Originally Posted by
mappi
Moondram Pirai - Romance
While writing that title, I felt that it was not a suitable one, but as the topic in hand revolves around it, I could not find an appropriate one. Its been a while (say few years) that I have watched Moondram Pirai,but the images are still intact and I am just recollecting few points from the notes I had taken while watching the film.
A womanhood is culturally described as multidimensional where she takes up different roles in her life. That was exploited by many film makers. What Balu Mahendra (BM) puts forward is the male version. The 2 main characters share emotions from the male POV where he supports her as a father, brother, friend, teacher & of coarse dreams of his body needs. Here is where BM carefully - in the sense without using any vulgarity - showcases lust. About the other needs, caricatured as Sins are also present in the movie.
Yes, Kamal plays a teacher, but his student is a different one. She is not a kid but an adult. So the angle of 'teacher-student' should be approached with care, as its not that which is highlighted but how Kamal sustains himself before the 'Adult-Kid' whom he met initially with other intentions. He is the teacher of that immature mind and not for the matured body (it goes well age wise too). Add in being single and the symbols that provoke him in the day to day life through magazines and other mediums. The emotional break-down is the point here, where he over comes his body needs. If he was shown manhandling Sridevi, then there is something wrong, but never he does that. Thoughts are those grasses, cut them short and your mind becomes a decorated garden. He keeps her in this decorated garden by mowing down all those unintentional thoughts, which climb up inside any normal human being.
Here is where Silk comes into picture. Silk and Kamal are parallels - Silk living with a 'body' older & Kamal living with a 'body' younger - but both spirit does not know their true potential where the old one thinks he is still capable, and the young one has no clue what its capable. Thus Kamal and Silk form a lusting pair, where Silk has no boundaries, but Kamal has a well defined one. Its for this notion we have the provocative incidents - one such is where silk uses her feet to seduce Kamal but Kamal covered the feet of Sridevi when the saree gets misplaced.
The whole saree dream episode is on the Adult (body) of Sridevi (repeat - the circumstances he meet her, more importance is to the motive). But what he sees is actually the Kid form where the mind overtakes the body, well for both of them. Thus Kamal accepts the reality, his duty, and bundles up all his selfish desires and goes ahead to cure her accepting a rather hypothetical outcome. Here again it shows the cultured man in Kamal where he does his duty by striving forward keeping aside all the hindering and disturbing thoughts seeing only the pointer and not the beautifully carved arrow.
And the climax, Kamal looks for that kid and not the parting adult Sridevi. That's another clue that he has overcome the "romance" and is craving for the "affection". So concluding the togetherness to be romantic means the search was incomplete. Romance is just a charged force which Balu Mahendra uses to sky-rocket a relationship's pure form.
Moondram Pirai - Wandering Mind.
