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22nd January 2012, 01:26 PM
#11
Senior Member
Diamond Hubber
It wasn't that emotional to me. Every emotion is at best a corollary derived to the clauses applied prior. Awkwardness, and wanting to add dimensions (even though certain supporting characters are dimensional in mechanical fashion, something that every filmmaker has to wrestle with ), is his forte.
The Elder one did well. Mourning inside the pool was terrific filmmaking, and very good acting. I don't know, but I'd really want to try that sometimes. Adolescence, obviously she's a lot less turbulent & revolting once she revealed the reason of her fall-out and indifference to the family. There's something for 'em as a UNIT (for the first time in their lives) to tackle with. Towards the end, they're all seated together. It's that 'moment' that we're taken into, what the future holds isn't really implied, isn't it?
Clooney's character made to run in a quirky manner? There's 'The American' Clooney, 'Syriana' Clooney, & there's 'Descendants' Clooney. Descendants one is a old 50-something rich widower, and I thought for a sedentary worker, his running style to be apt. Be it over the hair-pin bend slopes of the road, or the linear run across the sands of the beach. Of course, there's an element of humor in it. But it didn't seem out of place.
...an artist without an art.
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22nd January 2012 01:26 PM
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