View Poll Results: Golden Period of IR Music

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60. You may not vote on this poll
  • Scintillating Seventies - Folk

    1 1.67%
  • Scintillating Seventies - Light & Semi-Classical

    3 5.00%
  • Scintillating Seventies - Advent of WCM Technical Depth

    4 6.67%
  • Exhilirating Eighties - Early 80's fusion

    30 50.00%
  • Exhilirating Eighties - Mid 80's Auto-Pilot Smooth orhcestration

    15 25.00%
  • Exhilirating Eighties - back to folk in the late 80's(Ramarajan etc)

    2 3.33%
  • New Age Nineties - Early 90's classics(Devar Magan, Ejamaan etc)

    3 5.00%
  • New Age Nineties - The Malayalam Majesty

    1 1.67%
  • Maestro's Magic - 2000's

    1 1.67%
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Thread: Raja's Gems - the latest one you heard...Part 3

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  1. #11
    Senior Member Veteran Hubber
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    kiru,

    You said it right. Right from the bass in his 70s and 80s, which many probably didn't hear at that time, to all the layers he does today, he knows what will impact the listener deeply. I was recently speaking for a long time with my friend about Raja and was putting forth the theory that I hold dear. That Raja believes in us (not tfmers but listeners ) more than we believe in ourselves. What I mean is that Raja is very sure that as a listener we will eventually 'get' the emotion and 'feel' the impact of the music. We may be unaware of the music making process and related technologies but our ears can hear music and our mind/heart can comprehend what Raja produces. That is one reason why Raja never any dumbing down when Raja is concerned. The hidden oboe, the hidden bass or the hidden trombone will impact you without your knowing. Whether you discover it, like Vinod her does very well (and shares with us) or you don't discover these instruments, you will still feel their impact. That way, no one that I know in Indian Film Music has had so much trust as Raja had on his listeners. And whatever people like V_S, app_end, Vinod have been doing here is repaying the trust in a very small way.

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