Ennodu vA vA endRu solla mAttEn
sAindhu sAindhu nee pArkum pOdhu adadA
kAtRai konjam niRkach chonnEn
vAnam mella keezhiRangi maNNil vandhu aadudhE
muthal muRai pArtha nyAbagam
satRu munbu pArtha mEgam mARi pOga
pudikkala mAmu padikkaRa college
peNgaL endRAl poiyyA poi dhAnA
Raja of 90s: http://onlyraja.wordpress.com
Raja of 90s: http://onlyraja.wordpress.com
Could be. But you do know that Surya played a late 80's student in VA?
...an artist without an art.
In saying that, I mean I wouldn't be surprised to see Jeeva and Samantha standing in for real life Gautham and his early love interest. Isn't he a 80's boy?
Also, one could be forgiven for saying it has that 'feel'. It's quite possible that GM asked Raaja to get that feel, but Raaja does have a lot of fun here, which makes it seem quite ageless on subsequent listening.
But few new ids seem to show up mysteriously to plainly undermine/dismiss it as dated.
...an artist without an art.
The "Tharunam Tharunam" sudden in-flush (overfilling the sandham, as someone pointed out, and someone wondered if it was poor lyric writing in action) in Vaanam mella:
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"Tharunam Tharunam" creates a feeling as if someone is plucking a guitar, if you see what I mean.
The Choir portion in the prelude definitely revives many school memories and vividly paints my primary school's playground in my mind. I expressed this straight away when I heard this number. http://www.mayyam.com/talk/showthrea...l=1#post943870
So maybe GVM had some intention behind keeping it as BGM in this setting. However, this song equally demands a lavish picturisation otherwise I feel it may hinder the approach of this song compared to the rest of the numbers after the movie's release. Any clips or idea of how other songs have been shot? We have come to know EVV is shot on the bus (?)
GVM has overlaid the song with dialogues (looking at the Vaanam Mella song), thereby taking away the amazing interludes.. Why can't they pause.. and then playI hope the rest of the songs are not given the same treatment!
Atlast soaking up in the Lost Paradise of Raja's divine rhythms and tunes!.
I need to point out one thing (I would still say that Raja is the greatest of tamil kalaingnars)..Raja has neglected the importance of lyrics, poetic words and such, for the songs in this album. That is one standing out jarring note in this..
"irubathu nilavukaL nagam engum oLi vidum...hey hey..iLamaiyin kanavukaL vizhiyOram sudar vidum......" - the lyrics enhanced and beautified Raja's music earlier...he needs to add that Magic again.
You dont need a vairamuthu to do that...there are enough great lyricists around..the problem seems to be - Raja's conviction to avoid poetic lyrics.
M.K. Narayanan, Sivasankara Menon, A.K.Antony, Satish Nambiar, Vijay Nambiar, Nirupama Menon Rao....
இந்திய தேசியம், இந்திய நீதி, இந்திய தருமம்:
இலட்சம் தமிழன் செத்தாலும் பரவாயில்லை. ஒரே ஒரு <டிங்க்> மனசும் கூடப் புண்பட்டுவிடக்கூடாது!
டகால்ட்டி திராவிடன் கருணாநிதியின் கையால் சாவதைக் காட்டிலும் ஒரிஜினல் <டிங்> ஜெ.வின் கையால் அழிவது மேல்!
"The Recrudescence of Thamizh ethnicism is deadlier than Ebola Virus - declares Dr. Varna Ratna, announcing the path-breaking discovery.."
Ramya NSK's short interview in which she speaks about her experience working with IR on NEPV. Apparently, including the two songs from this album, she has recorded 9 songs with him. Interesting!
+1 for Geno point.
சொல்லிச் சொல்லி ஆறாது சொன்னா துயர் தீராது...
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