பி, உதய கீதம் படத்தில்)
It's possible that Puru was in-charge of the rhythm section (or played drums or both). What a flow! This song, pAdavA un pAdalai and such ones had that "running" kind of feeling evoked simply by drums (check out the prelude of this song or the second interlude of pAdavA un pAdalai for e.g.)
And combine that with some strong wind instruments and powerful string sections, you make people feel like they're sitting in a race car!
sangeetha mEgham's second interlude can easily compete for a place among the "all-time-top-ten" in TFM!
I don't get this kind of high with ANY of IR's new songs, though he should have access to all kinds of high tech. / better recording etc now.
They simply LACK energy! This has nothing to do with nostalgia, bias etc as I try to be 100% objective. (compare sangeetha megam with any of ponnar-sankar songs, for e.g.).
This has nothing to do with the singers as I'm talking mainly about prelude / interludes.
Last edited by PARAMASHIVAN; 19th April 2011 at 10:18 PM.
Om Namaste astu Bhagavan Vishveshvaraya Mahadevaya Triambakaya Tripurantakaya Trikalagni kalaya kalagnirudraya Neelakanthaya Mrutyunjayaya Sarveshvaraya Sadashivaya Shriman Mahadevaya Namah Om Namah Shivaye Om Om Namah Shivaye Om Om Namah Shivaye
Om Namaste astu Bhagavan Vishveshvaraya Mahadevaya Triambakaya Tripurantakaya Trikalagni kalaya kalagnirudraya Neelakanthaya Mrutyunjayaya Sarveshvaraya Sadashivaya Shriman Mahadevaya Namah Om Namah Shivaye Om Om Namah Shivaye Om Om Namah Shivaye
A great song from Kiratakudu:
I am unable to place the raga exactly. Somebody, please clarify.
Superb SPB apart, look at the way the drums complete the saraNam!
There's a karoke version of this song in the original LP record which was often used as "cassette end filler" by recording centers and one can hear them often on buses etc.
The energy of the drums adi (tam-tum-dam-dachchAAing) for the 'நான் தான் சகல கலா வல்லவன்' part - I don't remember listening to something powerful like that recently...it's mostly "tsk-tsk" stuff![]()
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