மனதை கவரும் மதுர கானங்கள் இரண்டாவது பாகம

[gkrishna]

வாசு சார் அவர்களின் வின்சென்ட் கட்டுரை படித்த போது சில நினைவுகள் வந்தன .
வயநாடன் தம்பன் கமல் லதா நடித்து இருக்கும் மலையாள hooror movie .
கமல் தன இளமை நீடிப்பதற்காக கன்னி பெண்களை மயக்கி பலி கொடுக்கும் வேடத்தில் நடித்து இருப்பார் .தமிழ் இல் கன்னி வேட்டை என்று டப் ஆகி வந்தது . கமல் 100 வயது கிழவனாக தோல் சுருங்கி வரும் வேடம் நல்ல நினைவில் உள்ளது
y ஜி மகேந்திர குரல் கமலுக்கு பின்னணி குரல் . இரு நிலவுகள் படத்தில் போல்

[Richardsof]

[Richardsof]

[gkrishna]

அதே போல் 'பார்கவி நிலையம்' திரை படம் ஒரு எழுத்தாளர் தனியாக பெரிய வீட்டில் இருந்து கொண்டு கதைகள் எழதும் போது அவருக்கு கிடைக்கும் சில புதுமையான அனுபவங்களை சித்தரிக்கும் திரைப்படம்
விஜய நிர்மலா ஆவியாக வருவார்



Adapted from the Sultan’s short story Neelavelicham from the compilation of his short stories Paavappettavarudey Veshya (The Destitutes’ Whore), the story emphatically told you and showed you the existence of the supernatural and a narrative that was heart-warming and gut-wrenching at the same time, told in simple prose, the way only the Sultan could. Madhu ( The Unnamed One onscreen ), a struggling novelist rents out a mansion considered haunted by the spirit of a young lady who died under mysterious circumstances in it. A die-hard romantic, foolhardy and brave, the author senses a great story in the making, if only he could get it from the “source.” The Spirit, sensing this slowly befriends the novelist, and in their interactions unravel a gripping tale of jealous rage, misdirected and cold vengeance and a cosmic propriety to deliver justice, even after so many years. The movie was also the debut of two actors, the lead actress Vijaya Nirmala in Malayalam cinema and a certain Padmadalakshan who would go on to become the Kuthiravattam Pappu as we know him today, with the moniker borrowed from this movie, MP Kuthiravattam. Bhaskar Rao ( A Vincent’s protege’) was the Director of Cinematography (an amazing job in Black and White! ).

The Songs of Bhargavi Nilayam.

The songs that went on to become a part of the Malayalam cinema’s playback heritage were written by P Bhaskaran, set to music by MS Baburaj.

[ Please click on the respective links to watch the available video clippings ]

Anuragamadhuchashakam S Janaki
Arabikkadaloru KJ Yesudas, P Susheela
Ekanthathayudey Apara Theeram Kamukara Purushothaman
Pottatha Ponnin S Janaki
Pottithakarnna ( Pathos Interlude ) S Janaki
Thamasamenthe Varuvaan KJ Yesudas
Vasantha Panchaminaalil S Janaki

ராஜேஷ் சார்/வாசு சார்/மது சார் சில பாடல்களை கொடுத்த நினைவு

[vasudevan31355]

அதே போல் 'பார்கவி நிலையம்' திரை படம் ஒரு எழுத்தாளர் தனியாக பெரிய வீட்டில் இருந்து கொண்டு கதைகள் எழதும் போது அவருக்கு கிடைக்கும் சில புதுமையான அனுபவங்களை சித்தரிக்கும் திரைப்படம்
விஜய நிர்மலா ஆவியாக வருவார்

[vasudevan31355]

[vasudevan31355]

[vasudevan31355]

[gkrishna]

வாசு சார்
வின்சென்ட் இன் கட்டுரைகள் சில நினைவலைகளை மீட்டி விட்டன
கேரளாவில் 1980-81 கால கட்டத்தில் இருந்த போது பார்த்த சில படங்களில் பார்கவி நிலையம் திரைப்படம் ஒன்று . நமது தமிழ் நெஞ்சம் மறப்பதில்லை போன்று இருக்கும். மது அருமையாக நடித்து இருப்பார்
இந்த படத்தை பற்றி திருவனந்தபுரம் ஹிந்து பதிப்பில் திரு விஜயகுமார் அவர்கள் எழுதி உள்ள (தமிழ் இல் ராண்டார் கை எழுதுவது போல் )
விமர்சனம்

Madhu, Prem Nazir, P. J. Antony, Vijaya Nirmala, Adoor Bhasi

This first ghost story film in Malayalam is 45 years old. Released on November 22, 1964, the film confirms the existence of supernatural powers unlike some of the early Indian films in this genre.

