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1st December 2011, 06:26 PM
#11
Senior Member
Senior Hubber
V_S ji
Speechless after reading your post on Ada Machamulla .
You just keep getting better and better 
Youve added some masala too with an Erotic touch 
Really liked your division of the song into the categories Dance and Drama , Poetry and Sex and Finally Music
Keep up the brilliant work.
I really liked the way you ended
"If Visual forms like Dance, Film, Drama, Painting, Sculpting etc invoking visual imagination in us is such a great thing, a non-visual form like Music, especially Maestro's music invoking visual imagination in us is not a superior form of creative art?
How very true , this is one song (and there are many others too) which makes you admire Music and the creativity behind such a hallmark composition.
Going to the song , this was one number i didnt hear till too long ago and it got my pulse racing when i listened to it.
This is a song which has everything you want - The Bass lines , Counterpoints between melody and bass and also melody and melody and also Harmony with the Trumpets playing over 2 octaves , absolutely jaw dropping singing by SPB and S Janaki , to add to the magic TVG pitches in with some Nadhruthaana humming and elevating the song to another level.
Also the song follows Adi Thalam , but there seems to be an Anaagatha Eduppu (the Pallavi Ada Machamulla starting after the beat). Its just half a beat difference and evalo assault a SPB and S Janaki pick that part and manage the challenge . And i also think there is a minor rhythm change only in the Charanam with the notes playing Ni Sa Ni Sa Ni Sa Ri Ma Ri Sa Ni ~ moving from Chatushram to Tisram just for a brief while and then its back to trademark Adi Thalam.
A Keeravani Spectacle
You just cannot but admire this song .
Man of the Match to V_S for decoding this landmark composition.
Take a bow
Last edited by skr; 1st December 2011 at 06:35 PM.
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1st December 2011 06:26 PM
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