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14th June 2012, 11:11 PM
#11
Senior Member
Seasoned Hubber
Just saw Shangai. I have always liked Dibakar Banerjee's films and Shangai is no exception. His way of detailing his characters is very good and I guess thats the reason we get to understand his characters in flesh and blood. Well the performances do help in this regard. But just that Dibaker strikes an extra chord in terms .So in the almost every character has been etched in a very vivid manner.
Pluses
Dibaker banerjee's direction- A very predictable story, but not once are we left at lurch. He's made sure that he keeps the audience attention in check. Moreover his intelligent use of subtle humor even in places of frim is commendable. The enquiry scene where a boy enters a room to catch his basketball completely oblivious to the fact that an investigation's going on , followed up by how both Abhay and kalki slip on the wet floor are all testimony to this.
Abhay Deol- another portrayal that this guy can be proud of. Its not easy to portray a man who's seemingly calm but has a storm brewing over in the inside and abhay nails it perfectly. His body language is remarkable throughout and half of the credit should go I guess again to Dibaker. His portrayal of a tamil guy is way better than the disdainful stereotypes we've seen over the years
Emraan hashmi- It was a good performance...possibly the guy's best and it does work in the favour of the movie
Half a dozen great performances - Supriya Pathak, Prosenjit chatterjee, Pitobash Tripathy, Farooq Sheikh
Minuses-
Kalki Koechlin- Be it the character or the portrayal. Possibly the weakest link of the movie . There is one redeeming scene in the end though, that actually elevates her character from gross uni- dimensionality , but just
Songs- Two item numbers. Well that's what I call them. They had no purpose what so ever.
Last edited by Arvind Srinivasan; 15th June 2012 at 08:58 AM.
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14th June 2012 11:11 PM
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