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31st August 2011, 03:45 PM
#1211
Senior Member
Platinum Hubber
Allow me somehero worship:
ennamA english pEsaRAru thalaivaru. sema flow and grammar.
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31st August 2011 03:45 PM
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31st August 2011, 03:46 PM
#1212
Senior Member
Platinum Hubber
And whenever he slips to telugu, that pronounciation of telugu
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31st August 2011, 03:48 PM
#1213
Senior Member
Platinum Hubber
And he says very proudly he used only North Indian instruments mostly. ada paavi, nAnga telugu flavour evLO sooperA vandhurukkunnnu aacharaiya pattukittirukkOm. coolA ipdi solRA. How does he manage this.
Make no mistake - pucca telugu flavour so much so that I strongly believe the movie will be immersed in telugu culture. How?
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31st August 2011, 06:50 PM
#1214
Senior Member
Veteran Hubber

Originally Posted by
Plum
And he says very proudly he used only North Indian instruments mostly. ada paavi, nAnga telugu flavour evLO sooperA vandhurukkunnnu aacharaiya pattukittirukkOm. coolA ipdi solRA. How does he manage this.
Make no mistake - pucca telugu flavour so much so that I strongly believe the movie will be immersed in telugu culture. How?
'seetha seemantham' is set to a qawwali rhythm! yet another facet of IR's creativity in using a rhythm structure introduced to India by the persians/mughals for a film based rooted in hindu mythology! am not sure something like this has been attempted before!
"The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep"
-Robert Frost
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31st August 2011, 07:54 PM
#1215
Senior Member
Veteran Hubber
irir123,
Absolutely. Infact when I first heard the rhythm of 'Seetha Seemanthamu' I laughed out loud. I had the same thought as you, about it being a qawali rhythm. What subversiveness !!
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31st August 2011, 09:01 PM
#1216
Senior Member
Senior Hubber
Suresh, while on the subject, any guess why Seeta Seemantam has two charanams tuned for happy & sad moments (different rhythms)? I think the first charanam will be picturized in the palace when her seemantam is done with all gaiety and grandeur while the second charanam may be happening after she is sent to the forest by Rama.
On another note, I just noticed the two charanams of Sri Rama Lera has different tunes (may be ragas also?) and the bridging back to pallavi done seamless, as if we work out the same problem in maths in two different methods and arrive at the same answer.
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31st August 2011, 09:27 PM
#1217
Senior Member
Seasoned Hubber

Originally Posted by
Plum
And he says very proudly he used only North Indian instruments mostly. ada paavi, nAnga telugu flavour evLO sooperA vandhurukkunnnu aacharaiya pattukittirukkOm. coolA ipdi solRA. How does he manage this.
Make no mistake - pucca telugu flavour so much so that I strongly believe the movie will be immersed in telugu culture. How?
I think RAM story happened in NI and hence north indian instruments , but made in telugu and hence the tunes have that flavor ?
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31st August 2011, 09:39 PM
#1218
Senior Member
Veteran Hubber
barring seeta seemanthan, the rest of the songs have rhythm/tala structure more in tune with andhra folksy stuff, despite using north indian instruments such as dholak etc and the melodic structure(s) have strong resemblance to IR's use of certain ragas in telugu films during the 1980s! hence the telugu flavor
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1st September 2011, 12:43 AM
#1219
Senior Member
Veteran Hubber
Venky,
I think your guess is right. Going by the words, the first charanam happens in the palace. The next charanam happens in the forest, in Valmiki's ashram. It is not sad but the gaiety is less. He slows down the rhythm to convey the absence of Sita's relatives in the function.
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2nd September 2011, 11:28 PM
#1220
Senior Member
Platinum Hubber
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