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15th June 2011, 07:29 AM
#11
Senior Member
Veteran Hubber
Rare but Sweet Relationship
Simti si Sharmai si from Parwana (1971). What a memorable song!
Guitar strumming prelude! When Kishore sings 'Sharmai si' even a stone heart will melt. If you already started amazing the sweetness of pallavi, charanam sounds more sweeter and with Kishore's 'vengalam' and 'gaantham' voice attracts you completely. This was one of the special tunes composed especially for Kishore.
Another beauty of the song is the underlying rhythm pattern. When charanam starts with 'Jab Tak Tumhe Dekhaa Nahi' the percussion starts only at 'Tumhe Dekhaa Nahi' and it's so casually done. Also when Kishore sings 'Sharmai si' in pallavi after Charnam, there is a stop and then the beat starts with a sort of jerk giving a wonderful listen.
One of the first Madan Mohan songs I have been introduced to in 90's. Before I knew Madan Mohan's compositions, I used to think only Shankar-Jaikishen, SDB and Naushad were greatest composers, but this is one of the songs that proved me wrong completely. After this song I completely went back to 50's and 60's of MM (but not to forget his 70's gems like Baawarchi, Mausam, Parwana et al) and still stuck there. Also Madan Mohan and Kishore Kumar combination is very rare. MM preferred mostly Talat, Rafi, Lata and Asha for his style of compositions. Even though he belong to punjab school of composers, you can see there will be no hint of punjabi influence in his compositions which is another unique aspect. Sad part is he left us very early at the age of 51. Geniuses like Madan Mohan ji are not born again.
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15th June 2011 07:29 AM
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