Even suspense thrillers of the later period, which can also be classified under the ‘ghost story’ group did not deal with ‘real’ ghosts. For example Hindi films like ‘Bees Saal Baad’ (1962), ‘Woh Kaun Thi’ (1964), ‘Kohra’ (1964) had heroines in disguise as ghosts. But in ‘Bhargavi Nilayam,’ the audience, for the first time in Indian cinema, were told about the existence of the supernatural .

This ghost film was developed from a short story, ‘Neela Velicham,’ by Vaikom Mohammed Basheer, which was included in his short story compilation titled ‘Paavappettavarude Veshya’ published in 1952. The script and dialogues of the film was written by the novelist himself. The film was a huge box office hit. The film marked the directorial debut of noted cinematographer A. Vincent. It was noted for its camera work by P. Bhaskar Rao that gelled well with the script. But the highpoint was the haunting music by M. S. Baburaj.

An enthusiastic and talented novelist (Madhu) comes to stay in a desolate mansion named ‘Bhargavi Nilayam.’ The novelist and his servant Cheriya Pareekkanni (Adoor Bhasi) experience the presence of a strange entity here. They come to know from the local people that it is a haunted house. The story is that it is haunted by the ghost of the daughter of the previous owner. The novelist and his servant encounter strange happenings here - the gramophone plays on its own, objects move around. The novelist finds some old letters written to Bhargavi (Vijaya Nirmala) by her lover Sasikumar (Prem Nazir). It is believed that the ghost of Bhargavi now haunts this house.

The letters give some indication about their love affair and their tragic death. The novelist decides to probe the matter. He starts writing the story of Bhargavi. The information gathered from the local people and the hints in the letters help him in his writing. The story develops. Bhargavi falls in love with her neighbour Sasikumar who is a talented poet and singer. Bharagavi’s father’s nephew, Nanukuttan (P. J. Antony) is also in love with Bhargavi. But Bhargavi hates Nanukuttan who is a wicked wastrel. Nanukuttan tries all nasty tricks to separate the lovers. He kills Sasikumar. Bharagavi becomes furious when she comes to know of her lover’s murder. In a scuffle Nanukuttan pushes Bhargavi into a well, killing her. Nanukuttan spreads the news that Bhargavi had committed suicide.

The novelist reads out the story to the ghost who by now has become quite compassionate with him. Nanukuttan overhears the story. He fears that once the story is published the truth behind the death of Bhargavi and Sasikumar will be out. He attacks the novelist and a fight ensues. Both of them fall into the well in which Bharagavi was drowned. The novelist is helped by the ghost but Nanukuttan is killed. This is Bharagavi’s revenge.

Madhu excelled in the role of the novelist. Prem Nazir was at home in the role of a romantic hero. P. J. Antony was stunning as the ruthless Nanukuttan, while Adoor Bhasi provides some light moments with his comedy. Pappu, who later became popular as Kuthiravattom Pappu was cast in a small comic role. His character was called ‘Kuthiravattom,’ a name that stuck for the rest of his career. Vijaya Nirmala excelled in what probably was her first major role.

All the seven songs by P.Bhaskaran and Baburaj are popular even today. ‘Thamasamente varuvaan…’ sung by K. J. Yesudas is still considered by many surveys as the best film song in the language. ‘Vaasantha panchami naalil....,’ ‘Anuraga madhuchashakam...,’ ‘Pottatha ponnin kinavu kondoru...’ and ‘Potti thakarna kinavu kondoru…’ all sung by S. Janaki became super hits. The Yesudas-P. Susheela duet ‘Arabikkadaloru manavalan...’ and Kamukara Purushothaman’s masterpiece ‘Ekanthathayude apaara theeram...’ are the other memorable songs.

Will be remembered: As the first ghost film in Malayalam. The only film for which Vaikom Mohammed Basheer wrote script and dialogues. As the first Malayalam film of Vijaya Nirmala, for its wonderful music, and for the directorial debut of A.Vincent.

B. VIJAYAKUMAR

[gkrishna]

வாசு சார்
பார்கவி நிலையம் நிழல் படங்கள் அருமை (ஒரு வார்த்தையில் சொல்வதாக நினைக்க வேண்டாம் ) வேறு வார்த்தை வரவில்லை.

பின்னாட்களில் வெளி வந்த லிசா,மீண்டும் லிசா ,மணிசித்திர தாழ்,ஸ்ரீ கிருஷ்ணா பருந்து போன்ற படங்களுக்கு பிள்ளையார் சுழி